Plastic Paintings

Vintage (20th Century) acrylic still life of a brass horn and sword alongside a bird perched on an antler that is spearing sheet music reading, "Le Retour La Chasse -1923."Painted on...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

Chicago-based fine art painter Bruno A. Surdo is classically trained in drawing and oil painting in the tradition of Renaissance masters. With strong command of the human form, Surdo...

We present here a unique piece that is part of a set of 3 watercolours painted on 100% cotton paper of 190 gms. They are unique and unrepeatable pieces as they are preliminary studie...

ATLAS 02 "Atlas" proposes a disruptive vision of the space-time concept, as a reflection between the ancestral and the comic, making us wander about the connection between both and t...

Harry Schaare (American, 1922-2008), "The Lonely Command", Gouache and Acrylic on Paper mounted to Board, titled to verso, signed lower right, unframed. 18.5" H x 22" W.

A chic vintage Boho original Acrylic on canvas. A brilliant Abstract composition in a heavy impasto style. Signed by the artist. Acquired from a Palm Beach estate. less

Lovely painting by Paul Aho (listed artist)

Title: Convergence of Dreams and Truth Size: 60"x60" Medium: acrylic and mixed media on canvas Caption: Convergence of dreams and truth unfolds in a mesmerizing display of ethereal b...

Abstract painting black and blue on white background acrylic on canvas by Rohmann Signed: "Rohmann".

A monumental acrylic painting on canvas by American artist Marc Ross, 2018. This minimal abstract painting features an impressive gradation of blue hues, giv...

Large scale acrylic on canvas by noted Palm Springs artist Andy Nelson (1920-1996). Mr. Nelson's work is part of the permanent collection at the Palm Springs Art Museum and is collec...

This artistic window was handmade in Italy in the 1960s. It's made from a ivory painted metal box, with plexiglass and golden aluminum passepartout. The religious representation is a...

For your consideration is a phenomenal, acrylic and silicone painting, entitled "The Interview," signed and dated by John Chilver, circa 2000. In good condition, with a scuff on the ...

A large acrylic and alkyd colorfield painting by Late artist John Link (1942-2021) titled" Color in Space", 2007 Framed in the artist's chosen wooden frame, the title describes the ...

A fabulous vintage Boho original oil painting on canvas. Beautiful brush strokes and a strong use of color dominate this composition. Acquired from a Palm Beach estate.

Walter STRACK (1936-2021). Abstract composition - Oil on canvas Circa 1979. Huile sur toile. 195 x 161,5 cm

Acrylic on canvas designed by Ugo La Pietra in 2004, Italy. Biography Ugo La Pietra born in Bussi sul Tirino, Pescara in 1938, Ugo la Pietra lives and works in Milan, where in 1964 ...

Jose Wolff, family portrait. Large oil on canvas, circa 1947. Gilt frame.

"Status Quo" abstract acrylic painting on canvas by Kristina Kralikova, a Slovak artist. Signature and date is on the back. Dimensions: 48"H x 36'W x 1.5"D.

A charming set of four Chinoiserie panels depicting vignettes of everyday life in China by famed American artist and designer Richard Holton. This French term meaning “China-esque” r...

Ivo SALIGER “Friend of Hafez”. Original color etching from the 1920s. Ready to hang, framed with a passepartout in an ash wood picture frame behind anti-reflective acrylic glass. Siz...

Tracy Crump uses washes of grey, white and aqua to both conceal and reveal sensitively drawn figures. Each figure stands alone as an individual, possessing unique features and hairst...

Exceptional, original large scale David Kessler (1950-) watercolor painting. It is signed by the artist at bottom right. It comes from a collection from Aetna Insurance Companies in ...

Matisse is commonly regarded, along with Pablo Picasso, as one of the artists who best helped to define the revolutionary developments in the visual ...

Contemporary painting, Circus, by Spanish artists Rubenimichi, Acrylic on canvas, with a thick lacquered wood frame. Measurements: Painting: 28×44 (H) cm Frame: 44 x 3.5 x 60 (...

A very attractive little abstract of a church scene painted in 1971 by Swedish Artist Sven Johannson. Offered in the original pine and dark brown hessian frame. Signed to the upper r...

