Skip to main content
Want more images or videos?
Request additional images or videos from the seller
1 of 7

Gustav Wertheimer "Kiss of the siren" 1879

$66,030.26
£49,031.16
€55,200
CA$90,722.27
A$98,670.47
CHF 52,291.74
MX$1,182,278.35
NOK 664,601.14
SEK 608,865
DKK 420,850.44

About the Item

dimensions without frame: H 150,5 cm B 180,5 cm signed and dated, original frame “G. Wertheimer 1879 Paris,” “Kiss of the Siren,” stamp: “A. Chramosta / zur / Stadt Düsseldorf / Wien / I., Kärntnerstraße 20” Gustav Wertheimer studied at the Academy of Fine Arts in Vienna under Hans Makart and continued his training at the Academy of Fine Arts in Munich under Wilhelm von Diez. After initial successes in Vienna—particularly at the 1873 World's Fair—he lived in Paris part-time from 1874 and then permanently from 1881. At the same time, he continued to exhibit regularly in Vienna and Munich. In 1883, he was awarded a gold medal at the International Art Exhibition in Amsterdam; further internationally recognized honors followed at the Expositions Universelles in Paris in 1889 and 1900. In his early creative phase, Wertheimer was strongly influenced by his teacher Makart. However, artistic exchanges with the lively Paris art scene soon enabled him to establish his own style. By 1878 at the latest, he has been acquainted with the famous French painter Suzanne Valadon, who modelled for him on several occasions and is likely to have been a lasting source of inspiration. In the same year, Wertheimer presented a small oil painting entitled “Der Welle Umarmung” (The Wave's Embrace) at the Künstlerhaus Wien – a work that already refers to one of his central themes: the mythical siren who lures the unsuspecting sailor to his doom with an intoxicating kiss. At the end of 1878, Wertheimer announced that he was working on a large-format painting entitled “Susanna.” In 1882, he finally exhibited the work “La baiser de la sirène” at the Paris Salon, where it immediately attracted attention. The painting was shown in Munich in 1883 and in the United States in 1886, where it was also sold. Today, “The Kiss of the Siren” resides in the Indianapolis Museum of Art. In terms of style and composition, this painting can be seen as a developmental step between “The Wave Embrace” (1878) and “La baiser de la sirène” (1882). Wertheimer experimented here primarily with the position of the boat and the posture of the main figures. The scene is dramatically condensed: the sailor's hands are convulsively curved, his body unnaturally twisted, his face a mask-like void – completely under the spell of the siren. She, in turn, is completely fixated on her goal: her slightly open mouth barely touches the lips of the doomed man, while her eyes avoid his gaze. With a firm grip, she pulls him into the dark depths of the sea. Her chestnut-brown hair shimmers between gold and black depending on the light – an interplay of sun and water. In this work, Wertheimer placed particular emphasis on the positioning and posture of the figures and the rising movement of the ocean wave. Apart from the title of the work and a stamp from a Viennese canvas maker, there are no references to previous exhibitions on the back of the frame and canvas. It is possible that Wertheimer saw Suzanne Valadon not only as a model but also as a personal muse, which lends the work a particularly intimate dimension. It is highly likely that the painting was sold in 1903, when nearly a hundred of Wertheimer's works were auctioned at the Hôtel Drouot in Paris after his death. The auction catalog contains an entry under lot 19 with the title “La Sirène” (dimensions: 110 × 137 cm) – a format that corresponds to the present work. Bib.: Catalogue de tableaux études peintes aquarelles, pastels par G. Wertheimer, Paris 1903, p. 5. / June Rose, "Suzanne Valadon: The Mistress of Montmartre", 1999, p. 102. / Neue Freie Presse 27. Februar, p. 16 / Die Presse, 17. März 1878, p. 3.
  • Dimensions:
    Height: 43.31 in (110 cm)Width: 55.91 in (142 cm)Depth: 2.76 in (7 cm)
  • Style:
    Belle Époque (Of the Period)
  • Materials and Techniques:
  • Place of Origin:
  • Period:
  • Date of Manufacture:
    1879
  • Condition:
    Wear consistent with age and use.
  • Seller Location:
    Klosterneuburg, AT
  • Reference Number:
    Seller: 11191stDibs: LU5830247719632

More From This Seller

View All
Oil painting "Weiden" Rudolf Quittner ca. 1904
Located in Klosterneuburg, AT
Oil painting, Rudolf Quittner, around 1904, signed ‘Rud. Quittner’, titled, ‘Weiden’ Signed ‘Rud. Quittner’ on the front, no. ‘26’ on the reverse; no. “417”, ‘Quittner’ in pencil on...
Category

