Hand-Painted Paintings

Framed oil painting on canvas by Ewald Kreusch (1895-1960) is a delightful study of an old-growth forest with a footworn path leading on to adventures beyond the horizon. Kreusch has...

Original Modern Contemporary Acrylic Painting in antique frame by Shannon Weir. Signed in bottom right. This beautiful original art was made in 2022, but the frame is vintage.

Well executed modern industrialist oil painting, futuristic factory workers. Amazing use of color, texture and space. Artist unknown. Mark Kostabi meets Fernand Leger.

The beautiful and intriguing 19th century portrait of John the Baptist, oil on wood, in style of Francisco Goya, signed lower left by French painter Saint Cyr Anduze. The painting i...

77 x 39 abstract oil painting by Wolf Von Frise in custom frame.

A beautifully executed and rare complementary pair of oil on canvas paintings depicting two of the moist famous and important counter reformation catholic saints St Francis Xavier and St Carlo Borromeo shown in scenes of what the respective saints are mostly famous for. St Francis Xavier for the conversion to Christianity of many S. E Asian countries notably India and St Carlo Borromeo shown asking the Virgin Mary to intercede for the cessation of the terrible plague of 1576. The paintings are presented in refreshed gilded carved wooden frames and are unsigned. St. Francis Xavier was born in Spanish Navarre in 1506 and in 1528, he met St. Ignatius of Loyola. He became one of the seven in 1534 who founded the Society of Jesus (Jesuit Order). In 1536, he left the University of Paris and joined St. Ignatius in Venice. He was ordained in 1537, and in 1540 after the Society was recognized by the Pope, he journeyed to the Far East. Francis Xavier first evangelized the Portuguese colony of Goa in India, then Travancore, Ceylon, Malacca, and the surrounding islands. From there he journeyed to Japan, where he gave Christianity such deep roots that it survived centuries of violent persecution. He died on Sancian Island in 1552, while he was seeking to penetrate into the great forbidden land of China. Despite language problems, lack of funds, resistance from the Europeans as well as the natives, he persevered. St. Francis converted more people in his life than anyone since the Apostle St. Paul. He baptized over 3 million people, converted the entire town of Goa in India, and he labored in India, Pakistan, Bangladesh, Sri Lanka, Malaysia, Indonesia, Singapore, and Japan. He was truly a missionary par excellence. St Carlo Borromeo (1538-1584), was a Cardinal of the Holy Roman Catholic Church and Archbishop of Milan from 1565 to 1583. He was described in the decree for his canonization, as “a man, even while the world smiles on him with the utmost flattery, he lives crucified to the world, spiritually, trampling earthly things, seeking continuously the things of heaven, emulating the life of the Angels on earth, in his thoughts and actions. The plague began in the month of August that year. Milan was celebrating joyfully the arrival of Don John of Austria, on his way to Flanders, where he had been appointed governor. The city authorities were abuzz with excitement in their desire to bestow the highest honours on the Spanish prince, but Charles, who had been Archbishop of the diocese for six years, was following with concern the news coming from Trento, Verona and Mantua, where the plague had begun claiming victims. The first cases exploded in Milan on August 11th, right at the moment when Don John of Austria arrived. The victor of Lepanto, followed by the governor, Antonio de Guzmán y Zuñiga, departed the city, while Carlo Borromeo, who was in Lodi for the Bishop’s funeral, returned in haste. Confusion and fear reigned in Milan and the Archbishop dedicated himself completely to assisting the sick and ordering public and private prayers. Dom Prosper Guéranger sums up his infinite charity in this way: “In the absence of local authorities, he organized the health service, founded or renewed hospitals, sought money and provisions, decreed preventive measures. Most importantly though, he took steps to ensure spiritual help, assistance to the sick and the burial of the dead. Unafraid of being infected, he paid in person, by visiting hospitals, leading penitential processions, being everything to everyone, like a father and true shepherd” St. Carlo was convinced that the epidemic was “a scourge sent by Heaven” as chastisement for the sins of the people and that recourse to spiritual measures was necessary to fight against it: prayer and penitence. He rebuked the civil authorities for having placed their trust in human measures rather than divine ones. “Hadn’t they prohibited all the pious gatherings and processions during the time of the Jubilee? For him, and he was convinced of it, these were the causes of the chastisement. The magistrates who governed the city continued to oppose public ceremonies, out of fear that the large gathering of people would spread contagion, but Charles “who was guided by the Divine Spirit” – recounts another biographer – convinced them by citing various examples, among which was the one regarding St. Gregory the Great who had halted the plague devastating Rome in 590. While the pestilence spread, the Archbishop then ordered three general processions to take place in Milan on the 3rd, 5th and 6th of October, “to placate the wrath of God”. On the first day, the Saint, despite it not being the Lenten season, placed ashes on the heads of the thousands gathered, exhorting them to penitence. Once the ceremony was over, the procession went to the Basilica of St. Ambrose. Charles put himself at the head of the people, dressed in a hooded purple robe, barefoot, penitential cord at his neck and large cross in his hand. The second procession led by the Cardinal headed towards the Basilica of San Lorenzo. The third day the procession from the Duomo headed for the Basilica of Santa Maria at San Celso. St. Carlo carried in his hands a relique of Our Lord’s Holy Nail, which had been given by the Emperor Theodosius to St. Ambrose in the 5th century. The plague didn’t show any signs of waning and Milan appeared depopulated, as a third of its citizens had lost their lives and the others were in quarantine or didn’t dare leave their homes. The Archbishop ordered about twenty stone columns with a cross at the top to be erected in the main squares and city crossroads, allowing the inhabitants from every quarter to take part in the Masses and public prayers - from the windows of their homes. One of Milan’s protectors was St. Sebastian, the martyr the Romans had recourse to during the plague in 672. St. Charles suggested that the magistrates of Milan reconstruct the sanctuary dedicated to him, which was falling into ruins, and to celebrate a solemn feast in his honour for ten years. Finally in July 1577, the plague ceased and in September the founding stone was laid in the civic temple of St. Sebastian, where on January 20th every year, even today a Mass is offered to recall the end of the scourge. St.Carlo Borromeo died on November 3rd 1584 and was buried in the Duomo of Milan. His heart was solemnly translated to Rome, in the Basilica of Saints Ambrose...

