William Tull Painting

William Perehudoff (Canadian 1918-2013) Medium: Acrylic on canvas Dated: 1979 Size: 32" x 31.5". Biography: WILLIAM PEREHUDOFF was born in 1918 in Langham, Saskatchewan and is one of Canada’s foremost modernist painters. With a career that has spanned six decades he is known primarily as a colorist and part of the Colour Field movement. His representation of space has often been influenced by the expanse of Canada’s prairies...

William Perehudoff (Canadian 1918-2013) Medium: Acrylic on canvas Dated: 1997 Size with frame 56.75" wide x 64.5" high Size without frame 54" wide x 61.5" high Biography: WILLIAM PEREHUDOFF was born in 1918 in Langham, Saskatchewan and is one of Canada’s foremost modernist painters. With a career that has spanned six decades he is known primarily as a colorist and part of the Colour Field movement. His representation of space has often been influenced by the expanse of Canada’s prairies...

William Sherman Potts (American, 1876-1930) William Sherman Potts was active/lived in New York, Connecticut, New Jersey. William Potts is known for po...

I enjoy looking at this unfinished painting by California artist William Norris Dakin. Interesting contrast between finished colorful portions and pencil sketched figures. Unique. Ve...

Framed oil on canvas, circa 1860s. "Fishing Boats Off ___ (name on back written in pencil can't quite make out)" by Irish artist William P. Rogers in a nice gold frame. Dimensions- ...

William Scharff, painting. "Nude Woman". Modernist painting, Danish art. Signed. Measurements without frame/with frame (cm): H 63/75, W 52/63.  

Framed oil on canvas "Fishing Boats Off ___ (name on back written in pencil can't quite make out possibly says Margaret)" by Irish artist William P. Rogers in a nice gold frame, circ...

Oil painting on canvas by Chicago artist, William Stebbins. The painting features bright blues and purple tones alongside warm yellow and orange tones. Signed by the artist. Dimensi...

A captivating painting depicts a two-masted ship prominently featured in the foreground, accompanied by several other boats and a distant buoy on the serene horizon. The meticulous a...

Exceptional 19th century landscape painting by Important American artist William Keith. Titled "Harvest". Barbizon School oil on canvas painting featuring figures at harvest with cart and oxen. Amazing luminescent sky. Signed lower left corner "W. Keith '96". Retains original museum quality gilt frame. Canvas measure 30"H 50"W. Accompanied with period correct Stereograph black and white photograph depicting actual painting in a parlor with handwritten pencil title "Parlor, Berkeley, Cal. '97". This is a museum quality work of art. William Keith (1838-1911) William Keith became in the late 19th and early 20th centuries a leading Northern-California landscape artist. In fact, he was so well known that he is referred to as the "Dean of California painters" and "California's Old Master." Born in Aberdeenshire, Scotland, Keith came to New York with his family and, apprenticed to a wood engraver. In 1859, he moved to San Francisco where he worked for an engraver and later set up his own engraving business. Studying with Samuel Marsden Brookes in 1863, he determined to become a painter. He married artist Elizabeth Emerson and did watercolor painting with her guidance. In 1868, he became a full-time painter, and that same year was commissioned to paint scenes along the Columbia River including Mount Hood. By August 1869 he had sold enough paintings to finance an extended journey to the East Coast and Europe including Dusseldorf, Germany throughout most of 1870, studying with Albert Flamm. After a visit to Paris, he expressed great admiration for "the modern school of French landscape painting including the Barbizon School. During the winter of 1871-1872, the Keiths lived in Boston where they shared a studio with William Hahn. Keith's work received critical acclaim there and in New York at the National Academy of Design. In 1872, he returned to San Francisco. A friendship with naturalist John Muir exposed Keith to many remote places and in-depth knowledge of nature. During the 1870s, he painted several "epic" eight by ten-foot High Sierra views. He also visited Alaska, and his paintings of Alaska were exhibited upon his return to San Francisco in a show at the Bohemian Club, titled 'Dreams of Alaska'. Keith's Alaska works are significant because they are not close transcriptions of actual scenery, but rather are fantasies inspired by Alaska. They are important as they represent a major break from the documentary tradition in landscape painting of Alaska, as they show an interest in capturing its spirit versus just the topography. In 1891, he shared his studio for several weeks with East Coast Tonalist George Inness, Sr. [1825-1894]. Both men painted in a similar style and were followers of the mystical teachings of Swedenborg. Among the locations where Inness and Keith painted together were Monterey and Yosemite, and it was reported they discussed art from every possible angle. Under Inness' influence, Keith painted more than ever in a Barbizon-influenced vein with many sunset and twilight scenes. Keith’s first wife died in 1882, and in 1883, he married Mary McHenry, the first woman graduate of Hastings Law School. They soon went to Europe, and Keith studied portrait painting in Munich with consultations from J. Frank Currier...