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Guy Pène du Bois (American, 1884-1958) "La Chapelle Des Pecheurs" WPA Modernism
$10,000
$12,50020% Off
£7,558.84
£9,448.5520% Off
€8,670.31
€10,837.8820% Off
CA$13,940.41
CA$17,425.5120% Off
A$15,175.27
A$18,969.0920% Off
CHF 8,055.04
CHF 10,068.8020% Off
MX$182,591.22
MX$228,239.0320% Off
NOK 102,068.34
NOK 127,585.4320% Off
SEK 93,523.44
SEK 116,904.3020% Off
DKK 64,749.32
DKK 80,936.6620% Off
About the Item
This captivating oil on board painting, titled "La Chapelle Des Pêcheurs" (The Fishermen's Chapel), exemplifies Guy Pène du Bois's distinctive style, blending modernism with a deep sensitivity to narrative and mood. The work depicts a serene coastal chapel, a haven for local fishermen, rendered with a subtle palette and a quiet, contemplative atmosphere. Pène du Bois's nuanced brushwork and ability to capture intimate scenes of everyday life shine in this piece, which evokes both a sense of place and an emotional connection to its subject.
Measures: 21" w x 17.75" h (frame), 13.75" w x 10.625" h (board).
About the Artist
Guy Pène du Bois (1884–1958) was a prominent American painter, art critic, and educator, known for his sophisticated depictions of urban and social scenes in early 20th-century America. Born in Brooklyn, New York, to a French-born family, Pène du Bois initially studied art under William Merritt Chase at the New York School of Art, where he later worked alongside notable contemporaries such as Edward Hopper and George Bellows. His training under Robert Henri, a key figure in the Ashcan School, further shaped his aesthetic, emphasizing the portrayal of everyday life with vigor and honesty.
Pène du Bois's career flourished during the interwar years, and his work often explored themes of modernity, social dynamics, and cultural shifts. His paintings are characterized by their rich tonalities, deft use of line, and a subtle undercurrent of irony or wit. His keen observation of human interactions lent his work a narrative quality that resonated with viewers.
In addition to his success as a painter, Pène du Bois was a prolific art critic and writer, contributing to publications such as The New York Evening Post and Arts and Decoration. He later served as director of the art school at the Society of Arts and Crafts in Boston and authored Artists Say the Silliest Things (1940), a memoir that humorously reflected on the art world of his time.
Throughout his career, Pène du Bois exhibited widely, including at prestigious venues such as the National Academy of Design and the Whitney Museum of American Art. His work remains in the collections of major institutions, including the Metropolitan Museum of Art, the Whitney Museum, and the Smithsonian American Art Museum.
"La Chapelle Des Pêcheurs" is a poignant example of Pène du Bois's ability to blend his French heritage with his American sensibilities, resulting in art that bridges cultures while remaining deeply personal. This piece would be an esteemed addition to any collection of American modernist or early 20th-century works.
- Dimensions:Height: 17.75 in (45.09 cm)Width: 21 in (53.34 cm)Depth: 1 in (2.54 cm)
- Style:French Provincial (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:20th century
- Condition:Wear consistent with age and use. Minor wear commensurate with age and handling.
- Seller Location:Atlanta, GA
- Reference Number:1stDibs: LU7838243159142
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