Oak Prints

A fantastic and rivetting work by American/ California artist Ed Moses titled "Ikuru Speak-No". This work is on wove and Japanese paper (The print was made with two attached sheets...

Set of four 18th century prints of English Earls.

Wonderful gothic architectural print. Cathedral of St. Lo Steel engraving by R.P. Cuff after the original drawing by John Ruskin Published circa 1850 On wove quality pape...

This print originates from ‘Das Buch der Welt‘ by Carl Hoffmann. Published in Stuttgart, 1847. Lithographs by Engelhorn and Hochdanz.

Henry Cranke Andrews (British, 1759-1835) A set of four hand-colored botanical engravings published in the 1790s. 14 ¾ by 17 ½ inches

Antique print titled 'Entwickelungsgeschichte I'. Original antique print of various marine life. This print originates from the 6th edition of Meyers Konversations-Lexikon, published...

Antique print titled 'De Wester-Kerk van binnen, naar 't Oosten, te zien. This print depicts a church interior in Amsterdam, The Netherlands. This print originates from ' Amsterdam, ...

A bright and lively serigraph titled “Embossed Flowers” by Serbian American artist Daniel Gelakoska. Artist embossed seal “Daniel Gelakoska Printworks...

Vintage framed numbered print Dimensions. 25 1/4 W ; 1 D ; 18 H.

"Love Saves The Day" Harland Miller, 2014 15 color silkscreen print on 410gsm Somerset paper 146 cm x 105 cm page size Edition 100 signed and numbered in pencil. One of the top three most desirable Harland Miller prints, this is a stunning large format print, mounted and framed in a white box frame. Frame size 162 cm x 121 cm Provenance: The Ingleby Gallery, Edinburgh, Scotland. purchased on 7th May 2016 In late 2012, Miller had his first solo show at Ingleby Gallery entitled "Overcoming Optimism" Harland Miller Harland Miller is both a writer and artist (his debut novel Slow Down Arthur Stick to Thirty was published in 2000) and his paintings of books simultaneously provide a subject for the painter and an outlet for the writer. They combine the emotive possibilities of abstract expressionism with the quick punch of words to deliver their message, and for all the macho grist of their making, and often overwhelming scale, they somehow express a frailty that hints at the human condition. As Miller has said: “Painting is the worst medium to express narrative, but perhaps the best to hit a nerve”. Harland Miller was born in Yorkshire in 1964. He has lived in New York and Berlin and currently lives and works in London. Biography 1964 Born Yorkshire, England 1984 – 1987 BA Chelsea College of Art, London 1987 – 1988 MA Chelsea College of Art, London Lives and works in London Solo Exhibitions 2020 York , So Good They Named It Once, York Gallery, York, UK - Millers largest Solo exhibition to date. 2019 Harland Miller, White Cube Hong Kong, China 2017 One Bar Electric Memoir, White Cube Mason’s Yard, London, UK 2016 Tonight We Make History (P.S. I Can’t Be There), Blain Southern, Berlin, Germany 2015 In Dreams Begin Monsters, Palacio Quintanar, Segovia, Spain 2013 Wherever You Are Whatever You’re Doing This One’s For You, Reflex Amsterdam, Amsterdam, The Netherlands A DECISIVE BLOW AGAINST IF., Other Criteria, London, UK 2012 The Next Life’s On Me, White Cube Gallery, London, UK On Overcoming Optimism, Ingleby Gallery, Edinburgh, UK Harland Miller, Galleria Marabini, Bologna, Italy 2011 Rocky VI, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Have You Ever Stopped To Wonder Why You’re Not Here, LAB Art, Beirut, Lebanon 2010 I'll Never Forget What I Can't Remember, Galerie Alex Daniels - Reflex Amsterdam, The Netherlands Butterside Down, Galleria Marabini, Bologna, Italy 2009 Harland Miller: Don’t Let the Bastards Cheer You Up, BALTIC Centre for Contemporary Art, Gateshead 2007 Siesta Forever – Come on and Sing My Song, The Fireplace Project, East Hamptons, USA 2005 Dear Son, This is one of the last of my few remaining pre marital possessions – look after it won’t you, Love Dad, Marianne Boesky Gallery, New York, USA 2002 To Jean, A Small Memento for a Great Effort, Love Alan, White Cube, London, UK 2000 First I was Afraid; I was Petrified, Fig.-1, London, UK 1995 Harland Miller, Enrico Navarra Gallery, Paris, France You Dig the Tunnel, I’ll Hide the Soil, Fakhoury Steinitz Gallery, Paris, France First I was Afraid I was Petrified, The Scotch House, Tel Aviv, Israel Group Exhibitions 2019 Summer Contemporary, Maddox Gallery, London, UK Art in the Culloden Estate and Spa, Gormley’s Fine Art, Holywood, UK Between the Lines, Maddox Gallery, London, UK Contemporary British Editions, Galerie Maximillian, London, UK 2018 TWENTY, Ingleby, Edinburgh, UK 2016 Daydreaming with Stanley Kubrick, Somerset House, London, UK 2014 What Marcel Duchamp taught me, Fine Arts Society, London, UK 2013 Once upon a time and a very good time it was…, Ingleby Gallery, Edinburgh, UK Sculpture in the Close, Jesus College, Cambridge, UK 2012 AKA Peace, ICA, London, UK Cool Britannia, Gallery Hyundai, New Space, Seoul, Korea 2010 Kupferstichkabinett: Between Thought and Action, White Cube, London, UK Exhibitionism, The Art of Display, Courtauld Institute of Art, London, UK 2009 Different Places, Different Stories, König-Heinrich-Platz, Duisburg, Germany Inspired, Mitchell Library (City Museum), Glasgow, UK TURPS BANANA 1, Galleria Marabini, Milan, Italy TURPS BANANA 2, Galleria Marabini, Bologna, Italy 2008 You Dig The Tunnel, I’ll Hide The Soil, White Cube, Hoxton Square and Shoreditch Town Hall, London, UK Voewood Projects, High Kelling, Norfolk, UK 2007 Summer Exhibition, Royal Academy of Arts, London, UK 2006 The Portrait, V22 Ashwin Street, London, UK Summer Exhibition, Royal Academy of Arts, London, UK 2005 Summer Exhibition, Royal Academy of Arts, London, UK 2004 Direct Painting, Kunsthalle Mannheim, Mannheim, Germany The Charged Image, Collection of Douglas Cramer, Joseloff Gallery, West Hartford, CT, USA 1996 Bad August, Richard Salmon...

