Canvas Paintings

A French framed signed oil on canvas painting from the 19th century, depicting fruits and porcelain. Created in France during the 19th century, this framed still-life captures our attention with its depiction of mouth-watering peaches and grapes surrounding a blue and white soup terrine...

Interesting 18th century painting, Chinese School, for the European market, depicting a porcelain sales woman dealing with European traders. Medium: Oil on canvas. Measures: 62.5 x...

Snowy Landscape – Alex Weise Work dimensions: 60 x 80 cm Measurements with frame: 64 x 84cm Technique: oil on canvas Period: 1930s One of this artist's favorite subjects: snow in t...

18th Century, Three Italian Paintings Depicting Still Life by Michele Antonio Rapous (Turin, 1733 – 1819) Oil on canvas. Dimensions: cm H 78.5 x W 104.5 Available individually or as ...

17th century, Italian painting with virgin and childr by Follower of Sir Anthony van Dyck cm W 90 x H 113; cornice cm W 111 x H 135 x D 7 The canvas depicts the Madonna with the Chi...

Magnificent large impressionist original landscape in the style of Monet, having two old fashioned ladies in white gowns strolling in a bucolic flower filled field with sailboats in ...

Nice vintage flower still life, painting of white and blue flowers in a two-tone vase, framed in a painted beech wood frame, signed lower left, circa second half of the 20th century,...

A distinguished pair of noble portraits Likely painted by Hans Hansen (1769–1829) or another artist from Circle of Jens Juel. These portraits are masterfull...

