George III Paintings

An exquisite circa 1790 equestrian oil on canvas of a red-coated and bewigged gentleman fox hunter with outstretched arm and hand holding cap, 'riding to hounds' on a galloping bay h...

Fine Art, Charles Henry Scwanfelder (1774-1837). Signed C H Schwanfelder Pinx and dated 1825. An exceptional portrait of a horse standing proud in woodland, in front of a tree-lined vista incorporating cows residing by a stream. Charles born in England, the son of a German decorative painter started his career helping his father painting clock faces and snuff boxes and became renowned in his own right for his animal paintings, later being appointed by George III and George IV. Exhibiting at the Royal Academy between 1809 and 1814. His works can be found at - Temple Newsam House, Lotherton Hall, York Museum trust, National Trust, Florence Court, Leeds City Museum and Galleries, The Ferens Art Gallery and Newstead Abbey...

2 portraits, late 18th century, oil on board.

Late 18th to Early 19th Century Portrait of a Sea Captain, by Charles Delin (Netherlands: 1756-1818), circa 1810, a fine period oil on canvas quarter-length portrait of Captain Mellens, an elegant gentleman in navy blue woolen double breasted sea coat, with high starched collar shirt and neck cloth, unsigned; retains an old collection label on the reverse identifying the artist and subject. The painting remains in fine condition, in its original carved and gilded frame. Although identified by name, we could not find any additional information on the sitter. The name and clothing indicates that the captain was American or English. The artist Charles Delin was highly regarded in his day and specialized in sea captain portraits...

18th century English noblewoman in a gold gilt ornate period frame. Lovely detail and color, coat of arms in corner. Unsigned. Without the frame the painting itself measures 29 inche...

English Oil on canvas Whippet landscape painting in the original gilt burl walnut frame. Early 19th Century

Pair of English Nobel figural oil on canvas oval portraits of male posing with hunting canine companions and female sitting in garden posing with flowers and lamb. Paintings have bee...

Exceptional English George III period neoclassical memorial or mourning portrait of a gentleman attributed to famed London portraitist Thomas Hudson (1701-1779) depicting 'Edward Lon...

John Thomas Serres 1759-1825 was an English maritime painter who enjoyed significant success, including exhibiting extensively at the Royal Academy,...

Few coach panels survive. This is a striking example with the double headed eagle, gilded armorial and burgundy background. The closest I can find to ar...

A large oil on canvas depicting a youthful father with his three children, two of which are behind him playing musical instruments, the daughter with her harp and son playing the flute. A third child with his back to the painter faces his father. The painting is presented in a carved and gilded wood frame. Like the great majority of Opie's work, this painting is not signed or stamped. Opie lived at No 8 Berners Street where he moved in 1791, the street famous for artists, composers and instrument makers. Jacob Erat the famous harp maker lived in the neighbourhood and moved to 23 Berners Street before his death in 1821. This painting could be the painting referenced in John Jope Rogers, "Opie and his Work" Truro 1878, Page 220, entitled 'Musical Party'. Provenance: Charles St. George Quechee, Vermont; New England Private Institution; Sotheby's New York April 7, 1989, Lot 1, as John Opie, Portrait of a Gentleman and his three children; Private collection Connecticut. John Opie RA, (May 1761 – 1807), was a Cornish historical and portrait painter. He painted many great men and women of his day, including members of the British Royal Family, and others who were most notable in the artistic and literary professions. Opie's artistic abilities eventually came to the attention of a local physician and satirist, Dr John Wolcot (Peter Pindar). Recognising a great talent, Wolcot became Opie's mentor, buying him out of his apprenticeship and insisting that he come to live at his home in Truro. Wolcot provided invaluable encouragement, advice, tuition and practical help in the advancement of his early career, including obtaining many commissions for work. In 1781, Opie moved to London with Wolcot, having entered into a formal profit-sharing agreement with him. Although Opie had received a considerable artistic education from Wolcot, the doctor chose to present him as a self-taught prodigy. A portrait of a boy shown at the Society of Artists the previous year had been described in the catalogue as "an instance of Genius, not having ever seen a picture." Wolcot introduced the "Cornish wonder" to leading artists, including Sir Joshua Reynolds, who was to compare him to Caravaggio and Velazquez, and to prospective patrons. The business arrangement with Wolcot lasted for a year after which Opie informed the doctor that he now wished to go it alone, leading to the estrangement of the two former partners. Through the influence of a Mrs Boscawen, Wolcot managed to have Opie introduced at the court of King George III. The king purchased one of his pictures and commissioned him to produce a portrait of Mary Delany...

Early 19th Century Oil Painting of Wakefield Cathedral, Yorkshire — Attributed to John Cawthorn Oil on canvas Attributed to John Cawthorn (British, active early 1800s) Circa 1810–1...

A. Vanden Temple, 19th century school, portrait of a Constantia Lucy, oil on canvas.

Late 18th century portrait of a gentleman unframed , English. Joh Rud Kupfer, 1764 age 37 signed on back.

Set of seven Royal Officer\'s portraits oil on canvas measure: 47" high. Very Stately, Handsome.