L’Attente – 19th Century French Lithograph of a Woman at the Fountain, ca.1840

Antique print titled 'Portrait of an Actress'. Original antique print on chine collé made after a painting by N. Lancret. This print originates from volume 3 of the series 'The Walla...

Woman from Felanitx, Majorca – Hand-Colored Lithograph, Espagne & Portugal No.18, c.1845 Description: This delicate hand-colored lithograph, titled Femme de Felanix (Majorque – Baléares), originates from the Espagne & Portugal series of the Musée de Costumes, published in Paris around 1845 by the Maison Aubert. Drawn by Laurent and engraved by A. Portier, this print is plate No. 18 in the collection, part of an ambitious 19th-century ethnographic project to document the diverse regional costumes of Europe. The composition depicts a woman from Felanitx, a historic town in Majorca (Balearic Islands), shown in traditional attire typical of rural life on the island during the early 19th century. She wears a modest dress in muted tones of blue and white, with a full skirt and fitted bodice, covered by a plain apron and a headscarf that conceals her hair. The woman is portrayed holding a large clay jug, an everyday object used to carry water or wine, which situates her firmly in the context of domestic and agricultural labor. The pose—simple yet dignified—embodies the grace and fortitude of Balearic peasant women. As part of the Musée de Costumes, this lithograph reflects the era’s fascination with ethnography and regional identity, as Europe’s scholars and artists sought to preserve local traditions amidst the rise of industrialization and urbanization. The hand-coloring—applied with soft pastel hues—brings to life the subtle textures of fabric, pottery, and skin tone. The print’s fine linework and delicate shading reveal the technical mastery of 19th-century French lithographic production, particularly under the direction of Maison Aubert, renowned for its series celebrating traditional European dress. Condition report: Very good condition with fresh, original coloring. Slight toning toward the upper margin and minimal foxing consistent with age, far from the image area. Wide original margins intact and the impression crisp and clean. Framing tips: This print displays beautifully when framed with a light ivory or pale gray mat and a gilt or wooden frame. A grouping with other Espagne & Portugal costume...

On ne pense pas à tout – Romantic French Lithograph, Paris circa 1840 This charming and slightly mischievous 19th-century lithograph titled *On ne pense pas à tout!* (translated: “O...

Antique Costume Print of Mendoza – Young Woman in Traditional Dress, 1854 This hand-colored lithograph presents a striking portrayal of a young woman from Mendoza, Argentina, dresse...

Olympe is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed o...

French 19th-century framed lithograph of a lady of the chateau and her page in Renaissance attire reading a message in a wooden black and silver frame (Similar group of prints NWL615...

Louise is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed on the plate" Par Gavarni". From series of "Masques et Visages". Titled on the lower. Very Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land...

Marguerite Gautier is a lithograph on ivory-colored paper, realized by the French draftsman Paul Gavarni (alias Guillaume Sulpice Chevalier Gavarni, 1804-1866) in the mid-19th Century. Signed on the plate" Par Gavarni". From series of "Masques et Visages". Titled on the lower. Very Good conditions. Paul Gavarni (Paris, 1804 – 1866). Gavarni's father, Sulpice Chevalier, was from a family line of coopers from Burgundy. Paul began work as mechanical work in a machine factory but he saw that to make any progress in his profession, he had to be able to draw; accordingly, in his spare time in the evenings, he took classes in drawing. He devoted his special attention to architectural and mechanical drawing and worked at land surveying...