"New York Billboards, 5th Ave + 56th St, (Asprey#1)", Wouter Deruytter, Belgian

Framed, black and white photo by Wouter Deruytter, b. 1967, Belgium, titled "Peter McGough, Sceaux, Paris, France, 1994". Silver gelatin print on fiber paper of a single figure walk...

Robert Stivers, known for his dreamlike, soft-focus black and white photography, has done a striking portrait of "Elizabeth". His work features blurred, ethereal figures and abstract...

This inviting image. "Bed", is from the "Dreams" series by Robert Stivers. The soft focus, rich textures, and antique, slightly surreal atmosphere are hallmarks of his style. The or...

Sold only as a set, little is known about this collection of black and white photographs, photographer unknown. The grouping showcases a variety of scenes and subjects of urban life....

A framed black and white street photograph by Vivian Maier (American, 1926-2009), untitled and undated (circa 1950s), This is a gelatin silver print print...

Black and White Photograph New York City / 1942 Artist and Date of Print Unknown image: 10" x 10" - some "dents" on the image - see images matte: 16" x 20" - matte needs to be repl...

Francois Rousseau (b.1967). Title: Habibi NYC, "Big Apple, 28th June". Large format photography. Numbered 1 of 5. Signed in the back. 1-Habibi, N...

Remie Lohse was born in Puerto Rico, studied painting in Denmark, and settled in New York in 1928, where he became a professional photographer. In the 1930s he was a freelancer who specialized in advertising and magazine features, and shot covers for Vogue. If he often focused on the high life, seen in this couple stepping out on the town, he also shot humble subjects. He was more interested in his art than a particular milieu, and many of his photographs are little masterpieces. His contemporary Gilbert Seldes, the noted Vanity Fair media critic and “public intellectual” (not to mention father of actress Marian Seldes), featured Lohse in his 1934 book 'This is New York, The First Modern Photographic Book of New York.' In 1939 Lohse came out with his own book titled 'The Miniature Camera in Professional Hands.' Our photograph was one of three shot by Lohse for a 1934 Vogue article titled “High Spots and Low Music." If the photograph (image size 4 1/4" x 6") show a couple making the nocturnal rounds of Manhattan restaurants, bars, and jazz clubs, the story itself also covers the daytime meeting places of the ladies who lunch. The twist is that Lohse’s model was the author herself, Elena Mumm Thornton, and her husband James Worth...