This is an Original Mark Dickson painting and can be described as nothing short of a revelation in the realm of contemporary art. As one navigates through his vibrant interplay of colors—pinks, purples, blues, and greens—it becomes evident that his works are a bridge between abstract expression and a deep-seated Coloradan sensibility. From afar, the paintings resonate with the raw energy and abstract impulsiveness reminiscent of Adolph Gottlieb or Mark Rothko. However, upon closer introspection, Dickson's canvas unfolds a symphony, harmoniously blending his intuitive understanding of the Colorado landscapes with an almost Rothkoesque play of color and form. His artistry is a culmination of his academic sojourns, from the bustling art scene of Brooklyn's Pratt Institute to the scholarly corridors of the University of Denver. Yet, what stands out is his capability to transcend these teachings and manifest a unique narrative—one that reflects both the external world and the myriad landscapes of the human psyche. The choice of medium, notably pastel mixed with watercolors, oil washes, and graphite pencil, demonstrates a tactile indulgence in his craft. It's as if he's chiseling his memories, experiences, and observations of the Coloradan terrains and skies into each canvas. For the discerning eye, his works might also evoke the expansive color fields of Milton Avery. Yet, Dickson’s approach, particularly his relationship with color, is refreshingly instinctual, almost challenging the viewer to feel rather than dissect. In Mark Dickson's work, we're treated to an exhilarating dance of abstract brilliance juxtaposed with the tangible and intangible memories of Colorado's landscapes. In a sense, each painting becomes an invitation—to wander, to wonder, and to immerse in the art of profound introspection. The majority medium is pastel and a mixed media of watercolors, oil washes, and graphite pencil. Color is of primary importance to his work. His work shows the influence of artists Milton Avery(who used large areas of color) and Mark Rothko and Adolph Gottlieb (known for their work in the variations of color). Mark is fascinated with color and explores every aspect of its relationships. He feels his use of color is more intuitive versus analytical. Mark Dickson’s paintings, prints and monotypes are represented in private, corporate and public art collections nationally. Pratt Institute, Graduate School of Fine Arts, Brooklyn, New York, 1970 University of Denver, Graduate School of Art, MFA, Denver, Brooklyn, New York, 1973 Denver Art Museum, Colorado Annual, 1967 National Academy of Design, National Audubon Exhibition, New York Joslin Art Museum Exhibition of Colorado artists, Omaha, Nebraska Included in Outstanding and Noteworthy Americans, Bicentennial Edition, New York Chicago Botanical Garden, solo exhibition, North Brook Illinois Colorado Symphony Orchestra Association, limited-edition lithograph commission Broadway South West department store Commission; shopping bag and print. Award of Merit from American Institute of graphic arts, and Award of Distinction: "Creativity 86" Art Direction Magazine, New York Stables Art Center, Taos New Mexico, Artist of Taos Who's Who in American Art, 1990, New York Arts Student's League of Denver, Board of Directors O'Sullivan Art Center, Regis University solo exhibition, Denver Britto Central Gallery, solo exhibition, São Paulo Brazil, 2003 Amarillo Art Museum, permanent collection Amoco Oil Company, Chicago Federal Reserve Bank, Denver University of Colorado, permanent collection, Boulder, Colorado Garnett Corporation headquarters, Arlington Virginia IBM Corporation Miami Florida Las Vegas Federal Medical Center Kirkland Art Museum, permanent collection, Denver Northern Trust Bank, Naples, Florida Planes Art...

Simone Gendille, "coucher de soleil bleu", acrylic on canvas, signed, circa 1970.

Detlef HAGENBÄUMER “Pop Queen”. Abstract depiction of a female body on a yellow and grey background. Oil/Acrylic on canvas framed in a high-quality, solid steel frame. Ready to hang.

Original vintage advertising poster for the “New York World’s Fair” which took place in New York from 1964 to 1965. Printed in the USA in 1962. Framed with a passepartout in a natura...

Italian Artist - 50's Painting - Modern Italian Artwork Painting Gian Cesare Battaini the small canvas framed into the larger frame measure 20 cm x 15 cm Giancesare Battaini (Mila...

Oil on Canvas Contemporary Painting in Wooden Frame 24K Gold Leaf 'Time Fighter' An incredible and mystical collection of paintings, after a unique artist Andrew Ryabov - “Travellers...

Detlef HAGENBÄUMER “Ideas”. Oil, acrylic, gouache and spraypaint on canvas. Mixed media composition.

Warren Fischer Figurative abstract acrylic painting, Signed and Dated 1997 Fischer earned a BFA from the University of New Mexico in 1966 with a major in painting and a minor in a...

Clider, "Dame à vélo", acrylic on canvas signed.

