Napoleon Meets Pope Pius VII in the Forest of Fountainbleau, 1804

Antique print titled 'L'Ambassadeur conduit à l'Audience'. Print of the ambassador being received by the Chinese emperor. This print originates from Prevost's 'Histoire Generale des ...

Procession of Deities Through the Countryside – Engraving after Sonnerat, 1806 This detailed antique engraving depicts a ceremonial procession titled “Chasse des Dieux dans les Camp...

Napoleon Bonaparte, Allegorical Equestrian Monument – After Horace Vernet, 1843 This striking 19th-century historical print presents an allegorical equestrian representation of Napo...

Title: Entry of Louis XIV and Maria Theresa into Douai, 1667 - Engraved After Van der Meulen Description: This is an original steel engraving from 1860, created after a painting by ...

View of the castle of FONTAINEBLEAU from the garden. A rare engraving from the early nineteenth century. ref. ST/777.

Engravings representing Le Chateau De Blois engraved Par Skelton and edited by the Musée du Louvres.

Classic French 18th century lithograph of a daily French life scene in a park. This item is in its original frame. Great addition to your Class...

Presented is an engraving entitled “The British surrendering their arms to Gen. Washington after their defeat at Yorktown Virginia October 1781.” The dedication continues in the bottom margin, “To the defenders of American independence, this print is most respectfully inscribed by their fellow citizen, Jn. Fcis. Renault, assistant secretary to the Count de Grass, and engineer to the French Army, at the siege of York.” The engraving is after a painting by John Francis Renault, and engraved by Tanner, Vallance, Kearny & Co. and William Allen, in Philadelphia in January of 1819. This historic print depicts the surrender of the British forces after the Battle of Yorktown. The print shows Lord Cornwallis offering his sword to the Duke de Lauzun, who defers the weapon to General Washington. British officers stand with Cornwallis on the right and French and American officers are shown at center and left. The immediate background is filled with an elaborate allegorical scene. Behind the British troops is a female representation of “Discord,” wearing a billowing robes and liberty cap and floating on storm clouds, as she sends lightning bolts to up-end the British people and a chariot below her. Behind the American and French officers, “Prosperity” stands next to an overflowing cornucopia, with “Justice”, an infant child with a paddle inscribed “American Constitution,” representing the helm of statehood. They crowd around a neoclassical monument with a giant urn...