1740s Prints

A Fine Set of Twelve Botanical Engravings from Johann Weinmann's Phytanthoza Iconographia ________________________________________ This is a beautiful and historically significant s...

Artist or Maker: Johann Wilhelm Weinmann Title: "Lilium album peregrinum. Lilium buliferum, Knöpfigte Feuer Lilien. Lilium croceum minus, Feuer Lilien." Medium: Colored etching Catal...

This engraving of the Black Indian Cuckoo is a fine example from George Edwards' ornithological works, part of his A Natural History of Uncommon Birds or Gleanings of Natural History...

18th century German, a hand-colored engraving of a dressage horse and rider from Description du Manège Moderne by Friedrich Wilhelm, Baron Rais d' Eisenberg (German, ca. 1700-ca. 1770). Engraved by Bernard Picart (French, 1673-1733). Titled "Le Brillant", this dressage engraving is plate XXXIII. There is a gallery label verso. The print is matted and framed under UF-3 plexiglass, which offers the maximum amount of UV protection (approx. 97%). This print was originally part of an illustrated book Baron d'Eisenberg made describing the art of the cavaliers and depicting the different breeds of horses- The full title of the book is L'Art de Monter a Cheval: ou Description du Manége Moderne, Dans sa Perfection, published in Leipzig: Arkstée et Merkus, 1747). A set of 7 framed engravings from the same book sold at Sotheby's for $9,500 (plus tax and buyers premium). Reference: The author, a German horseman and artist, spent some of his youth at the manège of Saxe-Weimar before entering into the service of the Emperor. He then spent six years in Naples as the Master of Horse of the Viceroy before returning to Vienna where he studied under M. de Regenthal, the imperial Master of Horse. He participated in the coronation of the Emperor Charles V at Frankfurt in 1711, then spent some time in England, but was back in Germany before 1753. He probably died in Tuscany where he was Director and Master of the Horse at the Academy in Pisa. Brunet II, 957; Mennessier de la Lance I, p. 438. The Baron wrote several important and lavishly illustrated books on horses: his Description du manège moderne dans sa perfection, London 1727, and Dictionnaire des termes du manège moderne, 1747, being the best well-known. He dedicated Description du Manège Moderne to King George II and to his son, His Royal Highness the Prince of Wales. Subscribers to the book included royalty and nobility from all over Europe. The engraver was Bernard Picart, born in Paris in 1673. He gained honors at the Academy of Paris at the age of sixteen. He was a master designer and engraver and worked in Paris and Amsterdam until his death in 1733. Dimensions: 9"h x 12"w (sight), 16.5"h x 19.25"w (frame) Condition: Good, some rippling to sheet, not examined out of frame. Provenance: Lombard Antiquarian Maps & Prints, Cape Elizabeth...

Fort Nassau at Banda, bird’s-eye view engraving by Van der Schley, c. 1735–1747 This finely detailed 18th-century engraving presents a bird’s-eye view of Fort Nassau on Banda Neira,...

Antique map titled 'Nieuwe Kaart van de Filippynsche, Ladrones, Moluccos of Specery Eilanden, als mede Celebes etc'. Old map of the Philippines and part of Indonesia. Originates ...

Title: 18th-Century Engraving of European Monarchies with Heraldry and Imperial Regalia This intricately detailed 18th-century engraving, *Statua Regum et Ropotorum P.C.N.*, offer...

Text: "Le cheval étant sur son plan naturel, pour faire voir la plus parfaitte posture du Cavallier" Translated: "The horse being in its natural position, to show the most perfect ...

Title: Striking 18th-Century Engraving of Papal Chronology and Symbols of the Vatican This beautifully detailed 18th-century engraving, 'Pontificum Romanorum Series Chronologica'...

Icon Synoptica Sac. Rom. Imp. Electorum Ducum cum Principum – 18th-Century Allegorical Engraving This fascinating 18th-century engraving, 'Icon Synoptica Sac. Rom. Imp. Electorum ...

The illustration is indicative of the works that emerged from the collaborations and influences of the 18th-century naturalists like George Edwards and Johann Michael Seligmann. Geor...

This is a hand-colored engraving from Johann Michael Seligmann's work, depicting a butterfly and a two-headed snake. Below is the transcription and translation of the text: - "Di...

Bernard Picart was the maker of this specific engraving. Bernard Picart (1673–1733) was a renowned engraver known for his detailed and highly skilled work, particularly in illustrati...

