Christ the Shepherd, Beautiful Catholic Chromolithograph Artwork, ca.1900

Christ on the Mount of Olives, Antique German Chromolithograph c.1900 This striking late 19th to early 20th century German chromolithograph depicts Christ in the Garden of Gethsemane, the solemn moment of prayer and surrender before His arrest. Christ kneels in contemplation beneath the night sky, gazing upward toward a descending angel who brings the chalice of suffering, symbolizing the Passion that is about to unfold. At the left, the sleeping apostles Peter, James, and John lie overcome with weariness, emphasizing the solitude of Christ’s sacrifice. The composition is rich in devotional symbolism. Christ’s folded hands, bowed posture, and softly glowing halo express humility and obedience to divine will. The angel’s flowing white robes and green mantle are dramatically illuminated against the darkened sky, while the radiant chalice floats above as a direct reference to Luke 22:42, “Father, if thou be willing, remove this cup from me: nevertheless not my will, but thine, be done.” Palm trees and distant buildings subtly root the scene in the Holy Land. This image was created for private devotion and contemplation and would originally have been displayed in chapels, monasteries, religious schools, or Catholic homes. Passion scenes of this size and quality were specifically intended to guide prayer during Lent and Holy Week. The calm dignity of the composition, paired with its dramatic spiritual symbolism, makes this a powerful and emotionally resonant devotional work. The print was produced using the demanding chromolithographic process, requiring multiple stone plates to achieve its luminous color depth and fine tonal transitions. The halo effects, delicately layered drapery, and atmospheric landscape demonstrate the high technical standards of German devotional printing at the turn of the century. This is a genuine period chromolithograph and not a later reproduction. The printed attribution along the lower margin confirms German production for the Catholic market. Large-format Passion scenes in strong, unfaded condition are increasingly scarce and are highly sought after by collectors of Catholic iconography and museum-quality devotional art. Condition report: Very good overall condition. Colors remain strong and unfaded. Light age toning mostly confined to the margins. Minor handling wear consistent with age. No major tears, losses, water damage, or restoration observed. The image area remains clean and vivid. Framing tips: This work presents beautifully in an antiqued gold-leaf or warm gilt frame to enhance the sacred glow of the halos. An ivory or soft parchment mat complements the night sky without overpowering the colors. A dark walnut frame also works well for church or monastery interiors. Technique: Chromolithograph Maker: German devotional press, printed in Germany, circa 1900 christ mount of olives agony in the garden garden of gethsemane print christ praying chromolithograph antique catholic devotional art religious german chromolithograph passion of christ print holy week wall art lenten devotion image christ angel chalice biblical prayer scene antique christian wall art sacred jesus artwork turn of the century devotional printed in germany religious catholic passion art jesus gethsemane antique religious lithograph...

Saint Joseph Visited by an Angel, Antique German Chromolithograph c.1900 This deeply symbolic late 19th–early 20th century German chromolithograph presents the powerful biblical mom...

This is the Good Shepherd With Lamb Painting. It depicts an oil painting in canvas of the Christ Child seated in a large rock holding with his right hand the shepherd stick and the l...

US buyers pay no import tariffs on this item. This early 19th-century central European oil painting depicts Christ The Saviour standing atop an orb and carrying a cross over his left shoulder. An unusual composition, Christ’s rather striking posture is perhaps more ‘Saturday Night Fever’ than it is sacramental. However, the iconography is archaic and derived ultimately from New Testament illustrations dating to the Middle Ages. Depictions of orbs are usually symbolic of the universe, while the cross alludes to redemption. Hence, it’s a visual representation of Christ as the Saviour of humanity. Francisco de Zurbarán...