John Lewis Shonborn (American, 1852-1931) Equestrian Thoroughbred Oil Painting

CHARLES W. SVENSSON United States, 1871-1927 A Wooded Landscape Oil on artist's panel signed lower right 16 5/8" H x 16" W [panel] 20 1/4" H x 19 5/8" W x 1 5/16” D [frame] Essa...

GEORGE DREW American, 1875-1968
 Evening Landscape Oil on panel
 signed lower left 10” H x 14” W x 7/8” D [frame]
 7” H x 11” W [panel]

 Essay A very finely painted and brillia...

The present work is an interesting scene for a number of reasons, including importantly its time of execution in 1865. It was during a period of his retirement to Scarsborough following time spent in Italy, sketching the major lakes and landscapes in the northern part of the country. Likely executed in his studio using the preparatory sketches made of the area during these travels, the scene captures an idyllic view of Lake Nemi during sunset. It is rich in fall colors as light cascades through the haze of clouds and strikes the turning leaves of the trees, casting long shadows along the meadow grasses. The blue waters of Lake Nemi are cool and reflect the landscape bordering the shore. The focal point of the scene is a family of three that is taking the day to hike the local countryside, breaking along a rock to enjoy the lovely views. The work is signed and dated 1865 in the lower right corner and the original frame retains a label on it from John Hay Son, an art dealer, framer and gilder in John Wilson Carmichael...

ALFRED S. WALL United States, 1825-1896 Nature Morte: Fallen Doves (1865) Oil on canvas signed and dated lower left "Alfred Wall 1865" ref. 412APH13E 26 1/2" H x 32 1/2" W x 2 1/2" D [frame] 20 1/8" H x 26" W [canvas] Essay This finely executed still life painting captures a group of three doves laid upon a forest floor, rendered with meticulous attention to texture and natural detail. The composition follows the tradition of nature morte, a genre that captures the stillness of life through carefully arranged subjects. The artist employs a rich, earthy palette, contrasting the softness of the birds’ feathers with the dense foliage and scattered undergrowth, the colors in the foliage and fallen leaves suggesting an early fall setting for the scene. An almost ecclesiastical light falls on the doves, lighting them and showcasing the realism, drawing attention to the delicate gradations of color in the plumage and the subtle sheen of the wings. While the subject matter suggests themes of the hunt or the passage of life, the restrained execution avoids overt dramatization. Instead, the scene invites quiet contemplation, emphasizing form, texture, and atmosphere. Works of this nature were historically popular in European and American art, particularly in the 19th century, serving both as studies in naturalism and as reflections on mortality and transience. It is housed in what is almost certainly its first frame, a finely worked gilded composition that complements the painting beautifully with still-life emblems in the corners. Provenance: Private Collection, Senoia, Georgia Condition: Original stretchers in good condition, these only allowing for four keys instead of eight; linen is taut and unlined, in good condition. Ground layer is overall stable with fine age related craquelure throughout. Several losses under the frame rabbet that have associated inpainting. Areas of old overpaint on the dove chests removed during the conservation process. Our conservator removed the old varnish, inpainted the minor losses and applied a traditional Dammar varnish. Frame is likely the original frame and presents with minor losses, chips and overall discoloration to the gilding. A very fine presentation, ready to place. Biography Alfred S. Wall (1825–1896) was a central figure in the development of Pittsburgh’s artistic community during the 19th century. Born in Mount Pleasant, Pennsylvania, he was the son of English immigrants William and Lucy Wall. His father, a sculptor specializing in tombstones, instilled in him an appreciation for the arts, a legacy shared with his older brother, William Coventry Wall...