Antique print, titled: 'The Fort Fredricksburg formerly to ye Danes and now Fort Royal (…).' - A three panel copperplate engraving showing three forts on the West African Gold Coast, Ghana; a) The Fort Fredricksburgh formerly to ye Danes and now Fort Royal. English at Manfroe, b) The Fort Amsterdam at Cormentyn belonging to ye Hollanders, c) The Fort James, English at Accra. From: "A Collection of Voyages and Travels" published by John and Awnsham Churchill in London in 1744. Artists and Engravers: Made by 'Johannes Kip' after 'A. Churchill'. Johannes Kip (b Amsterdam, 1653; d London, 1722). Dutch draughtsman, engraver and dealer, active in England. He was a pupil of Bastiaen Stopendaal (1636–1707) from 1668 to 1670. His earliest dated engravings are of 1672 (e.g. the Siege of Groningen , Hollstein, no. 4), and he supplied numerous plates for books published from that date onwards. His work brought him into contact with the court of William of Orange and in 1686 he produced six plates depicting William of Orange, his Wife and Attendants near The Hague (Hollstein, no. 5). Shortly after the Glorious Revolution of 1688 Kip followed the court to England. After settling in Westminster, he worked extensively for London publishers, engraving works after Francis Barlow, Caius Gabriel Cibber (e.g. Interior of the Danish Church in London , 1697; Hollstein, no. 6) and other London-based artists. His engravings were principally destined for book illustrations. The work for which Kip is best remembered is his large corpus...

The Greater and Lesser Mino by George Edwards: A Pair of Hill Mynas (Gracula sp.) The bird in the print titled "The Mino or Minor, Greater and Less," appears to depict a species fro...

This original antique hand-colored engraving by Johann Michael Seligmann is a representation of the Golden Thrush, derived from George Edwards' "Natural History of Uncommon Birds" and "Gleanings of Natural History." The artwork was part of Seligmann's own work, "Sammlung Verschiedener Auslandischer und Seltener Vogel," which translates to "Collection of Various Foreign and Rare Birds," published in 1749. The engraving contains several lines of text in different languages, likely identifying the bird and giving references to the work it was derived from. Here’s the transcription and translation of the visible text: - "Gallula Bengalensis." - This is Latin, likely the scientific name of the bird at the time, which translates to "Bengal Gallula" or "Bengal Thrush." - "N:o 80./VII.Heft." - This seems to be a reference to the plate number and the volume or issue number of the collection. - "Le Grive Dorée, Icterus." - In French, this means "The Golden Thrush, Icterus." 'Icterus' refers to the genus that includes birds commonly known as orioles, which are often characterized by their yellow and black plumage. - "Goldbrostel." - This could be an old or regional name for the bird in German, which might translate to something like "Gold Breast" referring to the bird's golden chest...

The image is an ornate botanical and ornithological illustration from one of Johann Michael Seligmann's collections, which were based on George Edwards's natural history studies. Th...

A 1747 engraving by Jean Daulle (1703-1763), engraver to the King, as signed at the bottom left, above the title of the painting "Naissance et Triomphe de Venus" by French artist Fra...

Description: Antique print, titled: 'Papo's Bay (…).' - This plate shows five panels with various creatures (parakeet, sea cow, monkeys), a small map of Papo’s Bay at Tary (Cayenne?)...

Description: Antique print, titled: 'A map of Sestro River (…).' - This plate shows Fish, birds, animals and people in the area around the Sestro River, Liberia. Inset; a small map o...

Description: Antique print, untitled. This plate shows Guinea Gulf birds and fish; parakeet, eagle, sea toad, marlin, scorpion etc. From: "A Collection of Voyages and Travels" published by John and Awnsham Churchill in London in 1744. Artists and Engravers: Made by 'Johannes Kip' after 'A. Churchill'. Johannes Kip (b Amsterdam, 1653; d London, 1722). Dutch draughtsman, engraver and dealer, active in England. He was a pupil of Bastiaen Stopendaal (1636–1707) from 1668 to 1670. His earliest dated engravings are of 1672 (e.g. the Siege of Groningen , Hollstein, no. 4), and he supplied numerous plates for books published from that date onwards. His work brought him into contact with the court of William of Orange and in 1686 he produced six plates depicting William of Orange, his Wife and Attendants near The Hague (Hollstein, no. 5). Shortly after the Glorious Revolution of 1688 Kip followed the court to England. After settling in Westminster, he worked extensively for London publishers, engraving works after Francis Barlow, Caius Gabriel Cibber (e.g. Interior of the Danish Church in London , 1697; Hollstein, no. 6) and other London-based artists. His engravings were principally destined for book illustrations. The work for which Kip is best remembered is his large corpus...

