Masami Teraoka Exhibition Lithograph Poster Tattooed Woman at Sunset Beach, 1984

A large and wonderfully detailed lithograph print by Asian/ Japanese American artist Masami Teraoka titled "Namiyo at Hanauma Bay". Teraoka conceived of this image in the 1980s while working on his New Wave series and Hawaii Snorkel series which featured snorkeling pearl divers, based on Utamaro's "Pearl Diver." In this image, the nude geisha...

A very large and wonderfully detailed screen print by Asian/ Japanese American artist Masami Teraoka titled "New Views of Mt. Fuji: Sinking Pleasure Boat" is based on his original 1976-77 painting by the same name. The print is numbered in pencil at the lower edge (63/75), blind-stamped and dated (1977) at the upper right, sealed by Teraoka with his personal stamps/seals within the image, and likely hand-signed on verso (we have not removed the artwork from the frame but this is most likely the case). The work was printed on Rives BFK paper by Ron McPherson and Julie McPherson, and published by Space Gallery, Los Angeles, CA. Masami Teraoka has had over 70 solo exhibitions and he has twice been honored by the American Academy of Arts and Letters in New York. He has also received two fellowships from the National Endowment for the Arts. His works can be found in collections and museums around the world including: The Fine Arts Museums of San Francisco; the Asian Art Museum of San Francisco; the Smithsonian American Art Museum, Washington D. C.; the Honolulu Museum of Art, Hawaii; the Los Angeles County Museum of Art; the Metropolitan Museum of Art, New York; the National Portrait Gallery, Washington D. C.; Tate Modern, London, England; the Queensland Art Gallery/GOMA, Brisbane, Australia; the Gallery of Modern Art, Glasgow, Scotland and the Singapore Art...

"Wave Series/Tattooed Woman at Sunset Beach" is a unique watercolor utilizing Edo-period imagery by contemporary, Japanese artist, Masami Teraoka. The framed artwork measures 22 1/2 x 17 1/2 x 1 in. This work is an example of Teraoka's icon of cross-cultural exchange as a submersible yet insuppressible individual, striking out on her own with rented snorkel equipment. Her traditional wave-pattern tattoos and resemblance to a Hokusai pearl diver are time-honored devices recognizable from Edo-era ukiyo-e, but here they are the mark of a very up-to-date woman of the world-and a sign of things to come. "In my mind tattoos were taboo, because we associated tattoos with yakuza gangsters in Japan then," the artist explains. "Those were the only people in Japan who had tattoos, to show off their machismo. So when I saw tattoos in this country, it seemed to me to be a really significant attitude that Americans are not really uptight about having tattoos. Thirty years later, tattoos are invading Japan. Young people have them on their arms, so they can cover them with long­sleeved shirts. Perhaps they try to hide them from their parents, but the younger generation is much more open to tattoos and piercings." Born in Onomichi in Hiroshima Prefecture, Teraoka studied at what is now Otis College of Art and Design in Los Angeles. His works are inspired by Japanese Ukiyo-e woodcut prints. However, Teraoaka infuses the style and techniques of the traditional art with American Pop Art. The mass-produced nature of Japanese woodcut prints...

A stunning piece of decorative art by Edna Hibel featuring a young girl dressed in a traditional Japanese kimono. Edna Hibel: 1917-2015. Well listed important American artist. Most...