Historic 1720 Engraving of The Monument, London Bridge Ward

Antique print, titled: 'Basis Columnae Rostratae (?)' - This original old antique print shows a rostral column in Rome, Italy. It is a type of victory column, originating in ancient Greece and Rome where they were erected to commemorate a naval military victory. This original old antique print / plate originates from: 'Beschryving van Oud en Nieuw Rome. Verdeelt in drie Deelen. In 't Fransch beschreven door den Heer Francois Desseine. En in 't Nederduitsch vertaalt.', by Francois Desseine and published by Francois Halma in 1704, first published in French in 1690. Copies of this work are rarely complete as the maps and engravings are of high quality matching the work of Piranesi. Artists and Engravers: Made by 'P. Sluiter' after 'Jan Goeree'. Made by P. Sluiter after Jan Goeree. Jan Goeree (1670-1731) was a Dutch engraver and poet. He was the son of the Middelburg bookseller Willem Goeree. Born in Middelburg, but soon they moved to Amsterdam. Initially he focussed on painting, assumably a student of Gerard de Lairesse. But he is best known for his engraving skills, depicting mosttly emblematic and historic scenes. In 1705 he was commisioned by the Mayor of Amsterdam to design the drawings for the ceiling paintings for the grand hall of the old city hall...

Monumental Design with World Map Pillar – Engraving after Volckamer, c.1780 This antique engraving presents a classical architectural structure, topped with a domed roof and supported by intricately adorned columns. At its center stands the so-called *Columna Milliaria*, a column believed to reference or metaphorically embody the Roman Tabula Peutingeriana – the famous ancient Roman map...

Bowles, Thomas III (after John Donowell) John Bowles & Richard Wilkinson, 1751. Steel engraving with extensive hand coloring in watercolor on cream wove paper, 10 1/4 x 16 inches (...

Piazza del Popolo con Obelisco Egizio Etching, 1752 Signed in the plate lower left (see photo) From: Della Magnificenze di Roma Antica e Moderna ( The Magnificense of Ancient and Modern Rome) , (1747-1761) Volume II, The Main Squares and Obelisks, columns and other ornaments, 1752, Plate No. 21 Della Magnificenze di Roma Antica e Moderna_ (1747-61), a collection of 238 plates that was published in ten volumes. Vasi recorded all types of architecture and organized these images of contemporary Rome by subject, with each volume representing a different category of architecture. This comprehensive project provides one of the most complete views of eighteenth-century Rome Condition: Excellent Image/Plate size: 8.25 x 12.63 inches Sheet size: 11 x 15 7/8 inches Vasi was Giovanni Battista Piranesi’s teacher. Piranesi (1720-1778) entered Vasi’s studio as an apprentice at age 20 c. 1740. Piranesi left Vasi’s employment after stabbing Vasi over the perception that Vasi was withholding secrets of the etching process. Giuseppe Vasi was an Italian engraver and painter born and trained in Sicily. He received a classical education in his hometown of Corleone and trained as a printmaker in nearby Palermo, perhaps under the tutelage of the etchers Antonino Bova and Francesco Cichè. He moved to Rome in 1736, already an established printmaker, and spent most of his career documenting the urban landscape of the city in engravings. Through his patron, the politically and culturally influential Cardinal Troiano Acquaviva d’Aragona, Vasi met other artists working in Rome, such as Sebastiano Conca, Ferdinando Fuga, and Luigi Vanvitelli. He was also influenced by his predecessors, including Giovanni Paolo Panini, Giovanni Battista Falda...