Pair of English Watercolours by G Scott

A Pair Of 19th Century English Victorian watercolors on porcelain of A Lady Cushioned velvet frames. In excellent condition commensurate with age. A Near Matching Pair Dimensio...

Pair of beautifully painted oil portraits of a mid-Victorian English couple. Portrayed from the chest up, the lady looks directly at the painter, showing an elaborate hair style wove...

A lovely Victorian watercolour of an English country scene. Mounted in a later frame behind glass. Circa 1860. Please contact us directly for a worldwide shipping quote.

A pair of watercolours by (Albert) Gordon Thomas R.S.W ( 1893-1970), one titled ‘Summer Afternoon Weymouth’showing a gentleman’s motor yacht in the foreground and the other ‘Yachts a...

Pair of watercolours, church interior, signed and numbered, framed. H: 25 cm, W: 19 cm, D: 1 cm.

Pair of Vintage Irish Donegal watercolours by Frank Murphy R.H.A., R.U.A. This pair of Vintage Irish Donegal watercolours by Frank Murphy R.H.A., R.U.A. captures the timeless beauty of the Irish landscape. Murphy, a celebrated artist, is renowned for his ability to bring the Donegal countryside to life with his watercolours. These two paintings are fine examples of his skill and deep connection to Irish rural life. First Watercolour: Thatched Farm Building The first painting depicts a traditional thatched farm building with the Donegal mountains in the background. The artist uses a soft watercolour wash technique to create a serene atmosphere. The muted tones of the land blend seamlessly with the details of the thatched roof, evoking a sense of peace. Murphy expertly highlights the contrast between the quiet farm and the imposing mountains. The artist’s signature is located in the lower left corner, with the mount inscribed, "nr Cresslough, Donegal." This specific location adds a personal touch, grounding the painting in a real place. Second Watercolour: Thatched Houses by the Sea The second Irish watercolour shows thatched houses by the sea, with the Donegal mountains rising in the background. The scene conveys the peacefulness of Donegal’s coastline. The calm sea and coastal thatched houses reflect the simplicity and beauty of rural Irish life. Murphy uses light and color to give life to the scene, drawing attention to the contrast between the sea and the homes. The donegal coastline is painted in soft blues and greens, capturing its natural beauty. The mountainous backdrop creates a striking balance, highlighting the ruggedness of the land. Key Features of Frank Murphy’s Work Thatched Buildings: A recurring theme in Murphy’s paintings, reflecting traditional Irish architecture. Donegal Landscape: Both pieces showcase the rugged beauty of Donegal’s mountains and coastline. Watercolour Technique: Murphy’s skilful use of the watercolour wash technique creates a soft, atmospheric feel in his works. Signed Artwork: Both paintings are signed by Frank Murphy and come with inscriptions identifying their locations. Why These Watercolours Are Special These Irish watercolours...

We are delighted to offer for sale this lovely pair of late Victorian watercolors signed H Brock and dated Apr 1894 The first is titled “An Uninvited Guest” and the second “A Lion...

Nice artwork of a 1960's cabin cruiser by Meredith A. Scott. Very bright and crisp. The vessel has a mast with sail, bow flag, wheelhouse, and stern rail with canvas. Matted and fram...

'Wooded Landscape' Watercolour by English Artist Eileen Young (1896-1986). Signed in initials 'EY' bottom right.. The painting depicts a wooded lake scene. Watercolour on paper,...

A large and beautiful three quarter length portrait of a partly seated lady her hat over one arm holding a bouquet of flowers, the other arm held upward holding a branch of a tree. This original oil on canvas by the British artist Laurence Koe, (1863-1913), is signed on the lower right and dated 1905. Lawrence E. Koe was a portrait painter and sculptor. He is listed as living in Brighton when he first exhibited at The Royal Academy in 1891, but by 1894 he had moved to London where he appears to have settled for the remainder of his life. Koe exhibited widely; over twenty times at The Royal Academy, but also at the R.O.I, The Royal Society of Artists in Birmingham and the Walker Art Gallery in Liverpool. Most of his exhibited works were portraits, and among his sitters were the wives of fellow artists Harold Speed RP (1872-1957) and Harold Piffard (fl. 1895-1899). In 1896 Koe exhibited “Venus and Tännhauser” at the Royal Academy, now in the permanent collection in the Brighton Museum and Art and he showed a painting of Sappho two years later. He clearly shows the influence of other artists working at the same time, notably Singer Sargent, Arthur Hacker RA (1858-1919) and Herbert James Draper...