"Cristo Negro de Esquipulas"

A brilliant and lively depiction of a crowded cafe scene in 1945, this painting by Adalie Margules Brent depicts a slice of Black America at the end of World War II, probably in New Orleans, complete with a waiter, fashionably dressed men and women and wafts of cigarette smoke...

A mixed media on canvas black painting with texture by Mexican artist Beatriz Zamora. The painting is signed and numbered on the back; it is undated. Beatriz Zamora (1935) is a Mex...

A mixed media on canvas black painting with texture by Mexican artist Beatriz Zamora. The painting is signed, numbered and dated 1990 on the back. Beatriz Zamora (1935) is a Mexican...

A. DE CORTÉS - Vintage Latin American school airbrush still life painting on panel - signed lower right - untitled - unframed - late 20th century. Excellent vintage condition - st...

Portrait of Doña Narcisa Barañana de Goicoechea, MET Authorized Copy, oil, 1937 Magnificent copy authorized by the Metropolitan Museum of Art (New York) of Francisco de Goya's origi...

abstract painting by the Grenoblois painter Jacques de Feline in his last period. Abstract and lyrical work, Jacques' wife was a French poet who had a lot of influence on his way of ...

Oil on canvas painting signed M. L. Daguerry, located Paris and dated 1888 on lower left corner. Wooden frame and gilded stucco. France, 1888.

Vert de Jaune Painting, acrylic paint on canvas. Exceptional and unique piece signed by Nastassja Mahiques.

Alois De Laet grew up in the Schipperskwartier in Antwerp, where his mother ran a café. De Laet was initially more interested in music. He took lessons from Peter Benoit and played the piano in his mother's café. As a painter he was self-taught. In 1900 he was the first to exhibit at the social philosophical movement 'De Kapel'. There he met artists such as Eugeen Van Mieghem and Henry Van de Velde. De Laet called himself one of the first Antwerp socialist artists. After the First World War he achieved success with his landscapes of the Kalmhoutse Heide and the Antwerp polders. He was a member of various art circles, including Eenigen, Als ik Kan, de Scalden, La Libre Esthétique and Vie et Lumière...

Copy of a landscape painting titled "Souvenir de Mortefontaine" showing view of tree by lake with figures in foreground