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Francesco Scavullo, Andy Warhol Factory: Portrait of Jay Johnson, 1968
$7,840
£5,941.06
€6,846.39
CA$11,087.92
A$11,924.13
CHF 6,375.86
MX$143,801.65
NOK 80,627.07
SEK 73,461.64
DKK 51,157.70
About the Item
Francesco Scavullo black
white photograph Jay
Jed Johnson. Photo on Board. From Scavullo Studio. 1968-1969. Large scale. 18.25 x 12.25 inches.
Minnesota twins, Jay and Jed Johnson moved to NYC in 1967, where Jed (straight hair in photo above) landed a job sweeping floors at the Factory. Like many before him, Johnson quickly graduated from janitorial duties into the Factory’s creative echelons. Noting Jed’s eye for aesthetics and design, Warhol tapped him to edit Factory flicks including Heat and L’Amour, and to direct Bad in 1977. During their many collaborations, an intimate and complicated relationship, long-term emerged between the pair.
Despite over 12 years of companionship and cohabitation in Warhol’s E. 66th Street townhouse, the pair’s relationship deteriorated. After the infamous nightclub opened in 1977, Warhol’s taste for partying, and for mischievous characters like Victor Hugo, caused a rift in his relationship with Johnson. The romance fizzled, but friends and former Factory members have noted that the breakup with Jed was one of Warhol’s greatest life regrets.
After leaving Warhol, Jed became a massively successful interior designer with a client roster of glitterati jet-setters like Jerry Hall, Mick Jagger, Pierre Bergé, and Yves Saint Laurent, among many others and a style that bridged Pop and serene classicism. Jed pass away in 1996 (aboard the fatal TWA 800 flight) and his firm, Jed Johnson Home, has since been overseen by his twin brother, Jay.
Provenance: from archive of After Dark and Dance Magazine editor William Como.
Francesco Scavullo (1921-2004) was an American fashion photographer known for his celebrity portraits and magazine covers. He is perhaps best known for his controversial photos of Joe Dallesandro, Brooke Shields and his support of the model Gia Carangi. Born on January 16, 1921 in Staten Island, NY, he began photographing from a young age and started his career immediately after graduating high school in 1945. Working as Horst P. Horst’s assistant for three years, Scavullo had his own photography studio by 1948. Over the course of his long career, the artist produced images for Cosmopolitan, Vogue, Seventeen, Harper’s Bazaar, Newsweek, Time, Life, Glamour, Town and Country and Rolling Stone. He died on January 6, 2004 in New York, NY. Today, Scavullo’s works are held in the collections of the Currier Museum of Art in Manchester, NH, the Metropolitan Museum of Art in New York, and the J. Paul Getty Museum in Los Angeles, among others.
- Creator:Francesco Scavullo (Artist)
- Dimensions:Height: 18.25 in (46.36 cm)Width: 12.25 in (31.12 cm)Depth: 1 in (2.54 cm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1968
- Condition:Wear consistent with age and use. Minor losses.
- Seller Location:Brooklyn, NY
- Reference Number:1stDibs: LU4190334055062
Francesco Scavullo
Francesco Scavullo (1921–2004) was an American fashion photographer celebrated for his glamorous, highly polished style that helped define the look of late-20th-century popular culture. Born in Staten Island, New York, Scavullo began experimenting with photography in his teens, often using his sisters as models. After assisting Horst P. Horst at Vogue, he established his own career and quickly became one of the most in-demand photographers of his generation. Scavullo is best known for his decades-long collaboration with Cosmopolitan, where his bold, sensual, and confident images of women graced more than three decades of covers, beginning in the 1960s. His portraits extended well beyond fashion: he photographed countless celebrities, from Hollywood stars to musicians and cultural icons, including Barbra Streisand, Madonna, Grace Kelly, and Andy Warhol. His approach balanced glamour with intimacy, making his subjects appear both larger-than-life and approachable. Over the years, Scavullo published several books, including Scavullo on Beauty (1972), Scavullo Women (1982), and Scavullo: Photographs 1948–1984, which solidified his place in both the fashion and fine art worlds. His work has been exhibited internationally and is part of major collections, including the Museum of Modern Art in New York. For collectors, Scavullo’s posters, exhibition prints, and signed ephemera hold strong value. They not only capture the aesthetics of an era but also represent the enduring appeal of an artist whose images helped shape the public’s perception of beauty, celebrity, and style in the latter half of the 20th century.
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