1820s Prints

Charming 1828 Botanical Illustration of Pink Wood-Sorrel – A Delightful Antique Floral Print This illustration is from a botanical series likely...

Great map of Europe Drawn under the direction of Arrowsmith. Copper-plate engraving. Published by Longman, Hurst, Rees, Orme and Brown, 1820 ...

Scarlet Ibis & Glossy Ibis – Antique hand-coloured lithograph, c.1828 Description: This vibrant early 19th-century ornithological print depicts two striking wading birds: the Scarle...

Costume Print: Roman Butcher at Work, 1820s Hand-Colored Engraving This evocative hand-colored engraving, titled "Roman Butcher," offers a fascinating glimpse into daily life in 19t...

Handcolored Copperplate Engraving of Cashmere Goats and Sheep, Friedrich Johann Bertuch, 1823 This is an exquisite handcolored copperplate engraving depicting a group of Cashmere go...

Title: Antique Botanical Print of Aristolochia à Fleurs Labellées - 19th Century Description: This antique botanical print, titled "Aristolochie à Fleurs Labellées," is a stunning 1...

Wonderful prints of Regency furniture Aquatints with original color. From Ackermann's Repository. 3 dated 1825. One dated 1810 Unframed.

Procession to the Colosseum Through the Arch of Titus, Rome, 1824 This captivating hand-colored engraving titled “Procession to the Colosseum” depicts a solemn religious scene unfol...

Title: The Pyramids of Egypt – A Scenic 1828 Copper Engraving Description: This hand-colored copper engraving titled The Pyramids of Egypt provides a stunning depiction of Egypt's...

Costume Print: Italian Gestures with Traditional Dress, 1820s Hand-Colored Engraving This engaging hand-colored engraving, titled *Italian Gestures*, captures a lively moment in Ita...

This captivating hand-colored engraving from the 1820s, titled 'Italian Gestures', presents three figures in traditional Italian costume, each demonstrating a distinct and expressiv...

Title: Cinchona Bark Varieties: An Illustrated Botanical Atlas (1826) Description: This rare and finely illustrated botanical atlas, 'Versuch einer Monographie der China. Nur Atlas...

The title of this original antique print is the "Königl. Hannover. Garde Hussaren Regt.", which translates to "Royal Hanoverian Guard Hussar Regiment". This unit would have been part of the army of the Kingdom of Hanover, which, during various periods, was in personal union with the United Kingdom. The Guard Hussars would have been a prestigious cavalry unit, likely serving as both ceremonial guards and elite troops. The uniform, with its rich decoration and distinctive Hussar features, suggests a high ceremonial as well as functional military significance. The King's German Legion...

Title: Execution Print: Public Beheading for Murder in Rome, Hand-Colored, 1820s Description: This rare and haunting hand-colored engraving, titled *An Execution in Rome for Murder*...

Italian Regional Costumes: Sarzana, Sesto, Rome and Florence, 1823 This hand-colored lithograph presents six detailed bust portraits of Italian women dressed in traditional regional...

Martynia Proboscidea (Unicorn Plant) – Hand-Colored Botanical Engraving by Desmares, circa 1825 Description: This original hand-colored copperplate engraving depicts *Martynia prob...

Costume Print: Italian Gestures with Traditional Dress, “Cattivo!” Series, 1820s This delightful hand-colored engraving is part of a rare and humorous series titled *Italian Gesture...

