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“Figures on Frozen Lake” Winter Landscape Painting, Dutch, 19th Century

$1,700List Price

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Located in Lisbon, PT
A 19th-century Dutch harbor scene painted in sfumato technique depicting the tranquil at a bustling port. The composition features a caravel sailboat and a smaller boat drifting nea...
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19th Century Lake House Oil on Canvas Painting
Located in Denton, TX
Antique 19th century country French lake house oil on canvas painting with walnut frame Signed Fiter.
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19th Century Biedermeier Painting with Swans on a Lake
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19th Century Biedermeier Painting with Swans on a Lake This antique oil painting, set in a wooden gilded frame, was painted on canvas in the late...
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"Winter s Glow" 19th Century Dutch School Painting by Johann Jungblut
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Located in Potters Bar, GB
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19th Century Swiss Antique Oil Painting of Mountains by Francois Niederhausern
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18th Century Flemish School Pair of Antique Landscape Paintings
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FLEMISH SCHOOL 18th century "Resting on the Bluff" - a Pair Circle of Pieter van Bloemen (Flemish, 1657-1720) unsigned later engraved attribution plaque on each frame executed in oil on canvas Item # 911TRM16W A vibrant and complex pair of Italianate landscape scenes of travelers resting on a bluff overlooking the valley and cities beyond, they are a powerful presentation with exquisitely painted animals. Notable influences of anthropomorphic Romanticism in the features of the horses lend a certain humor and lightheartedness to the scenes; in one a cheery rider arrives on a donkey and engages a resting woman and her child...
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American Colorist Landscape Painting “Lake Shore” by Frederic M. Grant
Located in Shippensburg, PA
A vibrant landscape that blends the lines of genre work with the impressionist landscape, it captures a pair of woman caught in the middle of a conversation while a young child is exploring the path barefoot. The traditional dress is reminiscent of a century prior and is evocative of a rural Italian landscape, though the stretchers on the reverse of the painting are simply titled "Lake Shore" with no recorded indication of the placement of the scene. The brilliant cobalt blue of the lake is visible to the far right of the nearly square composition while the trees stretch like spires through the horizon and beyond the scope of the canvas, proportionally dwarfing even the cliffs in the distance behind the women. It is a composition familiar to Grant, with his preference for framing subjects with towering local trees, utilizing a relatively square canvas and including just a hint of water. In this particular example, the interplay of light and shadow in the scene is positively brilliant with Grant's palette switching from high-chroma to low-saturation within the span of a single brushstroke. The scene is signed in the lower right in his typical script, "Frederic M. Grant" and is housed in a good quality period correct carved giltwood frame. ARTIST Born in Sibley, Iowa on October 6th of 1886, Frederic Milton Grant studied at the North Dakota State University before heading to the Art Institute of Chicago. There he trained under John Vanderpool, Alphonse Mucha, Frederick Freer...
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