A fine Italian 19th century oil painting on canvas "La Madonna della Seggiola" after Raphael (Raffaello Sanzio da Urbino 1483-1520) The circular canvas depicting a seated Madonna holding an infant Jesus Christ next to a child Saint John the Baptist, all within a massive carved gilt wood and gesso frame (all high quality gilt is original) which is identical to the frame on Raphael's original artwork. This painting is a 19th Century copy of Raphael's Madonna della Seggiola painted in 1514 and currently exhibited and part of the permanent collection at the Palazzo Pitti, Galleria Palatina, Florence, Italy. The bodies of the Virgin, Christ, and the boy Baptist fill the whole picture. The tender, natural looking embrace of the Mother and Child, and the harmonious grouping of the figures in the round, have made this one of Raphael's most popular Madonnas. The isolated chair leg is reminiscent of papal furniture, which has led to the assumption that Leo X himself commissioned the painting, circa 1890-1900. Subject: Religious painting Measures: Canvas height: 29 1/4 inches (74.3 cm) Canvas width: 29 1/4 inches (74.3 cm) Painting diameter: 28 1/4 inches (71.8 cm) Frame height: 57 7/8 inches (147 cm) Frame width: 45 1/2 inches (115.6 cm) Frame depth: 5 1/8 inches (13 cm).   Raffaello Sanzio da Urbino (Italian, March 28 or April 6, 1483 - April 6, 1520), known as Raphael, was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Michelangelo and Leonardo da Vinci, he forms the traditional trinity of great masters of that period. Raphael was enormously productive, running an unusually large workshop and, despite his death at 37, leaving a large body of work. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking. After his death, the influence of his great rival Michelangelo was more widespread until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two Popes and their close associates. Raphael was born in the small but artistically significant central Italian city of Urbino in the Marche region, where his father Giovanni Santi was court painter to the Duke. The reputation of the court had been established by Federico III da Montefeltro, a highly successful condottiere who had been created Duke of Urbino by the Pope - Urbino formed part of the Papal States - and who died the year before Raphael was born. The emphasis of Federico's court was rather more literary than artistic, but Giovanni Santi was a poet of sorts as well as a painter, and had written a rhymed chronicle of the life of Federico, and both wrote the texts and produced the decor for masque-like court entertainments. His poem to Federico shows him as keen to show awareness of the most advanced North Italian painters, and Early Netherlandish artists as well. In the very small court of Urbino he was probably more integrated into the central circle of the ruling family than most court painters. Federico was succeeded by his son Guidobaldo da Montefeltro, who married Elisabetta Gonzaga, daughter of the ruler of Mantua, the most brilliant of the smaller Italian courts for both music and the visual arts. Under them, the court continued as a centre for literary culture. Growing up in the circle of this small court gave Raphael the excellent manners and social skills stressed by Vasari. Court life in Urbino at just after this period was to become set as the model of the virtues of the Italian humanist court through Baldassare Castiglione's depiction of it in his classic work The Book of the Courtier, published in 1528. Castiglione moved to Urbino in 1504, when Raphael was no longer based there but frequently visited, and they became good friends. He became close to other regular visitors to the court: Pietro Bibbiena and Pietro Bembo, both later cardinals, were already becoming well known as writers, and would be in Rome during Raphael's period there. Raphael mixed easily in the highest circles throughout his life, one of the factors that tended to give a misleading impression of effortlessness to his career. He did not receive a full humanistic education however; it is unclear how easily he read Latin. Early Life and Works His mother Màgia died in 1491 when Raphael was eight, followed on August 1, 1494 by his father, who had already remarried. Raphael was thus orphaned at eleven; his formal guardian became his only paternal uncle Bartolomeo, a priest, who subsequently engaged in litigation with his stepmother. He probably continued to live with his stepmother when not staying as an apprentice with a master. He had already shown talent, according to Vasari, who says that Raphael had been "a great help to his father". A self-portrait drawing from his teenage years shows his precocity. His father's workshop continued and, probably together with his stepmother, Raphael evidently played a part in managing it from a very early age. In Urbino, he came into contact with the works of Paolo Uccello, previously the court painter (d. 1475), and Luca Signorelli, who until 1498 was based in nearby Città di Castello. According to Vasari, his father placed him in the workshop of the Umbrian master Pietro Perugino as an apprentice "despite the tears of his mother". The evidence of an apprenticeship comes only from Vasari and another source, and has been disputed—eight was very early for an apprenticeship to begin. An alternative theory is that he received at least some training from Timoteo Viti, who acted as court painter in Urbino from 1495.Most modern historians agree that Raphael at least worked as an assistant to Perugino from around 1500; the influence of Perugino on Raphael's early work is very clear: "probably no other pupil of genius has ever absorbed so much of his master's teaching as Raphael did", according to Wölfflin. Vasari wrote that it was impossible to distinguish between their hands at this period, but many modern art historians claim to do better and detect his hand in specific areas of works by Perugino or his workshop. Apart from stylistic closeness, their techniques are very similar as well, for example having paint applied thickly, using an oil varnish medium, in shadows and darker garments, but very thinly on flesh areas. An excess of resin in the varnish often causes cracking of areas of paint in the works of both masters. The Perugino workshop was active in both Perugia and Florence, perhaps maintaining two permanent branches. Raphael is described as a "master", that is to say fully trained, in December 1500. His first documented work was the Baronci altarpiece for the church of Saint Nicholas of Tolentino in Città di Castello, a town halfway between Perugia and Urbino. Evangelista da Pian di Meleto, who had worked for his father, was also named in the commission. It was commissioned in 1500 and finished in 1501; now only some cut sections and a preparatory drawing remain. In the following years he painted works for other churches there, including the Mond Crucifixion (about 1503) and the Brera Wedding of the Virgin (1504), and for Perugia, such as the Oddi Altarpiece. He very probably also visited Florence in this period. These are large works, some in fresco, where Raphael confidently marshals his compositions in the somewhat static style of Perugino. He also painted many small and exquisite cabinet paintings in these years, probably mostly for the connoisseurs in the Urbino court, like the Three Graces and St. Michael, and he began to paint Madonnas and portraits. In 1502 he went to Siena at the invitation of another pupil of Perugino, Pinturicchio, "being a friend of Raphael and knowing him to be a draughtsman of the highest quality" to help with the cartoons, and very likely the designs, for a fresco series in the Piccolomini Library in Siena Cathedral. He was evidently already much in demand even at this early stage in his career. Influence of Florence Raphael led a "nomadic" life, working in various centres in Northern Italy, but spent a good deal of time in Florence, perhaps from about 1504. Although there is traditional reference to a "Florentine period...

Lot and his daughters, EMILIAN SCHOOL XVIIIth century Oil on canvas 175 x 126 cm Lot and his daughters is one of the themes most frequently encountered by seventeenth-century pain...

Grand imposing oil on canvas painting of a country French provincial farmer coup;e with various animals measuring 8 feet high and 6.5 feet wide by Ira Yeager (American 1938-2022). Th...

Italian painting from the first half of the 20th century. Oil painting on canvas, first canvas, depicting tavern in eighteenth-century style with characters and horses. Very pleasant...

Our Stock # 24760 This is an antique riverside painting. A Scottish, oil on canvas landscape in gilt frame, dating to the late 19th century, circa 1900. Appealing colour and subjec...

In this listing you will find a striking Abstract oil on canvas painting done by Yugoslav artist Zvonko Musulin. It appears to depict a rock and a piece of fabric, done in style of G...

Large Vintage Russian Illustration for Alexander Pushkin’s Fairy Tale of Tsar Saltan Extraordinary Illustration of Pushkin’s Fairy Tale “Tsar Saltan” in oil on canvas. The large for...

