Gyojin Murakami Japanese Sunset Low Edition Woodblock Circa 1968

This is a mid 19th century etching entitled "Rade de Bordeaux, Janvier" (Port Of Bordeaux In Winter), Maxime Lalanne in London in 1868. The etching depicts many boats in the busy harbor of Bordeaux, including small sailboats, as well as tall ships. Another harbor is seen in the distance across the river on the left. Snow covered buildings are on the left and extending long distances in the distant background. Many people occupy the road and ground centrally and on the left along with some horses or mules attached to carts. The sky is a wintery gray. It is signed in the plate in the lower left, the title and date are in the center and Bordeaux and the year are included in script along the top of a wall in the lower left of the engraving. This etching is held by many museums and institutions, including The National Gallery of Art, Washington, D.C. François Antoine Maxime Lalanne (1827-1886) was a leading French etcher and painter of landscapes and urban views, who was at the forefront of the French revival of etching during the 1860's. He grew up in Bordeaux, but he refined his artistic skills and worked in Paris. His art was first exhibited at the Paris Salon in 1852 and he continued to regularly show both etchings and paintings there until the mid 1880's. He was also the author of several important books on the subjects of etching and other graphic arts. He was a founding member of the Societe des Aquafortistes, along with Auguste Delatre, Cadart, Ribot and Bracquemond. Lalanne created over one hundred and fifty fine etchings. Lalanne's unique style of art influenced many French and English artists in the twentieth century. Philip Gilbert Hamerton (1834-1894) was a British artist, art critic and author. He was particularly focussed on contemporary graphic art and printmaking techniques. He frequently wrote about the theory of the English Etching Revival, contributing to the establishment of etching as an original and major art medium. He was the editor of The Portfolio (1870-1893), a major arts publication dealing extensively with the art of etching. His most influential book was "Etching and Etchers", which detailed the creative and technical aspects of etching and engraving. The first edition was published in 1868 and included original etchings by Jongkind, Haden and Palmer, as well later states of 17th century Dutch masters. He published a second edition in 1876 without any original etchings. A third edition was published in 1880 in a large paper edition, limited to one thousand copies, which included twenty original etchings from contemporary artists Whistler, Haden, Palmer, Israels, Jacque, Jacquemart, Lalanne, Appian, Legros, Herkomer. including this original Lalanne etching...

This **19th-century Chinese Export gouache on board painting** presents a striking depiction of a **Chinese junk at harbor**, with delicate brushwork capturing the vessel's ornate co...

This 19th-century Chinese Export gouache painting depicts a sailing vessel navigating turbulent seas, executed in the refined style characteristic of Cantonese (Guangzhou) workshops ...

William Adolphus Knell (British, 1801–1875), circa 1860. Watercolor on paper in giltwood & ebony frame. Label to verso. "Knell was born in 1801 at Carisbrooke on the Isle of Wight....

Contemporary Japanese woodblock print (Sosaku hanga) by the female artist Reika Iwami (b. 1927, Tokyo) titled “Water Fantasy A”of a setting full moon on th...

A gorgeous and quite radiant print by Japanese artist/printmaker Isamu Sakamoto titled "Morning Light." The work features the dawn ("Reimei") light reflecting off a traditional build...

Beautiful woodcut/woodblock print by the well known , American/Japan artist Clifton Karhu , signed and dated in pencil . lower margen . The image / paper is approximate 10.75 X 9.5 i...

Nishijima Katsuyuki (西島 勝之) is a contemporary Japanese artist known for his woodblock prints, which often depict traditional Japanese architecture and landscapes. Born in 1945 in Yamaguchi Prefecture, Japan, Nishijima studied at the Kyoto Prefecture Art School and began his career as a painter before transitioning to woodblock printing. His works are celebrated for their detailed and vibrant representation of the Japanese countryside and urban scenes. Nishijima's prints are recognized for their use of bold colors and intricate details. He employs traditional woodblock printing techniques, which involve carving the image into woodblocks, inking the blocks, and then pressing them onto paper. Each color in the print requires a separate block and precise alignment, or registration, to create the final image. The print's title is "Bunraku" and is one of Nishijima's works that showcase traditional Japanese buildings and scenes. The print features a detailed depiction of a traditional Japanese storefront with a noren...