An original pink and white modern abstract painting in an elegant vintage gold frame created by Houston artist, Shannon Weir.

Canvas painting with geometric decoration in shades of red and yellow, 1962. measures: h 199x50 cm

FI Gallery original one-of-one hand created & signed art piece by Tammy Price. Premium solid wood glass encased frame in matte black with gold accent. Multi shades predominantly of e...

Very dynamic and modern painting with rich colours, natural wooden frame. Need we say more? This is a very radical expressive work done by a German artist. We have not been able to ...

Contemporary Oil on Canvas Original Painting in Wooden Gold Leaf, "Mermaids" An incredible and mystical collection of paintings, after a unique artist Andrew Ryabov - “Travellers o...

Steven Colucci is a perfectionist. As a painter, he describes himself as “a dictator, a controlling ballet master with a stick,” dispassionately choreographing his composition to achieve the exact result he desires. The paintings of the “Sea Series,” largely completed in 2010, are actually the culmination of 4-5 years of practice for the artist, during which he consistently developed and refined the language and formal elements that visually distinguish the series, sometimes repeating the same image for months until he was satisfied. Colucci’s methods and philosophy reflect his experience with movement as a performing art. While he studied with and admires Vito Acconci, Colucci is no proponent of conceptualism, finding his voice in the intense discipline of traditional forms, explaining, “If you don’t practice art like a classical pianist, every day, you can’t execute your concepts.” After completing his studies at New York’s School of Visual Arts, he moved to Paris, where he studied and performed mime and ballet, working closely with Marcel Marceau, who also painted, and Etienne Decroux, a sculptor as well as the originator of the form “classical mime,” which has roots in the sculpture of Rodin. If the word “sea” in the title of a painting conjures for you images of little easels and landscape canvases featuring sandy beaches, waves, and vast horizons, think again – Colucci’s oceanic visions are experiential, viewing them you are often looking down at the sea, within it, or even dreaming of the ocean. Water, deep or shallow, still or fast-moving, rules how we see light and subjects, as the artist works to reflect what he calls “the spirit, the soul of the water.” In “Deep Blue,” he conjures this anima via a window through levels of roiling currents of rich dark waves and dancing highlights, inviting the viewer to experience the sea as a vibrant and enveloping sensual entity. Colors, too, differ from the subdued palette of the seaside afternoon painter. Often his choices originate in what Colucci describes as the rhythm of color present in Afro-Carribean art and design. In the paintings, these hues express the water’s likeness to the seamless flow of the Dominican culture’s music and dance, which he so enjoys during frequent visits to Upper Manhattan’s El Barrio district, a movement with the melodic line that he so simply and perfectly employs in the delightfully sexy “Swimming with the Fish.” As our bodies, like the sea, are largely water, Colucci’s water visions...

Contemporary painting, Bestiary I, by Spanish artists Rubenimichi, Acrylic on canvas, with a thick lacquered wood frame. Measurements: Painting: 21×27 (H) cm Frame: 36 x 3.5 x ...

In this John Brevard painting, we see strange and surreal creatures that seems to inhabit a multidimensional world. The overall theme of the painting ...

This original untitled abstract painting on paper by Cole dates to the 1990s and presents a compelling blend of figurative and abstract expression. The composition centers on a styli...

Contemporary Oil on Canvas Painting in Wooden Frame 24K Gold Leaf 'Wounded Lion' An incredible and mystical collection of paintings, after a unique artist - “Travellers of Civilisat...

Richly colored, signed and dated, abstract figurative, acrylic-on-paper artwork by listed, Quebecois Expressionist painter, Gisele Leclerc (1931-2019). Her work appears in the presti...

A contemplative study in balance and texture, Diversion is a signed abstract mixed-media painting by American artist Louis Shields. Created as part of the 2018 Millennium Series, thi...

"Nidos" 2003 Felicidad Moreno Mixed technique of acrylic, enamel, varnish and acrylic spray on canvas.

Painting by Sophie Tottie, Sweden. 1990s. Mixed media. Dimensions: H: 124 cm/ 4' 3/4'' W: 103 cm/ 40 1/2''

Title: Infinite Mirrors of the Unified Unconscious Medium: Acrylic and Mixed Media on Canvas Size: 152cm x 152cm Caption: Lose yourself in the infinite expanse of mirrored realities,...

"Defender" Oil on Canvas Original Painting in Wooden Gold Leaf Frame, 2005 An incredible and mystical collection of paintings, after a unique artist Andrew Ryabov - “Travelers of Ci...

