1950s Original Gelatin Silver Print from the Chrysler Building by Barbara Morgan

Presenting an original black and white photograph captured in the 1980s by Liverpudlian photographer John Stoddart, featuring the iconic Liverpool band, Frankie Goes To Hollywood. This signed print, produced in 2008, is a testament to the band's era-defining presence in the music scene. The photograph captures Holly and Paul, members of the band, adorned in leather S & M attire, confidently posing for the camera. This striking image, recently featured in the National Museums Liverpool Pride & Prejudice LGBT+ collection, offers a glimpse into the bold and unapologetic side of self-expression within the LGBTQ+ community. This photograph, part of a limited edition of 10, is a large archival rag print, with the artist's signature adorning the bottom. John Stoddart, renowned for his portraits of famous personalities, skillfully captures the essence of this historic moment. Hailing from Liverpool and a former Grenadier Guard...

1978 oil on canvas paint by artist, Roy Carruthers (1938) from South Africa. This painting is titled “A Message from Magritte”. It is signed and dated by the artist. It is extremely big and very detailed. One of the best painting...

Originally a documentary photographer, Aaron Siskind turned away from representation and towards abstraction in the 1940s, using his camera to capture the graphic patterns, shapes, a...

Photogravure from the Tom Baril 'Manhattan' Portfolio. Edition of 75, signed by the artist on bottom right. Framing: acid free, archival framed, cotton rag mat. Glazing: Optium museum plexi. A graduate of New York’s School of Visual Arts, Tom Baril spent over fifteen years as Robert Mapplethorpe’s master printer. His subjects include urban architecture, seascapes and meticulously detailed botanical and nature photographs. Baril’s work demonstrates a command of technique that results from his extensive experience as a master printer. Baril developed a unique toning process that enriches the color and opulence of his photographs. Tom Baril is inspired by the nature studies of modernist photographers such as Edward Weston, Imogen Cunningham and Karl Blossfeldt. A similar attentiveness to the clarity of line, form, pattern and texture characterizes Baril’s still lifes. In composing the seascapes, Baril employs the traditional box camera obscura, better known as the pinhole camera...