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Oceanus, Saturn, Prometheus and Janus – Roman Mythology Engraving, c.1721
$1,062.17
£792.31
€895
CA$1,478.38
A$1,586.03
CHF 850.72
MX$19,095.65
NOK 10,724.28
SEK 9,779.06
DKK 6,820.58
About the Item
Oceanus, Saturn, Prometheus and Janus – Roman Mythology Engraving, c.1721
Description:
This impressive early-18th-century engraving presents a learned overview of major Roman mythological figures, drawn from celebrated antique sculptures, reliefs, and ancient coins. At the top of the composition appear monumental representations of Oceanus, shown as a reclining river god with flowing beard and oar, and Saturn, depicted as a standing, bearded deity associated with time and abundance. Below, the plate develops into a scholarly comparative display: Prometheus appears in a roundel scene examining the human skeleton, while Janus, the double-faced god of beginnings and transitions, is shown both as a sculptural bust and through multiple numismatic portraits.
The arrangement reflects the antiquarian method of the early Enlightenment, combining sculpture, relief, and coin imagery to illustrate how these deities were understood and represented in Roman antiquity. Each element is carefully labeled, emphasizing the educational intent of the plate rather than narrative storytelling. The contrast between large sculptural figures and smaller medallions gives the sheet a strong visual rhythm and makes it particularly appealing as a standalone work.
This engraving originates from Bernard de Montfaucon’s influential study of classical antiquity, a cornerstone publication for scholars, artists, and collectors in the 18th century. Plates like this were widely consulted by architects, sculptors, and designers and remain highly desirable today for their clarity, balance, and intellectual depth. The subject matter, focused on male deities and philosophical themes, gives the print a distinctly timeless and contemplative character, well suited to libraries, studies, and refined interiors.
Condition report:
Good condition for its age. Light, even age toning to the paper, with a visible central fold as issued. Minor handling marks and faint creases at the margins. Plate mark clearly visible.
Framing tips:
This plate works beautifully with a simple black or dark walnut frame and an off-white or light ivory mat. A slightly wider mat enhances the scholarly, museum-style presentation and emphasizes the engraved detail.
Technique: Engraving
Maker: Bernard de Montfaucon, France, early 18th century
- Dimensions:Height: 16.7 in (42.4 cm)Width: 10.16 in (25.8 cm)Depth: 0.01 in (0.2 mm)
- Materials and Techniques:Paper,Engraved
- Place of Origin:
- Period:1720-1729
- Date of Manufacture:1721
- Condition:Good condition for its age. Light, even age toning to the paper, with a visible central fold as issued. Minor handling marks and faint creases at the margins. Plate mark clearly visible.
- Seller Location:Langweer, NL
- Reference Number:Seller: BG-14184-1-51stDibs: LU3054348014952
About the Seller
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Zeus (Jupiter) Engraving from Bertuch – Classical Mythology Print, 1805
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This finely detailed engraving, published in 1805 as part of Friedrich Justin Bertuch’s Porte-Feuille des Enfants (Children's Portfolio), depicts Zeus, the king of the Greek gods (known as Jupiter in Roman mythology), in a pose that exudes authority and power. Seated on a grand throne with an eagle at his side, Zeus holds a scepter, signifying his dominion over the skies and his role as ruler of the gods.
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- Condition: The engraving is in good condition with minor age-related foxing and light discoloration typical of early 19th-century prints. Well-preserved overall.
This print is a perfect choice for collectors, historians, or anyone with an appreciation for classical mythology and 19th-century art.
Here are some recommendations for framing and presenting this engraving to enhance its historical and artistic appeal while ensuring proper preservation:
1. Frame Style
- Material: Choose a high-quality wooden or gilded frame. Options like mahogany, walnut, or an antique gold finish complement the classical theme.
- Design: Select a simple yet elegant frame with subtle decorative details, such as beading or fluted edges, to echo the neoclassical style without overshadowing the engraving.
2. Matting
- Color: Use an acid-free mat in a neutral tone, such as ivory, off-white, or pale cream, to draw attention to the artwork and prevent contact with the glass.
- Border Size: A slightly wider mat border (around 2–4 inches) creates balance and helps focus the viewer's attention on the engraving.
- Double Matting (Optional): For a refined look, consider an inner mat in a soft complementary color like light gray or pale gold to add depth.
3. Glass
- UV-Protective Glass: Opt for museum-grade UV-filtering glass or acrylic to safeguard the engraving from light exposure while reducing glare.
- Non-Glare Option: Non-reflective glass ensures optimal viewing, especially in brightly lit areas.
4. Backboard and Mounting
- Archival Backing: Use an acid-free backing board to protect the engraving from moisture and dust while providing structural support.
- Mounting Method: Secure the engraving with archival-quality corners or hinges to avoid adhesive contact with the artwork.
5. Presentation Placement
- Display the framed engraving in a stable environment with consistent temperature and low humidity to prevent damage. Avoid direct sunlight or exposure to harsh artificial light.
- Suitable spaces include libraries, studies, or galleries where the engraving complements other classical or antique items.
6. Labeling
- Add a small engraved brass plaque or label beneath the frame with details such as "Zeus (Jupiter) – Published in 1805 by Friedrich Justin Bertuch" to highlight its provenance and historical value.
7. Alternative Display
- If not framed traditionally, consider showcasing the engraving in a display case alongside other related prints or artifacts. Use museum-grade lighting to accentuate its details without causing harm.
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Keywords:
- Zeus engraving...
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