PRESENTING a simply beautiful, monumental and imposing original work of contemporary art, namely, a Triptych oil on canvas panels of New Orleans Colonial/French Quarter Houses. Unsigned and undated, but most definitely inspired by the World Renowned New Orleans artist, James Michalopoulos. These were not painted by Michalopoulos, but were clearly inspired by him and his famous depictions of ‘wavey’ New Orleans houses. Also, they were created and painted in New Orleans, contemporaneously to when Michalopoulos was starting to become recognized, in the New Orleans (and greater) artworld. The 3 panels work perfectly together as a visual feast and ‘connected’ work of art. The panel on the left features a wavy blue, grey and yellow, French Quarter style 2 Story Wooden house, complete with Corinthian Style Columns, decks, railings, storm shuttered windows, etc. It has a deep blue sky with shimmering light reflections. The garden to the front, has steps leading to the house and has shrubs and flowers, that are continued into the 2nd or middle/center panel. The middle or center panel incorporates the other side of the garden plants etc for continuity and it features a single story pink, yellow and white wavy French Quarter style house, with fabulous decor and complete with decks, railings, storm shuttered windows, etc. It has a deep blue sky with shimmering light reflections and a white moon, emitting swirling patterns of light. The garden to the front, has steps leading to the house and has shrubs and flowers, that are continued into the 3rd or right panel. The right panel, features a wavy light...

Lars Bertle (born 1925), listed Swedish artist. Oil on canvas mounted on panel. Abstract composition. Colorful palette. Impasto brushstrokes. Title: "Natur...

This magnificent painting dates to the 19th century after the original by Francois Boucher. François Boucher was a French painter, draughtsman and et...

Oil painting on wooden canvas, accompanied by a carved and gilded wooden frame, decorated with geometric and floral motifs. In the center, the scene depicts a battle, with two main c...

Italian landscape from the first half of the 20th century. Oil on canvas, first canvas, painting depicting an intriguing woodland landscape with sheep, of excellent pictorial quality...

Beautiful Walter E Baum painting from the 1930’s-40’s titled The Delaware in its original frame. The painting came out of a private collection, has never...

Antique landscape with figures from the 17th century. Oil on canvas painting depicting a splendid Flemish landscape that frames a famous episode of the New Testament, the appearance ...

A captivating Russian oil painting titled “Night of Nowgorod” by Alexander Isachjow, dated 1974. Executed in the Realist style, the work depicts an architectural view of Novgorod, on...

A figurative painting of two Vietnamese woman admiring a bouquet of flowers. Retaining original frame. Artist signature lower right is undecipherable. A charming painting reflecting ...

Condition: Original Vintage Condition, Has One Minor Hole Materials: Oil on Canvas, Wood Frame This vintage American oil painting captures a serene woodland stream bathed in soft, g...

An unusual, modernist painting by Hilda Altschule, 1950. Entitled "Orpheus and Euridyce", oil on canvas. A quick note about the artist "Hilda Coates Altschule (New York, Russian, 190...

WILLIAM SARTAIN American, 1843-1924 "In the Valley of the Oise" 21" H x 1 5/8" D x 27" W (frame) 18" H x 24" W (canvas) Oil on canvas, signed lower right W. SARTAIN reverse title...

Large Antique Floral Still Life on Board. Dramatic dark background with blue urn full of flowers. Housed in a worn gold gilt frame. Ple...

The term “Biedermeier” was first wielded as mildly disparaging designation for the bourgeois domesticity, so idealized by German society in the post-Napoleonic era prior to the 1848 ...

18th Century Portrait of a Noblewoman in period attire, Oil on Canvas later mounted on board. Woman is dressed in richly detailed period attire and gazes confidently outward. A delic...

A fine half length portrait of a powder wigged 18th century French aristocratic gentleman simply dressed in a brown waistcoat over an embroidered buttoned vest in which he has placed...

A gorgeous Grand Tour style framed oil painting of an Italian Capriccio landscape with ruins Italy, Mid-20th Century Oil on canvas, gilt frame Measures: 9.5"W x 1"D x 9.5"H. Exce...

A large competent unsigned acrylic on canvas still life painting of a pear, attributed to Cuban born artist Adriano Buergo (b.1964). Adriano Buergo ...

Impressionist Bucks County - Winter is here and the calmness of night is approaching. A covered bridge gently perched above a lively stream with banks of fresh snow. The ground is co...

Originally a scenic backdrop for a French theater during the 1920s, this large painted canvas can be considered a trompe-l’œil. A trompe-l’oeil (literally “deceive the eye”) is a sty...