A nice cubist still life painting by the noted Texas artist Norman Baasch. It is signed lower right and dated 66. It is framed in a simple black framed. Nice overall condition, with ...

Modern Abstract, mixed-media Painting; titled “Will Later be Last” by Maria Astadjov, a conceptual fine artist; mixed-media on Aluminum; Signed on front...

Modern abstract, mixed-media on White Aluminum painting; titled “The Island of Souls” by Maria Astadjov, a conceptual fine artist. Signed on front botto...

Beautiful and sensitively rendered oil on canvas by the French painter Jean d'Esparbès. Executed circa 1950–1960, this captivating work portrays a young woman gently holding a doll i...

19th Century Painting of 'Approaching Checkmate', on ivory base and framed, dated 1836. After the original painting by Alfred Edward Chalon. Actual picture size 17cm x 13cm Note, ...

Philip Hermogenes Calderon (1833-1898) was one of the most renowned and brilliant British artists of the 19th century. He studied in Paris ...

This late 17th-century oil on canvas from Peru, depicting the Virgin Mary and baby Jesus, is a striking example of Spanish Colonial art. The work reflects the deep religiosity and de...

Francesco Lavagna (Italy -Naples 1684-1724) "Still life with flowers and watermelon and hermas with garden in the background" The painting, beautifully made and in good condition, d...

Oil on canvas portraying the visit of Venus to the forges of Vulcan. French school of the 2nd half of the 18th century. Undoubtedly executed by a pupil of François BOUCHER; who died...

Monumental oil painting with fish motives, measures: 163 x 115 cm. Oil on canvas. Absolutely naturalistic painting. A unique occurrence.

Saint Jerome Hears the Trumpet of Judgment, Neapolitan School, 17th Century This exquisite oil-on-canvas painting depicts Saint Jerome hearing the trumpet of the angel of the Last Ju...

