Lovely Japanese 19/20th c Scroll by a good Artist, Raccoon in Grass Landscape

This work depicts a spring scene of fisherman fishing in a riverside valley where wild cherry blossoms are in full bloom . ■Silk book, handwritten ■Condition: 　　There is some disc...

A mountain hunter hunting in the snowy mountains at the base of Mt. Fuji in winter 　　is depicted 　　using a unique brush stroke 　　by Naito Keto, a southern painter 　　who studied unde...

The following is a "Tang Dynasty Figure" written by Fuko Matsumoto using a unique brush stroke. [Matsumoto Fuuko] 1840-1923 Japanese painter from the Meiji to Taisho periods. orn in...

[Authentic work] ◆ Seiki Yokoyama ◆ Landscape ◆ Rural landscape ◆ Japanese painting ◆ Shijo school ◆ Hand-painted ◆ Paperback ◆ Hanging scroll ◆ Seiki Yokoyama [Art yearbook appra...

A Japanese mounted vertical hanging scroll painting by Mori Tetsuzan (Japanese, 1775-1841) circa 19th century Edo period. The watercolor and ink on silk ...

Color on silk, Scroll head: Wood Image size: 420(W) x 1160(H) [mm] Scroll mounting: 570(W) x 1930(H) [mm] Box size: 80(W) x 80(H) x 660(D) [mm] 900g Estimated packing size: 150(W) x ...

Although western painting was initially embraced during Japan’s Meiji period (1868-1912), artists brought on a revival of traditional painting styles as they sought to create a modern Japanese style with roots in the past. This exquisite hanging scroll demonstrates the preference for soft layering of gray tones with judicious use of color. The landscape is rendered in soft ink washes that subtly distinguish between water, mountain, and sky. The scroll painting...

Bamboo in moonlight Gamo Rakan (1784-1866) Hanging scroll, ink on silk. Dimensions: Scroll: 201 cm x 58 cm Image: 137 cm x 45 cm In this early 19th century work by Gamo Rakan a light ink wash applied to the silk background silhouettes the moon and suggests the atmosphere of early evening. Even though it is a literati subject, Rakan’s bamboo is quite realistic with a strong decorative style. The painting finds its inspiration from Chinese Ming dynasty painters who often used a single-tone, jet black stroke to emphasize the calligraphic nature of bamboo. In a different era, decorative would have been seen as somewhat unrefined. But increasingly in the Edo period, it was the hallmark of high style. The Japanese people, in particular the rising merchant class, had gradually become apathetic toward the traditional Sesshu and Kano schools of painting. Chinese professional and amateur painters living in the port of Nagasaki during the 18th century had a profound effect on Japanese painting and the freshness of their style and its decorative appeal contributed greatly to its popularity. Gamo Rakan’s teacher, Tani Buncho...