English Oil Painting of Horse and Groom Attributed to Ben Marshall, circa 1805

A wonderful and singular set of two early 19th century Anglo-Indian Company School watercolour paintings, likely Murshidabad, depicting 'Sati' or 'Suttee', the historical practice in which a widow sacrifices herself by sitting atop her deceased husband's funeral pyre, and the procession to the pyre. The reverses labeled "From an album of watercolours and drawings belonging to Eliza Frederica Salmon and possibly her sister Mary Salmon, daughter of William Orton Salmon who served in India circa 1800...

A wonderful circa 1810 Italian school oil-on-canvas painting of an artist or painter in his studio seated legs-crossed in a chair facing the canvas on easel with palette and brush in...

A black ink and sepia wash drawing by French artist Jean-Baptiste Le Prince of a classical scene of Roman soldiers with camel signed and dated lower left. T...

A circa 1725 oil on canvas portrait of Louis George Simpert, as Hereditary Prince, the future Margrave of Baden-Baden (Deutsch: Ludwig Georg Simpert, Markgraf von Baden-Baden) portrayed one-quarter length in powdered wig and wearing ceremonial armor and crimson sash newly fitted in a period molded giltwood frame with bead-and-reel inner border from the Eli Wilner collection. Canvas measures 24.5" x 19.25". A related, but later portrait of circa 1735, attributed to the same unknown painter, is held in the collection of Lichtenthal Abbey, Baden-Baden. Biography: Louis George or Ludwig Georg Simpert, Margrave of Baden-Baden, born June 7, 1702 at Ettlingen Palace was the son of Louis William, Margrave of Baden-Baden and his wife, Princess Sibylle of Saxe-Lauenburg. Hereditary Prince of Baden-Baden from birth, at the death of his father in 1707, he succeeded as Margrave of Baden-Baden at the age of four. As such, his mother was regent of Baden-Baden until he reached his majority on 22 October 1727 at the age of 25. He married Maria Anna of Schwarzenberg April 8, 1721 at Český Krumlov Castle. The couple were the parents of four children, of whom only one survived infancy. After the death of the first Maria Anna in 1755, he married the Princess Maria Anna Josepha of Bavaria on July 10, 1755; the daughter of Charles VII, Holy Roman Emperor and his Austrian wife Archduchess Maria Amalia. The second marriage remained childless. Due to his passion for hunting instead of military service, he became known as "Jägerlouis", "hunter Louis", a play on his father's nickname of Türkenlouis ("Turk Louis") due to his famous heroics against the Turkish army at the Siege of Vienna...

An English 19 th century oil on canvas of horse and jockey painting in carved gilt wood frame. This 19th c English oil on canvas is a 19 th c...

The Racehorse Owner English School, early 19th century watercolour on artist paper mounted on board, framed in wooden frame framed: 19 x 22.5 inches board: 12 x 17 inches Provenance:...

Portrait of a Bay Hunter Horse with Groom, in an English Landscape by Francis Sartorius (English, 1734-1804) signed and dated 1762 oil painting on canvas, correct period antique gilt...

John Ferneley Jnr British, (1815-1862) Horse & Groom in a Stable Oil on canvas, indistinctly signed Image size: 18.75 inches x 23.25 inches Size including frame: 23.5 inches x 28 inches Provenance: The Parker Gallery, Berkeley St., London A mid-19th century sporting painting of a horse and groom in a stable by John Ferneley Jnr. A stable hand is depicted in the middle of a stall grooming a bay horse. Nearby, a tabby cat can be seen resting on table whilst a small black and tan dog wanders by a door to the left. John Ferneley Junior was born in 1815, at Melton Mowbray, the son of the sporting artist John E Ferneley (1782-1869) and his first wife Sarah. His brother Claude Lorraine Ferneley (1822-1892) and sister Sarah Ferneley...