Antique Early 1900s Austrian Jugendstil Paintings

Materials

Canvas

Watercolor Gouache "Chinesisches Grabmal" Alfred Kubin ca. 1906 signed
Located in Klosterneuburg, AT
Watercolor Gouache,"Chinesisches Grabmal", Alfred Kubin (1877-1959), ca. 1906, signed Lit.: Abbildung in: Alfred Kubin Katalog Stadtmuseum Oldenburg, Universität Göttingen, Paul Flo...
Category

Antique Early 1900s Austrian Jugendstil Paintings

Materials

Paper

Pastel work "Seine-Kanal" Rudolf Quittner ca. 1904
Located in Klosterneuburg, AT
pastel chalk on paper, laminated on cardboard signed "Rud Quittner" Auction catalog Leo Schidlof's Kunstauktionshaus, Estate Th. von Hörmann, Nr. "338 Seinekanal", Vienna 1918, p. ...
Category

20th Century Austrian Art Nouveau Drawings

Materials

Papercord

Secessionist panel "The source" Georg Klimt ca. 1900
By Georg Klimt
Located in Klosterneuburg, AT
In the art world, the name “Klimt” is inextricably linked with the period around 1900, Viennese Jugendstil and the Vienna Secession. Today, Gustav Klimt is considered one of the most...
Category

Early 20th Century Austrian Art Nouveau Decorative Art

Materials

Copper

Viennese pair of Jugendstil panels "Demeter Dionysos" by Georg Klimt ca. 1900
By Georg Klimt
Located in Klosterneuburg, AT
Technique: copper, finely chased and silver plated In the art world, the name “Klimt” is inextricably linked with the period around 1900, Viennese Jugendstil and the Vienna Secessio...
Category

Antique Early 1900s Austrian Jugendstil Wall-mounted Sculptures

Materials

Silver Plate, Copper

Secessionist Pair of panels "Demeter" Georg Klimt ca. 1900 Art Nouveau
By Georg Klimt
Located in Klosterneuburg, AT
In the art world, the name “Klimt” is inextricably linked with the period around 1900, Viennese Jugendstil and the Vienna Secession. Today, Gustav Klimt is considered one of the most...
Category

Early 20th Century Austrian Art Nouveau Decorative Art

Materials

Copper

You May Also Like

Kiss of the Wave KPM porcelain plaque, circa 1880
Located in Brighton, Sussex
A fine quality late 19th century hand painted KMP Berlin porcelain plaque depicting the 'Kiss of the Wave', mounted in a carved gilt wood frame. Batch 82 57885. ACHZN
Category

Antique Late 19th Century Austrian Decorative Art

Materials

Porcelain

Kiss of the Wave After Gustav Wertheimer KPM Plaque
By Königliche Porzellan-Manufaktur (KPM)
Located in New York, NY
Our plaque from KPM after the original painting by Gustav Wertheimer measures 7 3/8 by 9 7/ inches and is in good condition. Rear has the impressed KPM and sceptre mark, and the plaq...
Category

Antique Late 19th Century European Paintings

Materials

Porcelain

19thc French Oil on Board "Woman Imploring The Cross in Ocean" Signed Framed
Located in Opa Locka, FL
19thc French Antique Masterpiece Oil on Board Painting "Woman Imploring The Cross In Ocean" Signed and Giltwood Framed. This is a stunning piece of art that moves you when viewed.
Category

Antique 1860s French Rococo Paintings

Materials

Wood

19th Century Neoclassical Romantic Love Scene Painting by Beranger, Ornate Frame
By Jean Baptiste Antoine Emile Beranger
Located in Lisbon, PT
A 19th Century painting of a couple in love / gallant scene of Greco-Roman inspiration of the School of Antoine Watteau Watteau by Jean Baptiste Emile Beranger. Beranger Signature. ...
Category

Antique 19th Century French Neoclassical Paintings

Materials

Canvas

Berlin K.P.M. Porcelain Plaque Depicting a Sailor Kissing a Nude Siren
By Königliche Porzellan-Manufaktur (KPM)
Located in New York, NY
Finely painted porcelain plaque; a shipwrecked sailor kissing a nude siren in a stormy sea. Impressed monogram and sceptre mark and H, incised 90. Origin: Berlin Date: late 19th cen...
Category

19th Century Nude Paintings

Materials

Porcelain

Vintage American Small Shipwreck at Sea Oil Painting in a Giltwood Frame
Located in Queens, NY
Antique American seascape oil painting depicting a distant shipwreck, a rocky shore, and crashing waves, painted on canvas in a carved giltwood frame. Wear to gilt frame finish.
Category

20th Century American American Colonial Paintings

Materials

Paint