Joseph Middeleer Painting Brussels 1865-1934 Bruges

This dramatic watercolour shows only the bow and the stern of Amelia as she is perilously close to being dashed against the sea wall with a wave completely swamping her amidships. Some of her crew have been washed out of the boat and would-be rescuers are wading along the promenade towards her bow. To her right, the schooner Coupland is rolling dangerously in huge waves. Scarborough Spa and crowds of onlookers are clearly visible through the storm. Signed J.N.Carter, 1865, Torquay. English, painted in 1865. The attempted rescue of the schooner Coupland by the lifeboat Amelia on November 2nd 1861 is one of the most memorable and tragic in Scarborough lifeboat history. The 32 ft. long, ten-oared, self-righting Amelia, on her maiden voyage, went to the rescue of the Coupland crew, with disastrous results. She was dashed to pieces against the harbour wall and two of the crew were lost, while others had to swim or be pulled ashore by rescuers wielding ropes. Three of the shore based rescuers, Lord Charles Beauclerk, William Tindall and John Hiles, also lost their lives. Eight Board of Trade Medals for Gallantry in Saving Life at Sea were awarded along with six RNLI medals and monetary grants. Joseph Newington Carter (1835-1871) was influenced by W. M. Turner and is known predominantly for his dramatic and compelling seascapes in oil and watercolour. His father, Henry Barlow Carter...

A large and beautiful vintage oil painting by Keith Gretton b.1934 . This oil on board painting is signed and dated 1957. It is titled “Joyous Spring Growth” , it is beautifully exe...

Fabulous 1980-1990 Joseph Barber framed American landscape pastel and watercolor painting on paper. The artist's signature is visible in the bottom right corner. The artwork depicts ...

More information coming soon… Dating to circa 1865, this oil painting by Jules Noel (signed lower left), depicts a towering cityscape of Medieval Europe. The canvas, which has been...

Joseph Marioni : Blue Paintings, Painting Color, by Howard Yezerski, Joseph Marioni, and Carl Belz. Howard Yezerski Gallery, Boston, MA, 2002. First Edi...

This is a peaceful and serine oil painting on canvas by Joseph Kite 1892-1946. Signature at lower right corner.

ANTIQUE ORIGINAL FRAMED BELGIAN WATERCOLOUR PAINTING Depicting a view of Bruges, looking down the Groenerei Canal over the steep rooftops towards the dominating medieval Belfry Tower. Painted skilfully capturing light and shade extremely well and using the negative space in the paper to great effect. Unsigned but in the manner of Lucien Frank...

California landscape painting signed Joseph Bennett. Oil on canvas in carved and painted wood frame. Joseph Hastings Bennett (b.1889 - d.1969) was a pa...

20th century painting presenting a Belgium town scene. Oil on canvas with original frame made by Belgium artist Joseph Tilleux (1896-1978) Originates Belgium, dating circa 1930.

ALFRED S. WALL United States, 1825-1896 Nature Morte: Fallen Doves (1865) Oil on canvas signed and dated lower left "Alfred Wall 1865" ref. 412APH13E 26 1/2" H x 32 1/2" W x 2 1/2" D [frame] 20 1/8" H x 26" W [canvas] Essay This finely executed still life painting captures a group of three doves laid upon a forest floor, rendered with meticulous attention to texture and natural detail. The composition follows the tradition of nature morte, a genre that captures the stillness of life through carefully arranged subjects. The artist employs a rich, earthy palette, contrasting the softness of the birds’ feathers with the dense foliage and scattered undergrowth, the colors in the foliage and fallen leaves suggesting an early fall setting for the scene. An almost ecclesiastical light falls on the doves, lighting them and showcasing the realism, drawing attention to the delicate gradations of color in the plumage and the subtle sheen of the wings. While the subject matter suggests themes of the hunt or the passage of life, the restrained execution avoids overt dramatization. Instead, the scene invites quiet contemplation, emphasizing form, texture, and atmosphere. Works of this nature were historically popular in European and American art, particularly in the 19th century, serving both as studies in naturalism and as reflections on mortality and transience. It is housed in what is almost certainly its first frame, a finely worked gilded composition that complements the painting beautifully with still-life emblems in the corners. Provenance: Private Collection, Senoia, Georgia Condition: Original stretchers in good condition, these only allowing for four keys instead of eight; linen is taut and unlined, in good condition. Ground layer is overall stable with fine age related craquelure throughout. Several losses under the frame rabbet that have associated inpainting. Areas of old overpaint on the dove chests removed during the conservation process. Our conservator removed the old varnish, inpainted the minor losses and applied a traditional Dammar varnish. Frame is likely the original frame and presents with minor losses, chips and overall discoloration to the gilding. A very fine presentation, ready to place. Biography Alfred S. Wall (1825–1896) was a central figure in the development of Pittsburgh’s artistic community during the 19th century. Born in Mount Pleasant, Pennsylvania, he was the son of English immigrants William and Lucy Wall. His father, a sculptor specializing in tombstones, instilled in him an appreciation for the arts, a legacy shared with his older brother, William Coventry Wall...