Joel Otterson "The Mighty Oak of Rock" 1993 Etching Framed Music Rock n Roll

An etching and aquatint by Victor Pasmore from his portfolio titled "The Dance of Man in Modern Times". Victor Pasmore was one of the leading members of the English school of Abstract Expressionism. Please note this is one print from a larger portfolio. Other prints from this portfolio are available. A bit about Pasmore- Beginning in 1947, he developed a purely abstract style under the influence of Ben Nicholson and other artists associated with Circle, becoming a pioneering figure of the revival of interest in Constructivism in Britain following the War. [6] Pasmore's abstract work, often in collage and construction of reliefs, pioneered the use of new materials and was sometimes on a large architectural scale. Herbert Read described Pasmore's new style as "The most revolutionary event in post-war British art".[7] In 1950, he was commissioned to design an abstract mural for a bus depot in Kingston upon Thames[8] and the following year Pasmore contributed a mural to the Festival of Britain that promoted a number of the British Constructivists. Pasmore was a supporter of fellow artist Richard Hamilton, giving him a teaching job in Newcastle and contributing a constructivist structure to the exhibition "This Is Tomorrow" in collaboration with Erno Goldfinger and Helen Phillips...

United Kingdom - Offset Lithograph on Paper, from the original show 1993 Christopher Wool’s paintings and prints explore the confluence of image, text, and pattern. They often feature enigmatic, confrontational found phrases or illegible scribbles, which are either stencilled or plastered in black across flat white fields. The artist occasionally covers the compositions with spray-paint marks and screen-printed elements (some taken from his previous works), erasing and relayering as he goes. His process—which focuses on the possibilities of reproduction, appropriation, and accretion—is as important as the results themselves. Wool studied at Sarah Lawrence College and the New York Studio School. New York’s vibrant 1970s downtown No Wave and punk scenes became major influences, and Wool reached his mature style in the mid-1980s. Wool has exhibited in New York, Los Angeles, Chicago, London, Paris, Tokyo, Berlin, and beyond, and his work belongs in the collections of the Museum of Modern Art, the Centre Pompidou, and the Tate. His work has achieved eight figures on the secondary market. Drawing from Minimalism and Conceptualism, Felix Gonzalez...

A very colorful lithograph professionally framed, signed. This interesting work of art is attributed to Bernard Gatner. Will enhance any space. Measures: 26 1/8" H x 33 5/8" W x 1...

This is a hand coloured framed engraving of a study of Kingfisher birds all in the manner of Audubon Birds of America and dating to the Mid 19...

“Prints mimic what we are as humans. We are all the same and yet everyone is different. I also think there’s a spiritual power in repetition, a devotional quality, like saying rosari...

José Luis Cuevas (1934-2017) La Maga (The Sorceress), 1972 From The Mexican Masters suite, 1972-73 Paper size: 22.5 inches (57 cm) x 30.5 inches (77.5 cm) Fram...

Hans Fischer "Beasties" etchings, circa 1959. These etchings are from the limited edition folio ''Homme Deguise en Homme" and dep...

Robert Mangold "Distorted Square Within a Circle", 1973 Aquatint etching, Roman Numeral edition of 10 aside from the numbered edition of 50. Full sheet. Signed dated and numbered in...

Group of Eight Abstract Photolithographs on Vellum by Cy Twombly, from the limited edition "Gaeta" portfolio produced by Hine Editions, San Francisco, CA, circa 1987. They have been ...

This signed and numbered lithograph was done by the very well known British artist and sculptor Henry Moore in approximately 1980-1982 in his Modernist style. This lithograph comes f...