Description: Antique map titled 'Plan van de Haven van Acapulco (..) - Plan du Port d'Acapulco (..)'. Original antique map of the Port of Acapulco on the coast of Mexico in the South...

Antique map Africa titled 'Mauretania, Numidia, Gaetulia c.'. Rare map of North Africa depicting Numidia, Libia and Morocco. Artists a...

Plate 17 from "La Methode et Invention nouvelle de Dresser les Chevaux" portrays William Cavendish, the first Duke of Newcastle, providing instructions to Captain Mazin in the art of...

Exquisite 1740 Copperplate Engravings of English Monarchs' Tombs in Westminster Abbey" This remarkable set of five copperplate engravings, created circa 1740, showcases the monument...

This is an original antique architectural design for a pulpit in baroque style with archway and balustrade dating approximately between 1740 and 1760. The artist responsible for th...

Title: Striking 1740 Engraving of Colossus Depicting King Nebuchadnezzar's Dream Description: This vibrant 1740 engraving, titled *Colossus Monarchic Statua Danielis Dan. II. 31*...

Antique print titled 'Arbore Genealogico'. Family tree of Muhammad. This print originates from 'Vita di Maometo cavata dagli autori arabi maometani (..)' by H. de Boulainvilliers...

"Phytanthoza Iconographia": Set of Four 18th-Century Weinmann Engravings of Grapes Circa 1740 A superb suite of four original antique botanical e...

This image is an antique colored etching from a botanical work by J.W. Weinmann, titled "Duidelyke vertoning eeniger duizend in alle vier waerelds deelen wassende bomen, stammen, kru...

Antique map titled 'Nubie, Abissinie et Cote d'Ajan'. Map of Abyssinia, Sudan and the Red Sea by Robert Vaugondy. Covers from Arabia and Egypt south to M...

Antique plan titled 'Plan de l'Isle de Goree The island of Gorée lies off the coast of Senegal, opposite Dakar. From the 15th to the 19th century, it was the largest slave-tradin...

Antique horse print titled 'Parade du trot pour La Main Gauche'. Antique print depicting the schooling of horses. This print originates from 'Methode et Invention Nouvelle de Dresser les Chevaux' by W. Cavendish. Artists and Engravers: Engraved by T. van Kessel.

Shetland Islands Sea Chart – Antique Nautical Map by Ottens Brothers, c.1740s This striking antique nautical chart titled Nieuwe Paskaard van ...

Antique map titled ’Plan de la Baye et Isle d'Arguim (..) - Oppervlakte van de Baai en 't Eiland van Arguin (..)'. Original antique map of the bay and the island of Arguin. This ...

Antique map titled 'Novae Hispaniae, Chili, Peruviae et Guatamala Littorae.' Sea chart of Central America and the northwest coast of South America, oriented to the east, by Reinier & Joshua Ottens (after Frederick de Wit - 1675) in 1745 ('Atlas van de Zeevaart'). The map shows all or parts of the coasts of Peru, Chili, Honduras, Costa Rica and Mexico as well as the western Caribbean and the Galapagos...

This is an 18th-century hand-colored engraving from Johann Michael Seligmann's collection, displaying a parrot species. Here’s the transcription and translation of the visible text: ...

Artist or Maker: Johann Wilhelm Weinmann Title: "Lilio asphodelus luteus. Lilio asphodelus phoeniceus. Lilium album" Medium: Colored etching Source: "Duidelyke vertoning eeniger duiz...

This etching and engraving, titled "Chamois," depicts a chamois standing with a poised and alert demeanor. The artist has intricately captured the animal’s slender frame, short curve...

Antique horse print titled 'La Vraije Methode (..)'. Antique print depicting the schooling of horses. This print originates from 'Methode et Invention Nouvelle de Dresser les Che...

This is an original copperplate engraving on vellin-type paper, dating from a French edition of 1727-1738 of the monumental work "Cérémonies et Coutumes Religieuses..." by A. Moubach...

