A Framed Photograph of Johnny Weissmuller by George Hurrell

Artist: Susan Fenton (1949-2018; American) Title: Plumed helmet back and figure with pleated mask. Japan series Year of Creation: 1996 Edition: Unique pieces Medium: Toned Gelatin Si...

This silver gelatin photograph was printed in 1999 from the original negative by the Robert Miller Gallery in New York City with permission from the estate of the artist. George Platt Lynes...

A large, framed color photograph entitled "The Blue Door" by Sylvia Plachy (American/Hungarian, b. 1943) created in 2008. The archival C-print photograph depicts the artist's son act...

A framed photograph by Chinese American photographer Don Hong-Oai (1929-2004). Entitled "Three Friends", the work is a sepia toned gelatin silver print. It has inscription of "taken in Beijin in 1985" and with three artist's stamps in red ink. Presented matted and framed under Plexiglas. The sight is 10.5"h x 13.5"w. It is one of the matching pair from an American collection. Don Hong-Oai was born in Canton, China but raised and educated in Saigon, Vietnam. At age 13 he began an apprenticeship at a Chinese photo and portrait shop. In 1979 he immigrated to the United States and settled in the Chinatown of San Francisco. Don began making a living by selling his landscape photographs in front of Macy’s and began to receive recognition for his craftsmanship. His style was heavily influenced by the legendary photographer Long Chin...

A framed photograph by Chinese American photographer Don Hong-Oai (1929-2004). Entitled in Chinese "Playing with Hoops, Vietnam". The work is a sepia-toned gelatin-silver print. It is stamped with three red artist seals and black ink Chinese inscription, mounted and framed under plexiglass. Sight is 10.5"h x 13.5"w. It is one of the matching pair from an American collection. Don Hong-Oai was born in Canton, China but raised and educated in Saigon, Vietnam. At age 13 he began an apprenticeship at a Chinese photo and portrait shop. In 1979 he immigrated to the United States and settled in the Chinatown of San Francisco. Don began making a living by selling his landscape photographs in front of Macy’s and began to receive recognition for his craftsmanship. His style was heavily influenced by the legendary photographer Long Chin...

A framed photograph by Chinese American photographer Don Hong-Oai (1929-2004) "Desert Vietnam". Signed lower left on the mat and appears in the original artist's frame with copyright mark on the back. Sight is 6.5"H x 9.5"W. Don Hong-Oai was born in Canton, China but raised and educated in Saigon, Vietnam. At age 13 he began an apprenticeship at a Chinese photo and portrait shop. In 1979 he immigrated to the United States and settled in the Chinatown of San Francisco. Don began making a living by selling his landscape photographs in front of Macy’s and began to receive recognition for his craftsmanship. His style was heavily influenced by the legendary photographer Long Chin...

A framed photograph by Chinese American photographer Don Hong-Oai (1929-2004) "The Yellow Mountain". Signed and dated 1982 lower left on the mat and appears in the original artist's frame with copyright mark on the back. Sight is 7.5"H x 9.5"W. Don Hong-Oai was born in Canton, China but raised and educated in Saigon, Vietnam. At age 13 he began an apprenticeship at a Chinese photo and portrait shop. In 1979 he immigrated to the United States and settled in the Chinatown of San Francisco. Don began making a living by selling his landscape photographs in front of Macy’s and began to receive recognition for his craftsmanship. His style was heavily influenced by the legendary photographer Long Chin...

Artist: John Patrick Dugdale (New York, b. 1960) Title: The Spirit Eye Medium: Cyanotype Year: 1998 Edition: number 3/12 Measurement: H 14", W 11"...

This 1987 photogravure by Bruce Weber is a portrait of a golden retriever in profile—mouth open, tongue loose, gaze lifted with unwavering devotion toward someone just outside the fr...

This haunting image is from a series titled “Qui Riposa.” Krause writes about this group of photographs: My father died before my 2nd birthday and I grew up with a pervading sense...