The antique painting titled "L'Eveque a la Lecture" (the bishop reading), was created in France, circa 1890. The canvas signed in the lower right corner by French artist, M. Valle, c...

A very decorative Arts and Crafts painted frieze, very much in the manner of Albert Edward Hayes. The paining has areas of loss as the photos show, the ...

A pair of domestic conversation pieces by John Grenville Fennell (1807- 1885), Both showing rivers and streams within a mountainous landscape, possibly fishing expeditions for the mi...

Atmospheric Blacksmith Forge Interior by Edvard Petersen signed by monogram This magnificent late 19th-century painting of an atmospheric blacksmith forge interior is by the renowned realist Danish painter Edvard Petersen. Depicting a richly detailed industrial workshop scene, it is a remarkable example of Danish realism. As an authentic Edvard Petersen painting, it showcases the artist’s dedication to portraying the lives of craftsmen and workers in the late 1800s. If you are an art collector or enthusiast seeking to purchase an original blacksmith interior artwork, this vintage realism painting not only holds artistic value but also represents an essential piece of Danish heritage art. Below, we explore the painting’s intricate details, its historical context, and Edvard Petersen's life. 1. Artwork Overview: A Glimpse into the Industrial Past This vintage painting of a blacksmith’s forge reflects the hardworking spirit of the late 19th century. The atmospheric industrial art is meticulously rendered with a keen eye for lighting, texture, and realism. Key aspects of this Danish blacksmith workshop artwork include: Industrial Setting: The painting captures the interior of a blacksmith workshop, filled with well-used tools and the dim glow of the forge. Lighting Mastery: The late 19th-century atmospheric blacksmith interior is defined by its masterful use of light and shadow. The forge fire creates a vivid, warm glow, contrasting with the cooler daylight filtering through a window. Human Element: The blacksmith figures appear in dynamic postures, emphasising the laborious nature of their craft. The workers’ silhouettes against the glow of the fire add depth and dimension. Textural Details: The texture of worn wood, metal tools, and stone flooring is painstakingly realistic, typical of Edvard Petersen’s style. 2. Artistic Style and Techniques A. Realism and Atmosphere As a prominent Danish realist painting, this work exemplifies the realist tradition for which Petersen is known. His choice of subdued, earthy tones highlights the authentic industrial atmosphere. The blend of warm, fiery hues with darker, shadowy tones creates a dramatic and contemplative mood. B. Composition and Structure The composition follows a well-organised structure, with: Foreground Elements: Anvil, tools, and a large wooden barrel. Middle Ground: Figures working at the forge and a workbench. Background: The illuminated workshop window and hanging tools. Colour Palette: Predominantly browns, greys, and ochres with contrasting fiery highlights. Lighting Effect: The combination of natural and artificial lighting enhances the sense of depth and space. 3. Significance of the Painting A. Cultural Context This late 19th-century blacksmith painting...

Original Scandinavian mid century vintage oil on canvas forest landscape painting. The motive is a forest scenery with the sun shining through the tree leaves into a forest floor tha...

A large antique 19th century Belle Époque style KPM hand painted plaque of a young German woman wearing a bay laurel wreath, impressed KPM and scepter...

“Moonlit Moose” by Greg Parker. Oil on canvas; 24” x18”. Signed Gregory H. Parker. Unframed. Piece portrays a dark and moody scene, lit by the full moon peering through the clouds. A...

Early 20th century scenic oil painting of castle, bridges, and mountain range on canvas. Features a whimsical scene with an American flag flyi...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning, very large antique circa 1900 Continental oil painting of a forest with a mother and child wa...

Daniel Nikolaus Chodowiecki (Danzig, 1726 - Berlin, 1801) Interior scene with concert Oil on canvas, 42 X 34 cm With frame 57 x 49 x 6 cm Already attributed to Pietro Longhi, the ...

Late 19th to Early 20th Century Moonlight ocean painting. An oil on board showcasing a calm harbor view over a full moon. A sailboat can be seen in front of a lighthouse as well as...

