Meiji-Era Triptych of the Battle of Pyongyang in the Sino-Japanese War, 1894

Défense de Tuyen-Quan Tonkin 1885 French Colonial Battle Épinal Print This vivid French color lithograph depicts the heroic defense of Tuyen-Quan during the Tonkin Campaign, fought ...

Siege of the European Legations Peking 1900 Boxer Rebellion Épinal Print Description This striking French color lithograph depicts the Siege of the European Legations in Peking (Bei...

Chikanobu Triptych – Shogun Returns from the Hunt in Koganehara, c.1897 This powerful and dynamic triptych by Toyohara Chikanobu (1838–1912) depicts the Shogun and his retinue returning from a falconry hunt across the vast grasslands of Koganehara. The print is part of the celebrated Meiji-era series Chiyoda no Omote (Outer Palace of Chiyoda), which portrayed ceremonial and military scenes from the life of the Tokugawa shogunate. This series blends historical reverence with a modern Meiji sensibility, celebrating Japan’s warrior heritage at a time of rapid transformation. Rendered in rich color and vivid linework, the triptych shows a noble procession in motion: the mounted Shogun at center turns back toward the viewer, while falconers and warriors in elaborate dress surround him. Attendants carry game and falconry equipment, and a dense forest line marks the horizon behind them. The sweeping composition emphasizes both movement and status, with the central figure visually dominant and placed against a pale, open sky. The triptych is signed by Chikanobu with the toshidama cartouche and published by Fukuda Hatsujirō around 1897. Chikanobu, one of the last great ukiyo-e masters, was celebrated for his ability to capture imperial ceremony, samurai culture, and the feminine elegance of the court — often in triptych format for dramatic impact. While the work shows some age-related signs, it retains strong visual appeal and is a compelling historical document of samurai-era tradition as imagined through Meiji eyes. Condition report: Good overall condition considering age. The three sheets are mounted together on old Japanese paper backing (verso), which is loosening slightly along the joins. Light overall toning and minor wrinkling across the panels. Colors remain well preserved with strong impression and no major losses or tears. Margins present, minor handling wear visible. A stable and attractive display piece. Framing tips: We recommend float mounting the full triptych in a custom horizontal frame, allowing the slight backing and joins to remain visible as part of its historical charm. Use a dark walnut or black lacquer frame with an off-white or light beige acid-free mat. Proper archival mounting can help preserve the integrity of the backing while enhancing its display quality. Technique: Woodblock print (ōban triptych) Maker: Toyohara Chikanobu, Japan, c.1897 Publisher: Fukuda Hatsujirō Keywords: Chikanobu triptych, samurai falconry print, Japanese woodblock print, Meiji print, Chiyoda no Omote, shogun artwork, Koganehara, antique Japanese triptych...

Prise de Sontay, an Épinal Print of a French Tonkin War Battle, 1883 This vivid and dramatic French popular print depicts the capture of Sontay (Sơn Tây) during the Tonkin Campaign,...

A very strong woodblock print Long live the Great Japanese Empire! Our army’s victorious attack on Seonghwan, Mizuno Toshikata 1866-1908. or Hurrah and Hurrah Again for the Great...

An extraordinary ukiyo-e triptych by one of the greatest ukiyo-e artists of the 19thC, Tsukioka Yoshitoshi (1839-1892). The triptych shows a dramatic scene from the epic, bloody four...

Fantastic depiction of the naval Battle of Haiyang Island during the Sino-Japanese War. An explosion rocks a Chinese ship at right, severing the mast and sending enemy sailors tumbli...

The Russo-Japanese War was fought between the Empire of Japan and the Russian Empire during 1904 and 1905 over rival imperial ambitions in Manchuria and the ...