Antique print titled 'Ara, o Base con Baccanali'. Plate XXXVI: A large, ornamental Bacchic altar or pedestal, with a relief in the centre showing a female sitting beside a reclinin...

The image is an original antique handcolored plate from "A Natural History of English Insects" published in 1749 by Eleazar Albin. Albin, likely of German origin and known initially ...

This etching and engraving, titled "Sanglier" (Wild Boar), depicts a wild boar lying down, possibly resting or in a moment of repose. The artist has meticulously captured the texture...

This etching and engraving, titled "Loup pris au piège" (Wolf Caught in a Trap), depicts a wolf ensnared in a trap. The artwork captures the wolf's struggle and distress with precise...

This double-engraved page featuring the titles "The Apparel of the Hottentot Men" and "The Apparel of the Hottentot Women" are from the 18th-century book "The Present State of the Ca...

This engraving is from the Johann Michael Seligmann's collection, based on the works of George Edwards that was published in 1743. The text in the image is in both German and Latin...

Plate 24 from "A General System of Horsemanship in All Its Branches," (La Methode et Invention nouvelle de Dresser les Chevaux). William Cavendish Duke of Newcastle's work on equestr...

Antique map of the Coast of Africa titled 'Kaart van de West Kust van Afrika (..)'. Map of the west coast of Africa, from 11 degrees south latitude to the Cape of Good Hope. This...

This etching and engraving, titled "Loup-cervier," depicts a lynx standing in a poised, alert posture. The artwork intricately captures the texture of the lynx’s fur, its muscular bu...

This is an original antique architectural design for a rococo pulpit dating approximately between 1740 and 1760. The artist responsible for this design is Franz Xaver Habermann, an...

This etching and engraving, titled "Renard," depicts a fox in a dynamic and alert posture. The artwork captures the fox's thick fur, bushy tail, and sharp features with exquisite det...

Description: Antique map titled'Theatrum Historicum pars Orientalis.' Finely engraved historical map with a profusion of details. It shows the Middle East and Asia. Decorative ti...

Antique map titled 'Dominia Anglorum in praecipuis Insulis Americae ut sunt Insula S. Christophori, Antegoa, Iamaica, Barbados nec non Insulae Bermudes vel Sommers dictae. Die Englis...

Architectural design with the central elements depicted in the engraving: the Baroque design of the pulpit, the inclusion of a Corinthian column which suggests a classical influence, and the presence of a staircase plan indicating the approach to the pulpit. Dating approximately between 1740 and 1760. The artist responsible for this design is Franz Xaver Habermann, and it was published by Johann Georg Hertel I in Augsburg. The design shows a richly decorated pulpit and archway, typical of the Rococo style, which is known for its elaborate ornamentation, asymmetry, and curves. This image is one of four numbered plates related to this work. The detail in the engraving is meticulous, showcasing the elaborate aesthetic that characterized much of the European art and architecture during the mid-18th century. Franz Xaver Habermann (1721–1796) was a German engraver and etcher who was active during the 18th century, a period marked by the Rococo style. Although not as widely known as some of his contemporaries, Habermann contributed significantly to the graphic arts during his time. Habermann's work often featured architectural designs, such as the intricate pulpit depicted in the image you've provided. He was skilled in creating prints that detailed elaborate decorative schemes and architectural fantasies, which were popular during the Rococo period. His creations were known for their intricate details and the fluidity of their lines, capturing the lightness and ornamental excesses that characterized Rococo design. Johann Georg Hertel I, who published Habermann's work, was part of a notable family of engravers and publishers in Augsburg, a city that was an important center for publishing in Europe at the time. The Hertel family played a significant role in disseminating artistic and architectural designs through their publications. While specific details about Habermann’s life and training may not be as well-documented as those of major artists of his time, his surviving works suggest that he was a highly skilled engraver who had mastered the Rococo style, contributing to the spread of this aesthetic through his printed works. His designs would have influenced the tastes of the period, both within Germany and across Europe, where the appetite for such elaborate designs was significant. More in detail about this engraving: This engraving features a detailed representation of a Baroque-style preacher's pulpit, intricately designed and placed upon a Corinthian column, demonstrating the grandeur of religious architecture during the Baroque period. The pulpit is richly adorned with elaborate scrollwork, acanthus leaves, and possibly religious iconography, all common elements in Baroque ecclesiastical design. A significant feature of this print is the inclusion of architectural details such as the Corinthian column base, known for its ornate capital with acanthus leaves and scrolls, which supports the pulpit above. This classical element signifies stability and order, providing a stark contrast to the exuberant decoration of the pulpit itself. To the right of the pulpit, there's a tall, slender window filled with panes that could either be clear or stained glass, framed by an ornate window arch...