Steven Colucci’s iconoclastic approach to performance and the visual arts have not only long blurred the boundaries between these disciplines, but have challenged its most basic assumptions. The title of this show references a most rudimentary dance move --the plié --and our assumptions of what to expect in relation to this. Also the suggestion that we can simply press a button and a preconceived outcome will be courteously delivered --a form of prefabricated belief in itself. Steven Colucci’s artwork turns such basic assumptions on their heads. Finding early inspiration in the New York school of abstract expressionists such as Jackson Pollock with his action painting, and then further by his professor --a then young Vito Acconci while studying at the School of Visual Arts, Steven Colucci went from exploring the raw existentialist experimentation of New York’s early painting and performance scenes, to investigating the other end of the spectrum --the rigorously measured and controlled disciplines of pantomime and ballet; studying in Paris under the tutelage of world-famous Marcelle Marceau, and engaging with the concepts of dramatic movement pioneer and intellectual Etienne Decroux. Colucci has explained the difference between the extremes of pantomime and dance as being that pantomime forces movement via an internal capacity --movement directed inward to the core of one’s self --a source requiring extreme mental and physical control. Dance by contrast is an external expression; likewise requiring great precision, although instead an extension of self or sentiment that projects outwardly. While such historical ‘movement’ disciplines serve as foundation blocks for Steven’s artistic explorations, it is the realm in between that he is best known for his contributions --an experimental movement and performance art that simultaneously honors, yet defiantly refutes tradition; rejecting a compartmentalization regarding art and movement, yet incorporating its elements into his own brand of experimental pastiche. Colucci’s performance works manifest as eerily candy-coated and familiar, yet incorporate unexpected jags of the uncanny throughout, exploiting a sort of coulrophobia in the viewer; an exploration of a cumulative artifice that binds human nature against its darker tendencies; highlighting traditions of artifice itself - the fabricated systemologies that necessitate compartmentalization in the first place. It is evident in Steven Colucci’s paintings that he has established a uniquely distinctive pictorial vocabulary; a strong allusion to --or moreso an extension of --his performance works. Colucci’s paintings depict a sort of kinetic spectrum, or as he refers to them “a technical expression of physicality and movement”. Whereas the French performance and visual artist Yves Klein used the human body as a “paint brush” to demarcate his paintings and thereby signify a residue of performance, Colucci’s utilization of nonsensical numbers and number sequences taken from dance scores, as well as heat- induced image abstraction depicting traces of movement likewise inform his vocabulary. In the strand of the choreographed, yet incorporating moments of chance, Colucci’s paintings represent an over arching structure; a rhythm of being and state, yet detail erratic moments --moments that denote a certain frailty --the edge of human stamina. Colucci’s paintings dually represent a form of gestural abstraction --and also the reverse of this --a unique anthropomorphization of varying states of movement – that sometimes present as a temperature induced color field, at others are juxtapositions of movement and depictions of physical gestural images themselves. Colucci’s use of vernacular and found materials such as cardboard evoke his mastery of set design, and also reference a sort of collective experience of urbanity and the ephemeral. Such contradictions seem to permeate not only Steven Colucci’s artwork, but also are reflected in his person – one who grew up in New York’s Bronx during a zeitgeist moment in visual and performing arts in the 1960s – one who shifts with ease from happenings and experiments in New York City, to his meticulously choreographed megaproductions at Lincoln Center or starring in the Paris ballet...

In this painting, the viewer is transported to a world where the past and future collide. At the center of the painting, we see a female medieval character, dressed in ornate armor a...

Raoul Morren, a self-taught artist and curator, explores a spectrum of artistic mediums, including collage, painting, photography, sculpture and video. Drawing profound inspiration f...

Acrylic on canvas. Signed and dated. Measures: H 200 cm / 6' 6 7/8" L 210 cm / 6' 10".

Signed at the reverse monogram 70. Double-sided painting - one scene on front and one scene on the back. William Hansen was a Danish painter who...

This amazing whimsical painting of a Roman Soldier with a Fountain Pen head. The artist, Pier Gustafson, thought it would be fun to replace Fountain Pen...

Title: Cosmic Mirage: Unveiling the Illusory Nature of Reality Size: 60''x60'' Medium: Acrylic and Mixed Media on Canvas Description: The illusory nature of reality is unveiled, beck...

Very cool modern abstract painting made of acrylic and hood lead signed by artists titled “Frenchy”.