Watercolor painting of cavalry soldier on galloping horse, monogramed. This watercolor painting is executed in a masterful technique. The finest details and bright colors make this artwork a treasure. A military cavalry...

Very nicely detailed painting by Jac. Haan, interior architect and former manager of the furniture department of the famous Dutch department store Metz en Co...

This framed colorful piece has many different aspects and stages of life in it. If you look closely and pat attention to this artists' myriad of details, you can see people painted t...

A pair of vibrantly colored Burmese water color paintings of Deities. The early 20th century paintings in mid 20th century professionally framed giltwood frames.

Signed American oil on canvas jointly painted by listed artist Donald Rust (b.1932) and Emmett Kelly. The painting depicts a middle aged, portly couple, eating desert in the window o...

"Cypress on Fire" by Kevin Paulsen in collaboration with David Wiggins. Plater on fragmented polystyrene, mounted in a shadowbox frame.

Quincy Market by George Grace,, western New York Artist..Amazing use of space ,,color.. shadows,,, George Grace Drawing, Painting, Sculpture In June 2...

A very good painting of an English Sailing ship by the listed Artist Daniel Sherrin . Listed in the Benezt ! The title is ( the Black Adder ) Oil on Canvice and signed in lower left side in red. Was purchased in London 35 years ago and held in a private collection of Antique Ships Oil Paintings...

Ronald D. "Ron" Moody studied under noted artist, Roger Winter at Southern Methodist University (SMU), receiving his BFA in 1973. Two years later, he received his MA from the Univers...

Invite colors to a wall with this elegant antique floral painting. Crafted in France circa 1870, and set in a carved gilt frame, the colorful ...

Barbara Beretich abstract oil painting "Dante's Inferno" Offered for sale is an abstract oil painting on canvas titled "Dante's Inferno" by the American artist Barbara Beretich (b...

Guglielmo Napoli (Pavia, 1868 - Genoa, 1945) The betrothed Oil on panel, 46.6 x 68 cm Frame 73 x 81 cm Signed lower left "Gugl . mo Napoli Dipinse" The work in questi...

Early 19th Century Portrait of the Marsh Family Twins, by Thomas Arrowsmith (English: 1772 - 1834), circa 1830, an oil on canvas group portrait of the celebrated five children of the Marsh family of Boston. The two pair of twin girls and their younger brother became well known on both sides of the Atlantic in their day, because sets of twins were pretty rare, and these children were so ridiculously cute. Apparently the greatest artists of their day were all clamoring to paint their portraits. The Magazine Antiques ran an article on the children and their popularity about 20 years ago. The short hair cuts sported by the girls are quite striking, and are actually not as odd and rare as many people assume. While longer hair enhanced with ringlets and other curls were very much the popular fashion, a good number of parents did boldly break away with these daring short bobs. Perhaps they were the "bohemians" of their day. The style grew in popularity, even among adults, following the French Revolution: dubbed "Guillotine Haircuts" they declared sympathy for the deposed royals. In this particular instance, I believe the short hair was chosen because it focused more attention on the beautiful faces, and lessened the variations in height and hair color to make them all look even more alike. A delightful painting, slightly Romantic School, a touch Folk Art, in excellent condition and signed on the reverse. Thomas Arrowsmith was a highly regarded artist who worked almost entirely in miniature. Such artists who created such amazingly detailed tiny portraits on ivory...

Oil on panel portrait of young girl 1930 France Painting representing a young girl in blue knitwear and square-cut hair. The straight gaze denote...

English orientalist school; late 19th - early 20th century. "Slave market". Oil on canvas. Presents stamps on the back. Measurements: 26,5 x 36 cm; 27 x 37 cm (frame). The orien...

Birds and flowers of the four seasons Early to mid-19th century Ink, pigment and gofun on silk Unidentified artist Signature: S...

O/8219 - The classic landscape with grazing sheep: a subject much loved by painters because it's a usually enriched by tree foliage against the backdrop of a beautiful blue sky. If Y...

