Clare Leighton Wood Engraving, Design for Wedgewood Titled "Whaling"

H.M. Tomlinson "The Sea and The Jungle" First Edition with woodcuts by Clare Leighton, circa 1930 Rare First Edition. Very good condition. Fantastic woodcuts by noted artist Clare...

Antique print titled 'Decameron'. Steel engraving made after the original painting by Franz Xaver Winterhalter. Source unknown, to be determined. Artists and Engravers: Anonymous...

Wood snipe hunting engraving. Antique c. 1790 French engraving of G. Moreland wood snipe hunt “Chase Aux Becassines” engraved by C. Catton in antiq...

PAIR of French Victorian (19th Century) prints of engravings titled \"Vestale\" (a reference to Gaspare Spontini\'s 1807 opera \"La vestale\") and \"Euterpe\" (Greek mythology\'s mus...

Rare and beautiful etching on wove paper with a watermark, BFK Rives, signed, titled, and published by the Société Française des Amis des Arts around 1900. Title "BAPTEME DANS LA BASSE-ALSACE" engraved by Léopold Flameng (1831-1911), after the painting by his son François Flameng (1856-1923) The etching and plate are in perfect condition, with slight fading on the fringed edges. Dimensions: "Baptème dans la Basse-Alsace" etching: Sheet: 325 x 460 mm - Engraving: 200 x 254 mm - Engraving plate: 250 x 300 mm Engraved signature: Léop. Flameng under the engraving in the center Engraved signature François Flameng 1890-91 in the engraving lower right & Blank signature of the Société Française des Amis des Arts under the engraving lower left. Léopold Flameng, Belgian painter and engraver, was born to French parents. He was a student of Luigi Calamatta and Jean Gigoux. His skill as a burinist brought him to the attention of Charles Blanc, and his collaboration on publications such as L'Artiste and the Gazette des beaux-arts, with Léon Gaucherel, was one of the first engravers for this magazine, which would establish his reputation. Georges Duplessis, art historian, quotes him in a work published in 1869: "Léopold Flameng rose in his time to the rank of master." He received a medal at the 1878 World's Fair. Known for his etchings after Jan van Eyck, Leonardo da Vinci, Rembrandt, Ingres, and Eugène Delacroix, he illustrated several books on Paris as well as numerous literary works by classical and contemporary authors, including Boccaccio, Paul Scarron, Victor Hugo, and François Coppée. François Flameng was the son of the famous painter and engraver Léopold Flameng. He attended the Lycée Louis-le-Grand in Paris for his secondary education. Learning to paint from his father, he entered the École des Beaux-Arts in Paris in the studio of Alexandre Cabanel, then in those of Pierre Edmond Alexandre Hédouin and Jean-Paul Laurens. As early as 1870, he produced several reproductions of works by painters Alfred Sisley, Édouard Manet, and Claude Monet for the catalog of the Durand-Ruel Gallery. In 1875, he made his debut at the Salon des Artistes Français with his painting "Le Lectern." He received numerous commissions for portraits, historical scenes, and decorative paintings. His academic style, combining precise drawing and mastery of color, appealed to the bourgeoisie and aristocracy of the time. During his career, François Flameng was elevated to the rank of Officer of the Legion of Honor and elected a member of the Académie des Beaux-Arts. He left behind a considerable artistic legacy. His works, preserved in the world's greatest museums, bear witness to his exceptional talent and his significant contribution to French art of the late 19th and early 20th centuries. The Société Française des Amis des Arts was founded in 1885 at the Palais de l'Industrie for the development of the arts, supported by numerous distinguished subscribers: Messrs. Gaston Doumergue (President of the French Republic), Baron Edmond de Rothschild, Count Greffulhe, the brothers Alfred, Jules, and Léon Bernheim, Louis Boucheron, Edgar Brandt, Emile Buland, Paul Chabas, Viscount Guy de Dampierre, Colonel Francis E. Drake, André Fallières, Louis Lévy, Paul Louchet, Maurice Moisset, Louis Montagné...

Beautiful etching on wove paper with a watermark, BFK Rives, signed, titled, and published by the Société Française des Amis des Arts around 1900. Title: "ALMA MATER" engraved by Georges-Henri Lavalley (1868-1902), winner of the 1st Grand Prix de Rome in 1890 in intaglio, and dated 1899, after the painting by Madame Virginie DEMONT-BRETON (1859-1935). The etching and plate are in perfect condition, with only a few minor cuts along the lower, fringed edge of the sheet. Dimensions: "ALMA MATER" engraving: Sheet: 458 x 330 mm - Engraving: 243 x 170 mm - Engraving plate: 290 x 210 cm Engraved signature H.G. Lavalley below the engraving Engraved signature Virginie Demont Breton in the engraving, lower left & Blank stamp signature of the Société Française des Amis des Arts below the engraving, lower left. Virginie Demont Breton, born in 1859, was the daughter of Jules Breton (1827-1906) and the niece of Émile Breton, both renowned painters. Her maternal grandfather was the Flemish painter and medievalist Félix de Vigne. She married the landscape painter Adrien Demont in 1880. In 1883, she received a gold medal at the Amsterdam World's Fair, and later at the World's Fairs of 1889 and 1900. The Société Française des Amis des Arts was founded in 1885 at the Palais de l'Industrie for the development of the arts, supported by numerous distinguished subscribers: Messrs. Gaston Doumergue (President of the French Republic), Baron Edmond de Rothschild, Count Greffulhe, the brothers Alfred, Jules and Léon Bernheim, Louis Boucheron, Edgar Brandt, Emile Buland, Paul Chabas, Viscount Guy de Dampierre, Colonel Francis E. Drake, André Fallières, Louis Lévy, Paul Louchet, Maurice Moisset, Louis Montagné...

English Victorian style print of an engraved 1888 Punch magazine figural illustration entitlled \"Christmas in the Commons\". Green and red double-matted within a patterned giltwood ...

A pair of Rouault wood engravings, signed/dated in the matrix. Plate size: 11.75 x 7.75. Framed: 21 x 15.

English Victorian style print of an engraved 1888 Punch magazine figural illustration entitlled \"The Wassail Bowl\". Green and red double-matted within a patterned giltwood frame. (...

Surrealist French Black and White Engraving Print This captivating original French Surrealist black and white engraving print, transports you to a dreamlike world where animals marc...