Carpenter s Workshop

Holy Family in the Carpenter’s Workshop, Antique German Chromolithograph c.1900 This beautifully composed late nineteenth-century German chromolithograph portrays the Holy Family in an intimate domestic scene set in the carpenter’s workshop of Saint Joseph. Saint Joseph is shown at work with hand tools, shaping wood with calm concentration, while the young Christ stands beside him holding a carpenter’s mallet and plane, symbolically participating in the labor of His earthly father. The Virgin Mary sits quietly nearby, spinning or winding thread, watching over both with serene devotion. All three figures bear softly glowing halos, emphasizing their sacred presence within this everyday setting. The composition is rich in symbolic meaning. The carpenter’s tools and wooden beams reference Christ’s future Passion and the cross, while the youthful participation of Christ in Joseph’s trade underscores the themes of obedience, humility, and the sanctification of daily labor. The Madonna’s gesture toward her heart reflects maternal love and quiet contemplation. Through the open landscape beyond the wall, distant hills and buildings evoke the Holy Land and create depth and peace within the scene. This type of Holy Family imagery was especially popular in Catholic households at the turn of the century, intended as a model for family life rooted in faith, work, and devotion. The scene offered both spiritual instruction and emotional warmth, presenting the Holy Family not in glory, but in humble daily life. Such images were widely displayed in private homes, schools, convents, and parish buildings. The print was produced using traditional chromolithography, a complex multi-stone printing process that allowed for the rich, luminous colors and fine painterly detail visible in the drapery, skin tones, and landscape. The halos, floral elements, and wooden textures show exceptionally fine tonal control. This is a genuine period devotional chromolithograph and not a modern reproduction. The lower margin printing confirms German production for the Catholic devotional market. Large-format Holy Family scenes of this quality and color preservation are becoming increasingly scarce and are highly desirable to collectors of religious iconography and historic devotional prints. Condition report: Very good overall condition. Colors remain strong, fresh, and well saturated. Light age toning visible mainly in the margins. Minor handling wear consistent with age. No major tears, losses, or water damage observed. The image area itself is clean and visually striking. Framing tips: This print displays beautifully in a soft gilt or antique gold frame that complements the warm tones of the workshop setting. A light ivory or warm cream mat enhances the colors without overpowering the scene. Dark walnut or cherry wood frames also work exceptionally well for church, rectory, or classic interior settings. Technique: Chromolithograph Maker: German devotional press, printed in Germany, circa 1900 holy family carpenter workshop saint joseph carpenter print child jesus with tools virgin mary devotional art antique catholic chromolithograph holy family wall art german religious print christ child carpenter family devotion image religious home interior print antique christian wall art catholic household devotion sacred family scene turn of the century devotional saint joseph and child jesus holy family workshop scene printed in germany religious antique religious lithograph...

Three Seated Dalmatians in Neoclassical Interior, Anderson School / Workshop, Unframed, 20th Century This monumental painting, titled Three Seated Dalmatians in Neoclassical Interi...

Set inside a carved gilt framed behind protective glass, this watercolor on paper painting was created circa 1970 and signed in the lower right corner by the artist, George Carpenter. The peaceful artwork has a simple composition with a thick forest surrounding an icy stream in the foreground. The artist method gives us an undeniable moving, impressionistic feeling. The classic style landscape is in excellent condition and has heavily pigmented colors in a blue, green and deep purple palette. George Carpenter was an impressionist painter of watercolor landscapes and exhibited in the United States, Canada, and abroad. Born on December 13, 1928 in Boston, Massachusetts, George was the son of George Gillis and Daisy Winifred Carpenter. He married Virginia Forsyth on October 14, 1966 and served in the Korean Conflict with the 82nd Airborne Unit. He moved to Ogunquit, Maine in 1966 to pursue his passion of painting. By his own count he estimated prior to his death that he had created 18,000 pieces of art while living there and operating his studio in Perkins Cove...

Paolo Veronese: A Master and His Workshop in Renaissance Venice by Virginia Brilliant and Frederick Ilchman. Published by Scala Arts Publishers Inc....

Oil on canvas. Bust portrait, very light three-quarter length, frontal gaze. The model wears a short powdered wig and a simply knotted salmon-colored tie. The neutral brown backgroun...

An Italian Micromosaic (micro mosaic) plaque of the "Doves of Pliny", Vatican workshop, late 19th century, Rome within giltwood frame carved with acan...

Louis Gustave Cambier (1874-1949) Titled: "Intérieur D'atelier" (Workshop interior). This magnificent large oil painting on canvas depicts an elegantly dressed artist in his work...

17th century, Nuvolone workshop Annunciation Measures: Oil on canvas, 98.50 x 127.00 cm - with frame 144 x 115 Depicted is a canonical Annunciation which sees Mary on her knees ...

Oil on canvas portraying the visit of Venus to the forges of Vulcan. French school of the 2nd half of the 18th century. Undoubtedly executed by a pupil of François BOUCHER; who died...

St Ives Water Colour Painting Cornwall 19th Century England by Maurice Randall (1865-1950) Fisherman gathered around the notice board on Smeatons Pier, Saint Ives, Cornwall showing b...