17th century, Nuvolone workshop Annunciation Measures: Oil on canvas, 98.50 x 127.00 cm - with frame 144 x 115 Depicted is a canonical Annunciation which sees Mary on her knees ...

Mid-Century Modernist nude oil painting, beautifully painted and lovely colors, signed but signature illegible. Oil on canvas in original wood frame.

This is some of the largest paintings Bertil Berntsson executed with oil on canvas in 1964. It was exhibited in the Liljevalchs konsthall in Stockholm. Coming with a good provenance ...

Set of two Michelangelo Meucci (Italian, 1840-1909) oil on board paintings of hanging game. First painting portrays two hanging birds on wall, second has a hanging mallard...

Decorate an office or study with this large antique oil on canvas and wood painting. Created in Italy circa 1890, and almost 5 feet in height, the artwork is set in an ornate gilt wo...

Beautifully executed large-scale still life painting with overflowing fruit, flowers and a parrot. Oil on canvas, in carved, painted and gilt period frame. Signed in lower right corn...

Peter Götz Pallmann (Berlin, 1908 - 1966) Santa Trìnita bridge in Florence Oil on canvas applied to wood, 35 x 40 cm Frame 45.5 x 50.5 cm Signe...

Delight in the beauty of early 20th-century art with this captivating watercolor by Campana, a renowned French Art Deco painter. Created around 1920, this painting beautifully depict...

Modern Abstract Acrylic on Panel Painting by Shannon Weir in Vintage Gold Frame

Large and atmospheric landscape painting by Danish artist Inge Alifrangis, executed around 1993 and depicting the coastal surroundings of Gilleleje. The composition is built up in co...

19th-Century Portrait of William Morton, Civil Engineer Inscribed top left William Morton at 50 1882 Step into history with this exceptional 19th-century portrait of William Morton,...

Charming pair of watercolors depicting traditional Chinese junks at sea. These meticulously detailed 19th-century marine scenes depict typical Far Eastern sailing vessels, in a peace...

19th Century seascape with lighthouse, circa 1890, an oil on canvas view of a white-washed lighthouse tower on a small offshore rocky ledge, most...

Pietro Bardellino (Italy - Naples, 1732 - 1806), attr., Sacred Heart of the Child Jesus Measurements: with frame, cm L 86 x H 99 x P 8; only the canvas, cm L 78 x H 64 The painting, made in oil on canvas, represents the Sacred Heart of the Child Jesus. Stylistically the work is attributable to Pietro Bardellino (Italy, Naples, 1732 - Naples, 1806), a pupil of Francesco De Mura and considered by critics one of the most gifted and sensitive exponents of the Rococo style in Naples. The canvas represents the Child Jesus, surrounded by flowers in an outdoor setting, while showing the sacred heart. The canvas has a well-balanced color and a strong sweetness of the child’s traits, which with the complicit gesture of the right hand, involves the viewer in the intimate and delicate sharing of the garden in which he sits. The roses, in addition to being a beautiful piece of still life, contribute to enrich the Christological message, being bearers of symbolic meanings. Marian attributes par excellence, are often side by side with Christ, whose thorns foreshadow the Passion. In the canvas, on the top left, two cherubim are observed: among them, according to the Old Testament, is God: the author therefore puts into place an iconographic and iconological hyperbole that amplifies its meaning. The iconographic theme of the Child Jesus with the Sacred Heart in his hand spread between the second half of the eighteenth century and the first of the following century. With the worship of the Sacred Heart of Jesus, the Catholic Church intends to honour the Heart of Jesus Christ, one of the organs symbolizing his humanity, which by intimate union with the Divinity, has the right to worship and love of the Saviour for men, of which His Heart is the symbol. It represents one of the fundamental devotions of Christian life, as it manifests the true face of God, who is prodigal and boundless love. It was the French mystic Saint Margaret Mary Alacoque...

J. Langlois (1855-1904) “Two Terriers” Oil on canvas, circa 1890, signed lower right “J. Langlois,” framed Dimensions: Height 14 (10) inches Width 18 (14) inches