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Framed Photograph Avenue Simon Bolivar Paris by Willy Ronis
$5,200per item
£3,927.39per item
€4,536.74per item
CA$7,326.06per item
A$7,846.21per item
CHF 4,218.07per item
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About the Item
Artist: Willy Ronis French (1910-2009)
Title: Avenue Simon Bolivar, Paris (created in 1950; printed in 1995)
Medium: gelatin silver print
Mark: signed lower right, label verso
Image Size: 11.5 x 10 inches
Wood frame with glazing Dimensions: 22.75 x 18.75 inches
Provenance: As indicated by the labels verso
Peter Fetterman, Santa Monica, LA;
Matin Z. Margulies Collection, Miami.
- Creator:Willy Ronis (Artist)
- Dimensions:Height: 22.75 in (57.79 cm)Width: 18.75 in (47.63 cm)Depth: 0.85 in (2.16 cm)
- Style:Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1950
- Condition:Wear consistent with age and use. The print appears in fine condition, not examined out of the frame. The black wood archive frame is original and shows moderate wear such as rubs and small dings etc as. The backing paper retains all the labels as shown.
- Seller Location:Atlanta, GA
- Reference Number:1stDibs: LU945048108892
Willy Ronis
Claiming interest in “ordinary people with ordinary lives,” Willy Ronis was among the foremost postwar French photographers, who spent his career roaming the Parisian streets capturing people in love, at work, and at play in lyrical black-and-white images. Like his colleagues Robert Doisneau, Henri Cartier-Bresson, and Brassaï, he was a central figure in the “humanist photography” movement, celebrating the poetry in the everyday in warm, witty images. “I have never sought out the extraordinary or the scoop,” he once said. “The beauty of the ordinary was always the source of my greatest emotions.” Ronis honed his sense of proportion and composition working in his parents’ photography studio. He holds the distinction of being the first French staff photographer for LIFE Magazine, and his work was included in Edward Steichen’s seminal “Five French Photographers” (1951) and “The Family of Man” (1955) exhibitions.
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