Items Similar to An OP-ART KINETIC PAINTING on Panel by JEAN-PIERRE YVARAL VASARELY, France 1968
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An OP-ART KINETIC PAINTING on Panel by JEAN-PIERRE YVARAL VASARELY, France 1968
$38,330.78
£28,662.80
€32,000
CA$52,810.23
A$57,596.98
CHF 30,510.99
MX$690,505.99
NOK 388,574.44
SEK 355,322.49
DKK 243,852.75
About the Item
An authentic and unique kinetic painting thin and subtle gouache on wood panel, Abstract Geometric, Op-Art, Kinetic composition of orange and blue shades through thin complex architectural structures, creating a paradoxal open and closed / warm and cold, vibrating effect, entitled "Structure Ambigue B.R.", signed Jean-Pierre Yvaral on the bottom, and dated 1968, France.
We had a collection of several wide size paintings on canvas by Jean-Pierre Yvaral, including some of his major achievement and auction results, but none was so strong in therms of colors, neither thin and complex in therms of graphic structures and precision. All this to say, we kept this piece, wich has a great provenance from the collection of a famous parisian advocate in the seventies, in our collection over years and it is now our last Yvaral, because we were convinced it was the best painting by Yvaral of all those we had, and we bring it on sale now.
- Creator:Yvaral (Jean-Pierre Vasarely) (Artist)
- Dimensions:Height: 19.69 in (50 cm)Width: 19.69 in (50 cm)Depth: 0.79 in (2 cm)
- Style:Kinetic (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1968
- Condition:Wear consistent with age and use. Minor losses.
- Seller Location:PARIS, FR
- Reference Number:1stDibs: LU6650238818962
Yvaral (Jean-Pierre Vasarely)
Yvaral is Victor Vasarely's son, but he deserves to be considered an artist in his own right. Jean-Pierre Yvaral is one of the founders in 1960 of the GRAV movement with François Morellet, Horacio Garcia Rossi, Julio le Parc and Joël Stein. This movement advocated accessible art for the viewer. The latter could, in certain cases, touch and manipulate certain works. The GRAV was publicly launched in 1963, in a manifesto “Enough mystifications” on the occasion of the third Paris Biennale.
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