Elegance at the Court of Louis XII: A French Noble s Poise, 1847

The image is a hand-colored engraving titled "Louis IX," representing the 13th-century King of France, also known as Saint Louis, renowned for his Christian zeal and justice. It is p...

Title: "Seigneur de la Cour du Roi Henri VI" (Lord of the Court of King Henry VI) Description: This hand-colored engraving from the 1847 "Costume du Moyen Age" series represents a nobleman from the court of King Henry VI. The title "Seigneur de la Cour du Roi Henri VI" identifies the subject as a lord or high-ranking individual within the royal court of the 15th-century English monarch. The lord is portrayed in a long, ornately patterned robe that falls gracefully to the ground, indicative of the elaborate fashion of the high nobility during the time. The garment is colored in a rich teal hue, with a detailed pattern that suggests luxury and status. The robe is trimmed with a contrasting color at the neck and cuffs, and a red belt cinches the robe at the waist, highlighting the layered aspect of medieval...

Title: "Confidants of the Court: The Royal Pages" Description: This artful print portrays two young royal pages in a moment of quiet conversation. The intimate stance and direct eye...

The image depicts a man identified as a "Gentilhomme de la cour de Sigismond, empereur d'Allemagne," which translates to "Gentleman of the court of Sigismund, Emperor of Germany." This individual is portrayed in a profile stance, dressed in attire that is indicative of the high-status courtiers during the time of Emperor Sigismund, who reigned in the early 15th century. He is wearing a turban-like headgear, which reflects the influence of Eastern fashion on European court attire, possibly due to the Ottoman influence or the general exchange of culture during the Crusades and subsequent interactions. His doublet is richly patterned and he has puffed sleeves in red, which were fashionable among the nobility during the period. The garment is accented with a decorative belt that holds what appears to be a purse or a pouch. He also sports tight blue hose and pointed shoes, which complete the ensemble typical of a nobleman or a high-ranking court official in the Holy Roman Empire. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts...

French 19th-century framed lithograph of a Parisian noble family and their architect in Byzantine attire discussing architectural ground plans in a wooden black and silver frame (Sim...

French 19th-century framed lithograph of a lady of the chateau and her page in Renaissance attire reading a message in a wooden black and silver frame (Similar group of prints NWL615...

English Victorian prints featuring four styles of French noble attires from historical periods in a carved silver/gilt frame with a mat (Similar items: NWL6149A-F) Good condition co...

French 19th-century framed lithograph of a young elegant Parisian man in Renaissance attire holding a gestural pose in a wooden black and silver frame (Similar group of prints NWL615...