Early 20th Century Etching, Portrait of Beethoven, by Jan Fekkes, Dated 1918

Ernest David Roth Early 20th Century Etching Titled "Shipping - Camogli", pencil signed by artist in lower right side , dated 1931. Measures 21.25” W x 17.25” H x .75 D

Antique Portrait of Jan Wagenaar – Dutch Historian of Amsterdam, Dated 1783 This finely engraved portrait depicts Jan Wagenaar (1709–1773), the renowned Dutch historian and author o...

Antique Portrait Jan Nieuwenhuyzen – Etching by Portman after de Lelie, c.1800 This finely executed etching portrays Jan Nieuwenhuyzen (1724–1806), a Dutch Mennonite minister and in...

A pair of 1910 framed prints of Asian porcelain in giltwood frames. Beautifully matted in French matts.

Early 20th century Italian botanical print in gilded frame. Eight available.

Antique Portrait Philip II of Spain – Etching by Houbraken, Dated 1773 This finely detailed 18th-century etching portrays Philip II of Spain (1527–1598), one of the most powerful mo...

Drei Bäume (Three Trees) – Early 20th-Century Etching, Signed by unknown Delicate and contemplative etching depicting three bare trees in front of a quiet city building, with two ch...

Beautiful etching on wove paper with a watermark, BFK Rives, signed, titled, and published by the Société Française des Amis des Arts around 1920. Title "Frère et soeur" (brother and sister) engraved by Adolphe Grauk (1865-1945), after the painting by Aimé Nicolas Morot (1850-1913) The engraving is in very good condition with some fading to the right edge of the sheet which will not be visible when the engraving is framed Dimensions: "Frère et soeur" etching: Sheet: 460 x 332 mm - Engraving: 250 x 250 mm - Engraving plate: 320 x 280 mm Engraved signature: A. Grauk below the engraving on the right & Blank signature of the Société Française des Amis des Arts under the engraving lower right. Adolphe Crauk, born in Valenciennes on May 24, 1865 and died on December 13, 1945, was a French engraver and painter. A pupil of David Joseph Desvachez in Valenciennes and then in Paris of Alexandre Cabanel, Louis-Pierre Henriquel-Dupont, and Jules Jacquet, he exhibited at the Salon des Artistes Français from 1887 onward, receiving an honorable mention in 1893, a 3rd-class medal in 1896, a travel grant in 1897, and a 1st-class medal in 1905, the year he was selected as an hors-competition. He also received an honorable mention at the 1900 World's Fair. Aimé Nicolas Morot, born on June 16, 1850 in Nancy and died on August 12, 1913 in Dinard, was a French painter and sculptor. He studied at the Nancy School of Drawing and Painting under Claude-Émile Thiéry and Charles Sellier before becoming, through a competitive examination, a student of the painter Alexandre Cabanel at the École des Beaux-Arts in Paris on May 31, 1869. He competed four times, unsuccessfully, for the Prix de Rome, before winning in 1873 with The Captivity of the Jews in Babylon. Upon marrying Suzanne Gérôme, he became the son-in-law of the painter Jean-Léon Gérôme; he was a friend of the painter and sculptor Édouard Paul Mérite. He exhibited at the Salon des Artistes Français from 1880 to 1912, where he received a medal of honor for his first participation for The Good Samaritan. As an academic and professor at the École nationale supérieure des beaux-arts, a frequent exhibitor at the Salon des artistes français in Paris, and a member of the painting jury, Aimé Morot was an influential figure in Parisian art circles, one of the 18 most influential members of the Institut de France. The Société Française des Amis des Arts was founded in 1885 at the Palais de l'Industrie for the development of the arts, supported by numerous distinguished subscribers: Messrs. Gaston Doumergue (President of the French Republic), Baron Edmond de Rothschild, Count Greffulhe, the brothers Alfred, Jules, and Léon Bernheim, Louis Boucheron, Edgar Brandt, Emile Buland, Paul Chabas, Viscount Guy de Dampierre, Colonel Francis E. Drake, André Fallières, Louis Lévy, Paul Louchet, Maurice Moisset, Louis Montagné...

Early 20th century Italian botanical print in gilded frame. Eight different variations available.

Early 20th century Italian botanical print in gilded frame. Eight available.