Oil on Canvas Cocker Spaniel Portrait by Houston artist Martha Goodrum

A small oil on canvas, “Still Life with Fish and Crustaceans”, by the great Provencal painter Victor Coste (1844-1923). Born in Marseille, Coste went on to study at the Ecole des Bea...

Antique Oil On Canvas Laid On Board Portrait Of A Gentleman By Wheeler. Framed and signed in lower right corner, Early 19thC. Measures - 42.5"H x 35"W x 2.25"D This early 19th-centur...

18th century French Rococo Painting Circle of François Boucher This idyllic pastoral oil painting shows Boucher’s impact on this f...

A stunning Italian 18th century oil on canvas painting in a giltwood frame. The painting depicts a calm bay at dusk with an anchored sailboat at the center and the beautiful Italian ...

Modernist Mexican oil on stretched canvas of San Miguel de Allende hillside community. Signed lower right in white, P. Garcia. The painting is an impressionistic colorful rendering o...

Outstanding 19th century Italian raised gilt gesso and oil painted panel. Very pretty images of leaves, flowers and urns. An exceptional piece!

Parisian cityscape, signed and framed oil on canvas by Serge Belloni, ‘57 This painting has all the quintessential features of Belloni’s renowned Parisi...

Large oil painting on canvas, Rape of Europe, 18th century, more modern frame. Dimensions: 190x130cm. Good condition - used with small signs of aging & blemishes ADDITIONAL PHOTOS AND INFORMATION CAN BE REQUESTED BY EMAIL. WE SHIP WORLDWIDE, WRITE US AN EMAIL FOR A PRECISE ESTIMATE OF THE TRANSPORT COSTS. Grande dipinto olio su tela, Ratto d'Europa, XVIII secolo, cornice più moderna. Dimensioni:190x130cm. Buone condizioni - usato, con piccoli segni dell'età e macchie. Grande Peinture à l'Huile, Ratto d'Europa, 190cm, 18ème siècle. Gran Óleo, Ratto d'Europa, 190cm, siglo XVIII...

Naïve Art Gouache Painting, Female Portrait - Picasso Tribute, Signed Godin 1960 Female portrait in shades of blue and red. Signed "Godin 60" at the bottom right corner. Most Prob...

English School, 19th century. A fine quality English School oil painting on canvas of a duck pond which has a small family boarding a tiny boat. Surrounded by lush trees, a dirt pat...

English oil on canvas portrait dating from the late 1700s painted in the manor of Joshua Reynolds. We believe the giltwood frame could be the original as it is right for the period. ...

Large Vintage Lee Reynolds Abstract Butterfly Painting, Framed Offered for sale is a large late 20th-century framed abstract painting of a...

Great Italian painting from the second half of the 18th century. Oil on canvas painting, on the first canvas, depicting Saint Francis of Assisi in ecstasy. The Saint is accompanied b...

Oil on canvas by Austrian artist Alexander Demetrius Goltz (1857-1944) depicting a spring allegory subject, from circa 1900. Titled "Fruhling" or "Girl...

This is a stunning religious painting of the crucifixion. Stumbled upon this painting in a rural European town in the back of this guy's workshop. Given the arched top of the frame, ...

Giovanni Paolo Castelli, known as "Lo Spadino" (Rome 1659 – around 1730) Still Life with a Composition of Fruit Dimensions: frame cm L 76.5 x H 61 x D 6.5. Canvas cm L 55.5 x H 40 Th...

Antique oil on canvas made in Italy in the late 19th Century, depicting a lakeside view with trees all around and a fisherman on the back. It is protected by a carved giltwood frame....

Stunning abstract painting by the french artist Bernadette de Samois (1987). Unique and signed piece. France, 2021.

Sublime California coastal oil on canvas plein air impressionist painting signed and dated. The landscape/Seascape image captures calm shoreline with a lush greenland and misty grey ...

'The Ace of Spades' by J. L. Rónay J. L. Rónay French /Hungarian, 19th century genre painter. A finely painted oil on canvas of an Italian beauty seated on a stool, with tossed p...

Motif: Palace of the Queen of Naples. Venetian coastal landscape in the sunset. Evening mood on the Mediterranean coast with a picturesque town betwe...

Niek van der Plas grew up in Katwijk Ann Zee in the Netherlands. Taking inspiration from his hometown, his work features the famous sea and dunes of the fisherman village. Van der Pl...

Enchanting oil on canvas by Carl Emil Doepler, protected by a beautiful hand-carved giltwood frame with a metal label titled "Italian Renaissance Party", depicting a traditional Ital...

Oil on canvas, lined, showing the interior of a cathedral, probably Antwerp, with various scenes taking place there. Wear and overpainting to be restored, but beautiful appearance. M...