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Lithograph Poster by Georges Braque, Céret Museum Exhibition, 1983
$1,615.84
£1,200.61
€1,350
CA$2,213.37
A$2,414.67
CHF 1,280.69
MX$29,091.34
NOK 16,254.47
SEK 14,881.41
DKK 10,284.13
About the Item
This original lithograph poster was created in 1983 for the exhibition of Georges Braque held at the Musée d’Art Moderne de Céret in France. The poster was printed by the renowned Atelier Mourlot, a historic printing house known for its collaborations with many of the most important artists of the 20th century.
Executed using the lithographic process, the poster reflects Braque’s distinctive visual language and serves both as a promotional document and a collectible work on paper. Georges Braque (1882–1963) was a central figure in modern art, recognized for his early association with Fauvism and, most notably, for his pivotal role in the development of Cubism alongside Pablo Picasso. His work between 1908 and 1912 remains fundamental to the history of modern painting.
The poster measures 60 × 89 cm, and the framed dimensions are 63 × 3 × 89 cm. As an exhibition poster produced two decades after the artist’s death, the piece stands as a historical artifact that documents Braque’s enduring influence and institutional recognition within modern art history.
- Creator:(after) Georges Braque (Artist)
- Dimensions:Height: 36.23 in (92 cm)Width: 24.81 in (63 cm)Depth: 1.19 in (3 cm)
- Materials and Techniques:
- Place of Origin:
- Period:1980-1989
- Date of Manufacture:1983
- Condition:Replacements made: New frame. Refinished. Wear consistent with age and use.
- Seller Location:Madrid, ES
- Reference Number:Seller: IKB0070000551stDibs: LU2193336380432
(after) Georges Braque
Braque began his artistic career painting in a Fauvist style, strongly influenced by friends Raoul Dufy and Henri Matisse. In 1907, however, after befriending Pablo Picasso, Braque began focusing on Cubist compositions and a more muted color palette. He and Picasso would work closely until 1914 when Picasso began focusing on symbolism and portraiture, while Braque sought to explore “pure composition” void of meaning and symbolism. A 1922 exhibition at the Salon d’Automne in Paris launched Braque further into fame. He won several important prizes over the next few decades, including First Prize at the Carnegie International and the main prize for painting at the Venice Biennale. In 1961, Braque became the first living artist to ever have his work displayed at The Louvre. Throughout the 1930s and 40s, Braque created many works featuring Greek and Roman mythological imagery such as this print, though his hope was to use the images simply as visual objects stripped of their histories, lore, and symbolism.

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