Thomas L Lewis Texas Landscape Lake Painting in Gold Sepia

Vintage painting with a carousel on the outskirts - a very particular painting, perhaps a little melancholy: a carousel on the far outskirts of a city. I knew the painter: he was a...

This serene oil on canvas, titled Landscape by the Lake, presents a tranquil and immersive natural scene rendered with great sensitivity and skill. The artist captures a calm lakesid...

Signed Thomas Graae. Landscape Lot with Farms Beautiful Colors. Thomas Graae was a Danish painter born in 1897. Known for his rural landscapes. ...

This splendid painting depicts in detail a bright view of a mountain lake,note the fine definition of details and the valuable perspective depth that give the work a feeling of pleas...

A framed original watercolor landscape painting. Sepia tone watercolor depicting a tree alongside a riverbank. Illegible signature, dated 1887. Professionally framed and matted with ...

Striking, serene abstract landscape by Lewis Croft. Sight: 14.5” x 10.75”

Delicate Italian School painting miniature of Lake Garda, 18th century, preserves Grand-Tour charm in a richly carved giltwood frame blooming flowers. Mounted under a giltwood with...

Beautiful colors extra large framed oil on canvas painting by Thomas circa 1970s, frame its original shows some wear but looks good.

American Victorian landscape painting of autumn scene with a forest of trees surrounding a stream between a path in a gold carved frame (signed ?)

A vibrant landscape that blends the lines of genre work with the impressionist landscape, it captures a pair of woman caught in the middle of a conversation while a young child is exploring the path barefoot. The traditional dress is reminiscent of a century prior and is evocative of a rural Italian landscape, though the stretchers on the reverse of the painting are simply titled "Lake Shore" with no recorded indication of the placement of the scene. The brilliant cobalt blue of the lake is visible to the far right of the nearly square composition while the trees stretch like spires through the horizon and beyond the scope of the canvas, proportionally dwarfing even the cliffs in the distance behind the women. It is a composition familiar to Grant, with his preference for framing subjects with towering local trees, utilizing a relatively square canvas and including just a hint of water. In this particular example, the interplay of light and shadow in the scene is positively brilliant with Grant's palette switching from high-chroma to low-saturation within the span of a single brushstroke. The scene is signed in the lower right in his typical script, "Frederic M. Grant" and is housed in a good quality period correct carved giltwood frame. ARTIST Born in Sibley, Iowa on October 6th of 1886, Frederic Milton Grant studied at the North Dakota State University before heading to the Art Institute of Chicago. There he trained under John Vanderpool, Alphonse Mucha, Frederick Freer...