Louis XII: The Prudent King in Regal Attire, 1847

Title: "Elegance at the Court of Louis XII: A French Noble's Poise" Description: This delicate historical illustration depicts a French nobleman from the court of King Louis XII, elegantly attired in the fashion of the early 16th century. He stands with a composed and dignified stance, a walking stick in one hand, exuding the grace and refinement expected of someone from his esteemed position. His attire is a rich blend of colors and textures, indicative of his status. The nobleman wears a soft pink tunic, a color that during the time was often associated with nobility due to the expense of the dye required to produce it. The tunic is complemented by a deep green overcoat...

The image depicts a man identified as a "Gentilhomme de la cour de Sigismond, empereur d'Allemagne," which translates to "Gentleman of the court of Sigismund, Emperor of Germany." This individual is portrayed in a profile stance, dressed in attire that is indicative of the high-status courtiers during the time of Emperor Sigismund, who reigned in the early 15th century. He is wearing a turban-like headgear, which reflects the influence of Eastern fashion on European court attire, possibly due to the Ottoman influence or the general exchange of culture during the Crusades and subsequent interactions. His doublet is richly patterned and he has puffed sleeves in red, which were fashionable among the nobility during the period. The garment is accented with a decorative belt that holds what appears to be a purse or a pouch. He also sports tight blue hose and pointed shoes, which complete the ensemble typical of a nobleman or a high-ranking court official in the Holy Roman Empire. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts...

Title: "Philippe le Bon: The Duke's Prestige" Description: The print showcases Philippe le Bon, also known as Philip the Good, Duke of Burgundy, standing in a dignified pose that conveys authority and nobility. He was known for his patronage of the arts and the opulence of his court, and this is reflected in the intricate detail of his attire. Philippe is dressed in a doublet with a patterned design, possibly embroidered with gold thread, which would have been a symbol of wealth and status during his time. The garment fits snugly to his form, a style that was fashionable among the nobility in the 15th century. The lower part of the doublet extends into a skirt, which is edged with fur, adding to the luxuriousness of his ensemble. He wears hose that fit tightly to his legs, a common fashion of the time, which are practical for riding and daily activities of a nobleman. His shoes are pointed, following the style of the Burgundian court. On his head, Philippe sports a chaperon, a type of headgear that was popular among men of rank. The chaperon features a rolled brim and an extended tail, known as a 'liripipe', which adds a distinctive flair to his profile. Around his neck, he has a chain, from which hangs a badge or medallion, denoting his high rank and perhaps an order of chivalry. His right hand rests on the hilt of a dagger, hinting at the martial aspect of his role as a duke and the necessity for self...

Title: "The Gallant Courtier: A Nobleman's Fashion in 'Costume du Moyen Âge'" Description: This 1847 lithograph from the "Costume du Moyen Âge" collection depicts a nobleman dressed...

French 19th-century framed lithograph of Charles d\'Amboise, Lord of Chaumont in military-civilian Renaissance attire in a wooden black and silver frame (Similar group of prints NWL6...

French 19th-century framed lithograph of a Parisian noble family and their architect in Byzantine attire discussing architectural ground plans in a wooden black and silver frame (Sim...

French 19th-century framed lithograph of a young elegant Parisian man in Renaissance attire holding a gestural pose in a wooden black and silver frame (Similar group of prints NWL615...

Louis XI A Peronne is a black and White etching realized by Allard Cambray in the Late 19th Century.  Titled in the lower Image Size:31x23 Very good impression. Realized by Cadar...