Antique print titled 'Nuttalia Grandiflora'. Botany print of the large-flowered nuttalia. This print originates from volume 3 of 'Annales de la Société Royale d'Agriculture et de Bot...

Antique Buffalo Engraving, Buffon Hand-Coloured Print Amsterdam 1769 This handsome hand-coloured 18th-century engraving of the buffalo, titled Le Buffle, comes from the rare Dutch edition of Buffon’s celebrated Histoire Naturelle, published in Amsterdam by J.H. Schneider in 1769. Appearing as Plate XXV in Tome XI, the image was drawn by Jacques de Sève, Buffon’s principal illustrator, and engraved by C.J. Fritsch. The plate is one of the most appealing large mammal portraits in the Buffon series, notable for its expressive character, fine engraving, and warm, atmospheric colouring. The buffalo stands in full profile on a grassy bank beneath a soft blue sky. Its muscular body, thick neck, and distinctive curved horns are rendered with precise cross-hatching, highlighting both strength and powerful form. The shaggy hair around the head and chest is drawn with exceptional sensitivity, giving the animal a lively, alert presence. Behind the buffalo, a distant landscape shows classical buildings, rolling hills, and soft vegetation—an elegant composition typical of de Sève, who often placed his subjects in idealised settings to evoke the exotic nature of these animals for 18th-century European audiences. Hand colouring in the Schneider edition is among the finest of all Buffon printings. The warm browns of the buffalo’s coat...