Antique Print of the Beach by Soetens Fils, c.1840

Antique print of local vessels in the Sunda Strait, that divides Island of Java and Sumatra, and connects the Java Sea with the Indian Ocean, Indonesia. This print originates from 'H...

Untitled antique maritime print. Antique print depicting an unidentified port/harbour. In the background various vessels. Source unknown, to be...

Untitled antique maritime print. Antique print depicting an unidentified port/harbour. In the background various vessels. Source unknown, to be...

This print originates from England's Battles by Sea and Land, volume II: Russia and Turkey, by Lieutenant Colonel Williams, Published by The London Printing and Publishing Company (1...

Lithograph on wove paper. Signed and dated in the plate. Image dimension: 19x33 cm. This finely executed lithograph by Auguste Raffet depicts a vivid coastal scene on the shores o...

Carl Bloch (1834–1890). Etching on paper. Danish coastal scene with sailboats on the sea. Hornbæk. Dated 1883. In good condition with a tear in the middle. Signed. Total dimensions: ...

Yarmouth is an etching realized in the Early-20th Century by E. Finden. Signed in plate. The artwork is realized in a well-balanced composition.

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium. He was the editor of The Portfolio (1870-1893), a major arts publication dealing extensively with the art of etching. His most influential book was "Etching and Etchers", which detailed the creative and technical aspects of etching and engraving. The first edition was published in 1868 and included original etchings by Jongkind, Haden and Palmer, as well later states of 17th century Dutch masters. He published a second edition in 1876 without any original etchings. A third edition was published in 1880 in a large paper edition, limited to one thousand copies, which included twenty original etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian, Legros, Herkomer. including this original Lalanne etching...