Military Procession with Spoils of War After Gerard de Lairesse Rossetti, ca1700

This detailed engraving depicts the capture of Tournai by the forces of the Duke of Parma in 1581. The scene shows the siege and conquest of the city with meticulous illustrations of...

Antique print titled 'Bezitneming van St. Jan te Lateranen, met de Plegtelykste Cavalcade'. Procession of horsemen and cardinals during the entrance of a new pope in the Saint John...

Antique engraving with the title Arrival of the English King Charles II from Delft in The Hague, 25 May 1660. Episode during his tour through and departure from the Netherlands. Arrival at the Vijverberg and Het Groene Zoodje, salute shots are fired at the Hofvijver. In the air the fame and putti with the arms of the English king, Holland and The Hague. On the left part of the signs of the zodiac. Marked at the top: Page. 34. In the top the Arms of the King with the text: Honi soit qui mal y pense. This a maxim in the Anglo-Norman language, a dialect of Old Norman French spoken by the medieval ruling class in England, meaning "shamed be whoever thinks ill of it", usually translated as "shame on anyone who thinks evil of it" It has been used as the motto of the British chivalric Order of the Garter. In current French usage, the phrase may be used ironically to insinuate the presence of a hidden agenda or a conflict of interest. Makers (mentioned on the engraving): Pieter Philippe after a design of: Jacob...

Heroic Roman Battle Scene, French Neoclassical Engraving, Napoleonic Era, 1804 Description: This powerful large-format engraving depicts a dramatic classical battle rendered in the ...

Emperor Trajan addressing the Roman soldiers is an artwork realized by Pietro Santi Bartoli (1635-1700) in 1672. Etching. Good condition. The T...

Emperor Trajan addressing the Roman soldiers is an artwork realized by Pietro Santi Bartoli (1635-1700) in 1672. Etching. Good condition. The T...

This old master engraving entitled "Allegorie op de Rechtspraak" is by Willem van Swaanenburg after a painting by Joachim Wtewael, published by Ch...

Frans Francken the Younger 1581 - Antwerp - 1642 Flemish Painter 'The Departure of the Israelites from Egypt – The Exodus', c. 1610 - 1620 Medium: pen in sepia on paper Dimensions: mage size 26 x 34,5 cm, frame size 55 x 65,5 cm Biography: Frans Francken the Younger, born in Antwerp in 1581 and passing away on May 6, 1642, also in Antwerp, was a distinguished Flemish painter. He is recognized as the most prominent and productive member of the renowned Francken family of artists. Francken explored a wide range of subjects, creating large altarpieces for churches and producing smaller works depicting historical, mythological, and allegorical scenes. Notably, his depictions of collectors’ cabinets established a popular new genre of art during his era. He was known for collaborating with other artists, enriching their works with his skilled renderings of figures and narrative elements, complementing specialists in landscape, architectural scenes, and floral still-life painting. Francken was born to Frans Francken the Elder and Elisabeth Mertens. His father was a pupil of Antwerp’s leading history painter, Frans Floris, and a significant creator of altarpieces in Flanders during his time. Francken received his artistic training under the guidance of his father. Additionally, it is possible that Frans and his brother, Hieronymus Francken II, received further instruction in the workshop of their uncle, Hieronymus Francken I, in Paris. A versatile artist, Francken made significant contributions to various genres within Flemish art, introducing new themes and subjects. Many of his works comprised small-scale historical, allegorical, and biblical cabinet paintings, often emphasizing figures. He is credited with either inventing or popularizing several novel themes that gained popularity in Flemish painting, including genre scenes featuring monkeys (also known as singeries) and Kunstkammer or gallery paintings, presenting a plethora of natural and artistic treasures against a neutral wall. Francken introduced various other unconventional themes that later gained traction, such as the ‘Triumphal Procession of Amphitrite’ and ‘Croesus and Solon.’ He also produced a series of paintings depicting witches and witchcraft, including portrayals of witches’ sabbats. His remarkable paintings are held in the collections of numerous major museums throughout Europe. Francken specialized in rendering the human figure, as evidenced by etched and engraved portraits of the artist by Anthony van Dyck (after Peter Paul Rubens), identifying him with the Latin inscription: ‘ANTVERIÆ PICTOR HVMANARVM FIGVRARVM’ (Figure painter of Antwerp). He was frequently invited to contribute figures to compositions by other esteemed artists, including landscape artists such as Tobias Verhaecht, Abraham Govaerts, and Joos de Momper...