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Howitt, 1813
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Foreign Field Sports: Bird Catching Aquatint by Dubourg
Howitt, 1813
$228.24
$285.3020% Off
£169.88
£212.3520% Off
€192
€24020% Off
CA$316.54
CA$395.6820% Off
A$340.79
A$425.9820% Off
CHF 182.50
CHF 228.1220% Off
MX$4,106.37
MX$5,132.9720% Off
NOK 2,302.63
NOK 2,878.2820% Off
SEK 2,107.27
SEK 2,634.0920% Off
DKK 1,463.39
DKK 1,829.2420% Off
About the Item
This print titled "Bird Catching from Below" showcases a traditional method of bird hunting along a rocky coastline. In the scene, several men in plaid attire are depicted in action. One man is climbing the rock face with a net, while another stands on a ledge, reaching for a bird in flight. Two men in a boat are positioned below, one rowing and the other with arms raised, ready to catch birds or provide support. The background features a flock of birds in the sky and several ships sailing in the distance, indicating a coastal setting. The sea is depicted with waves crashing against the rocks, adding to the dynamic and adventurous atmosphere of the scene. The hand-coloring of the aquatint adds vibrancy and detail to the composition.
Countries Where Bird Catching Occurred Historically and Currently:
Bird catching, particularly of seabirds, has a long history in various coastal regions. Historically, this activity took place in countries such as:
1. **Scotland**: Particularly in the Hebrides and St. Kilda, where bird catching was essential for survival.
2. **Faroe Islands**: An important part of the local economy and tradition.
3. **Iceland**: Where puffin hunting is a long-standing practice.
4. **Norway**: Particularly along the coast and in the Lofoten Islands.
5. **Greenland**: Traditional hunting practices of the Inuit people.
6. **Canada**: Particularly in Newfoundland and Labrador.
While traditional bird catching has significantly declined due to conservation efforts and changes in dietary and economic practices, some forms of regulated bird hunting or harvesting still occur:
1. **Faroe Islands**: Continuation of controlled seabird harvesting.
2. **Iceland**: Puffin hunting is still practiced, though regulated.
3. **Norway**: Some traditional practices continue in remote areas.
4. **Greenland**: Traditional hunting by Inuit communities is still practiced under regulation.
These contemporary practices are often subject to strict regulations to ensure the sustainability of bird populations and the protection of endangered species.
- Dimensions:Height: 8.75 in (22.2 cm)Width: 13 in (33 cm)Depth: 0.01 in (0.2 mm)
- Materials and Techniques:
- Period:
- Date of Manufacture:1813
- Condition:Condition: In good condition given age. General age related toning due to age and handling. Please study scan carefully.
- Seller Location:Langweer, NL
- Reference Number:Seller: BG-13740-41stDibs: LU3054340470052
About the Seller
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Located in Langweer, NL
Lot of 5 col. aquatints, by Mathew DUBOURG after various artists.
These original antique prints were drawn (designated by "Del.", short for delineavit, Latin for "he/she drew it") by J.H. Clark and were published and sold on May 1st, 1813.
Edw. Orme Bend Street London" refers to Edward Orme, a publisher based on Bond Street in London, known for producing and selling high-quality prints during the early 19th century.
The term "Sculp", short for "sculpsit," indicates the engraver, in this case, M. Dubourg, who would have been responsible for engraving the images onto a surface for printing. These details highlight that the prints are of English origin and were produced by notable figures in the London art scene at the time. Edward Orme's establishment was a significant purveyor of prints, and such detailed works would have been collected by those with an interest in art, culture, and the wider world.
This date places the prints in the early 19th century, a period rich in exploration and documentation of various cultures around the world through art. These prints would have served as a way for people to see and learn about activities and practices from different parts of the world that they might never have the chance to witness in person. The detailed and colored nature of the prints suggests that they were likely intended for an audience with an interest in the exotic and the educational.
Description: This collection of five prints offers a vivid tableau of hunting and gathering practices from various corners of the globe during the 18th and 19th centuries. Each print captures a moment of interaction between humans and nature, showcasing the diverse methods and environments in which these activities took place.
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