English 19th Century Oil Painting of Terriers Dogs by Artist Colin Graeme Roe

A magnificent pair of large oil paintings of cathedral city scenes by Augustus Bentley (British, fl. 1880–1910), each finely detailed work depicting bustling continental street scene...

French Victorian gilt framed oil painting of seated black and white terrier (signed DUBOUY, 1904).    

An oil painting of two rustic dogs fighting over a piece of food. It is painted on an oak panel. Signed top left. The signature is a bit faded, it's a monogram J.S. by Joseph Stevens. He often signed with a monogram. In a gilded frame frame with gesso moldings. Dimensions frame: 41 x 47 cm Dimensions painting: 17 x 23 cm. Joseph Stevens is the older brother of the very well-known artist Alfred Stevens. In the book 'The Belgian Art Book' by J. de Geest, it is written that Joseph Stevens has given a new dimension to painting animals. Joseph Stevens is an early representative of realism and social art. While Eugene Verboeckhoven has royal dogs pose on a beautifully embroidered cushion, Joseph Stevens already has an eye for the dark side of animal existence: exploitation by man, who in turn is a victim of society. His first successful painting, Brussels in the morning, shows how miserable dogs and poor people suffer the same fate. In the Sandman, Stevens shows a joint effort of man and dog, in which the viewer cannot ignore the social conditions: exhausting labor at dawn in some suburb. The gray sky and monochromy of the suburb add to the sinister atmosphere. Joseph Stevens was one of the first artists to take the urban proletariat as his subject. Stevens enjoys a very high reputation in his Parisian years. His brother Alfred writes: 'I am of this time, but you, Joseph, you are of the race, and thus you are of all times.' French critics agree. Stevens' works are a source of inspiration for the literature of the time. For example, Beaudelaire writes a poem about Stevens' dogs. Joseph Edouard STEVENS. Belgium, 1819-1892 Stevens was a painter, etcher and engraver. Brother of the gifted painter Afred Stevens. Education at the Academy in Brussels (1834-1835). Debuted at the Salon in Brussels in 1842. Continued his career in Paris in 1852. He was primarily the painter of canvases depicting domestic animals (dogs, monkeys, horses), sometimes in curious, even idiosyncratic situations, and far from romanticism. This realism, of which he was one of the pioneers, earned him the interest of critics and intellectuals. His approach was defined by this contemporary realism that eschewed idealized depictions of animals as heroic emblems of nobility. Rather, Stevens emphasized the ordinary animals of everyday life, with a particular focus on working dogs, stray dogs and all of the mutts that wandered the streets of Brussels. Museums and public collections, including' Royal Museum of Fine Arts Brussels, Ghent, Hamburg, Paris, Musée du Louvre, Rouen, Musee des Beaux-Arts. Stuttgart, State Gallery. King Leopold...

English 19th century oil painting.

Large 19th Century English Oil Painting -Five Hunting Dogs- signed E. Armfield. Large, signed painting in oil on canvas. This ...

Framed Oil Painting on Canvas by Colin Graeme (1858-1910) dated 1902 is a stunning work, considered by art historians to be definitive of the genre. Although the focus is on the hor...

A nicely executed mid C19th British School oil on canvas, depicting a clipper vessel named ‘Jennie’, with other vessels and cliffs of Dover in the background, and realistic seas. Set...

A beautiful antique painting with a scene of two dogs. Oil on wood panel. The painting is framed in a classic gold-coloured wooden frame. The painting is unsigned, maker unknown. Est...

19th century oil on wood of sheep in a Meadow by Charles Grant Davidson in original 19th century giltwood frame-size includes frame.

Very fine 19th century English oil painting by artist Walter Lievules. Featuring a tranquil landscape and a river in a beautiful frame. Pretty! Circa 1890. 33.5 w x 26h x 2d