Original hand-colored antique bird print showing an American Kingfisher from the book "A Natural History of Uncommon Birds" (1743-1751) by George Edwards. This hand-colored engraving showcases the bird perched on a branch, holding a fish in its beak. The kingfisher is characterized by its distinctive plumage, with a slate-blue back and wings, a speckled tail, and a prominent crest on its head. Its body is white underneath with some pinkish hues near the breast. The bird's sharp beak is shown spearing a fish, emphasizing its hunting prowess. The surrounding environment includes a simple background with water and vegetation, highlighting the bird's natural habitat. This illustration is part of an increasingly rare and treasured collection of natural history artwork from the 18th century. George Edwards (1694–1773) was an English naturalist and ornithologist who is often referred to as the "father of British ornithology." His most famous work, "A Natural History of Uncommon Birds" (1743-1751), and its continuation "Gleanings of Natural History" (1758-1764), contain detailed illustrations and descriptions of many bird species, many of which were little known or newly discovered at the time. Edwards' work is highly regarded for its accuracy, artistry, and contribution to the field of ornithology. About George Edwards: 1. **Early Life and Career**: - Born in Stratford, Essex, Edwards was apprenticed to a tradesman in London. However, he developed an interest in natural history and began studying birds, insects, and other animals. - He spent some time traveling in Europe, studying various collections of natural history specimens. 2. **Publications**: - **"A Natural History of Uncommon Birds" (1743-1751)**: This work is a collection of 210 hand-colored engravings of birds. It is known for its meticulous attention to detail and accuracy in depicting bird species. - **"Gleanings of Natural History" (1758-1764)**: This series continued the work started in "A Natural History of Uncommon Birds" and included additional birds as well as other animals. - His publications also included detailed observations and descriptions, making them valuable not only for their artistic merit but also for their scientific content. 3. **Artistic and Scientific Contributions**: - Edwards was known for his ability to combine artistic skill with scientific precision. His illustrations often depicted birds in lifelike poses and settings, showing their natural behaviors. - He collaborated with and was influenced by other naturalists and illustrators of his time, such as Carl Linnaeus and Mark Catesby. - Edwards' works were used by Linnaeus in the development of his system of taxonomy. 4. **Legacy**: - George Edwards' contributions to ornithology and natural history have had a lasting impact. His detailed and accurate illustrations helped to advance the study of birds and influenced subsequent generations of naturalists and artists. - His books remain highly prized by collectors and are considered important historical documents in the field of natural history. ### "A Natural History of Uncommon Birds" and Its Importance: - **Illustrations**: Each illustration in Edwards' work was carefully hand-colored, and the engravings were often accompanied by descriptive text that included observations about the birds' habitats, behaviors, and physical characteristics. - **Scientific Accuracy**: Edwards took great care to ensure the accuracy of his depictions, often working from specimens he had observed firsthand. - **Influence**: The work was well-received in its time and remains a significant reference for ornithologists and historians. It contributed to a greater understanding and appreciation of bird species from around the world. Overall, George Edwards' work represents a critical intersection of art and science during the Enlightenment period, capturing the beauty and diversity of the natural world while contributing to the scientific knowledge of his time. ------------- The bird depicted is a Belted Kingfisher...

Artist or Maker: Johann Wilhelm Weinmann Title: "Laburnum, seu Anasyris flore luteo" Medium: Colored etching Catalog Number: N.655 This image is an colored etching from J.W. Weinman...

A beautiful hand-colored engraving from Johann Michael Seligmann's collection, which was based on the earlier works of George Edwards. The text on this image is in German, Latin, a...

This original antique engraving is part of the collection "Recueil de XC Têtes tirées des Sept Cartons des Actes des Apôtres," and showcases two male profiles in a classical style. ...

Antique print, titled: 'Tabula Comitatus Hollandiae in Praefecturas sua distributa; cui adjuncta est Provinc. Ultraiectina et maxima pars Geldriae summo studio delin. Et aeri incidit...