Time Machine

Original Japanese film poster for the 1966 science fiction film directed by Richard Fleischer, and starring Stephen Boyd and Raquel Welch. The fabulous artwork is unique to the Japan...

Original US black and white photographic production still used by the studio to advertise the film. these stills were sent out to news papers. This production still is from the films...

Original US studio photograph for the 1931 short comedy Beau Hunks starring Stan Laurel, and Oliver Hardy. This film was directed by James W. Horne. This ...

Original US oversized still from the 1983 Third Star Wars film Return of the Jedi. Staring Mark Hamill, Harrison Ford, Carrie Fisher. The film was d...

Back to the Future Part II is a black and white photograph realized in 1989. A Vintage Photo depicting Michael J. Fox in a scene from "Back to the future part II". Hand written not...

Incredible and dramatic canvas backdrop! Ideal to decorate a large wall space.

A poster design for a musical play, in black and white, designed by LE Maresquier

"Trans Youth - Body of a boy/girl, mind of a monster, soul of an unearthly thing. Prejudice against transgender people is widespread." KAT FLYN is a self-taught assemblage artist working presently out of San Diego. She began her career as a costume designer in Southern California. Over the years she amassed a trove of artifacts and collectables which she began using to create assemblage art in the 1990’s. In 2000 she sold her business and moved to Cuyamaca, a remote community in the mountains outside of San Diego to devote herself exclusively to her artwork. In 2003 her work was interrupted when the Cedar Fire swept through San Diego county and destroyed the forest, her home & studio along with almost all of her collections and works of art. Following the fire she relocated to San Francisco, where she spent a decade concentrating on her art in her studio in SOMA and exhibiting at galleries in the Bay Area. In 2015 she returned to San Diego and now works out of her studio in La Jolla, exhibiting there and in Los Angeles. Kat Flyn refers to herself as an Assemblage Sculptor and her works as Political Art or Protest Art. She separates herself from other assemblage artists in that she only employs “saved” as opposed to “found” objects in her work; and her pieces always have a political or cultural narrative to them rather than being surreal or abstract. She also constructs or refashions many of the pieces which she uses in her art, for example she turns a soft drink box...