Antique Print - Plaza de Mayo, Buenos Aires, 1820s - Jules Ferrario This historically rich print, titled "Plaza de Mayo, Buenos Aires," originates from Jules Ferrario's renowned series "Le Costume Ancien et Moderne," specifically from Volume II, plate 2. The print offers a captivating depiction of the Plaza de Mayo, one of the most significant public squares in Buenos Aires, Argentina. It beautifully captures the essence of the plaza during the early 19th century, featuring local inhabitants engaged in daily activities, architectural landmarks, and a dynamic urban atmosphere. The intricate detailing and careful hand coloring enhance the visual impact, providing a window into the architectural and social fabric of Buenos Aires during this period. This piece is invaluable for collectors interested in South American history, urban landscapes, and antique lithography. It not only serves as a decorative artwork but also as an important document that highlights the urban development and cultural milieu of Buenos Aires in the early 1800s. It remains in good condition, with colors that have retained their depth and vibrancy, making it a prized addition to any collection of historical prints. In more detail: Line & aquatint etching with original hand colouring on wove (vellin) paper. From: ‘Il Costume Antico e Moderno …, l’America.’ , by Giulio Ferrario, published in Milan in 17 volumes (first issue), published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. This Italian volume has the date 1821. The second issue was published in 21 volumes in 1827. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Original blindstamp at bottom right image. The sources used for this work are wide including van Humboldt, von Wied etc. Made by ‘D.K. Bonatti’ after ‘Giulio Ferrario’. Giulio Ferrario was founder of the ‘Societa Tipografica de Classici Italiani’ and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina, D.K. Bonatti, A. Biasioli, L. Rossi, Paolo Fumagalli, Gaetano Zancon (1771-1816), G. Bigatti, C. Bramati, G. Gallo, C. Bottiglia, G. Castellini, Antonio Rancati (1784-1816), Vittorio Raineri, Sydney Parkinson...

An impressively scaled copperplate engraving on laid paper of the Pyramid of Cestius in Rome which is the tomb for Caius Cestius. It is built of brick faced with marble and like othe...

Untitled print depicting Arab men and women praying towards Mecca. This print originates from 'Il Costume Antico e Moderno ...' , by Giulio Ferrario, published in Milan in 21 volumes by Antonio Fortunato Stella in 1827 (first edition, second issue). The 17 volumes of the first issue were published sequentially between c. 1815/1816 until 1826 after first being issued in 143 weekly installments. The work appeared in Italian and French. Smaller size editions with smaller much less elaborate plates were published in Florence (1823-38), Naples (1831-42) and even a 16mo. editon in Livorno (1830). Artists and Engravers: Giulio Ferrario was founder of the 'Societa Tipografica de Classici Italiani' and served as the director of the Braidense National Library in Milan, Italy. Artists that worked on this monumental work are: Gallo Gallina...

Copperplate engraving, printed on laid paper of the exterior of the Henry VII Lady Chapel at Westminster Abbey in London, England. Engraved and printed in 1820. Faint handwriting in ...

William Roscoe Botanical Large Print, Curcuma Aeruginosa, Monandrian Plants of the Order Scitamineae, 1828 From a set of four -sold individually. A spectacularly large and beautifu...

Antique print titled 'Caroline Ferdinande Louise Duchesse de Berry'. Lithograph of Marie-Caroline de Bourbon-Sicile, duchesse de Berry, an Italian princess...

Great images by Thomas Rowlandson from the "Tour of Dr Syntax" Etching and aquatint after drawings by Rowlandson. Published by Ackermann, dated 1819-1820 Some foxing to some of th...

Antique Sugarcane Botanical Print – Saccharum officinarum, Hayne Plate 100 Description: This finely executed botanical engraving depicts Saccharum officinarum, the sugarcane plant, shown with scientific clarity and quiet elegance. The composition presents the full growth habit with segmented canes and flowering plume, accompanied by precise analytical details of the inflorescence and spikelets, as well as a separate cross-section of the cane. The balance between clarity and restraint is characteristic of early German academic botany at its best. The print originates from Friedrich Gottlob Hayne’s monumental work Getreue Darstellung und Beschreibung der in der Arzneykunde gebräuchlichen Gewächse, published in Berlin in the early 19th century. Hayne was one of the most important botanical authors of his time, and his work played a crucial role in standardizing the visual language of medicinal and economic botany across Europe. Each plate was engraved on copper and then carefully hand colored, combining scientific accuracy with refined aesthetic appeal. Sugarcane held enormous economic and medicinal importance in the 18th and 19th centuries, linked to global trade networks, colonial agriculture, and the production of sugar as both food and pharmaceutical ingredient. As such, this plate carries strong historical resonance beyond its botanical subject, appealing equally to collectors of natural history, economic botany, and early scientific illustration. Visually, the print works exceptionally well as a stand-alone sheet. The calm composition, generous margins, and soft hand coloring make it particularly attractive for interior settings, from classic libraries to contemporary spaces where natural history prints are used as architectural accents. Condition report: Good antique condition. Light, even age toning to the paper consistent with age. Minor surface marks and soft handling wear visible on close inspection. Plate impression visible. No major tears or losses. Framing tips: This print benefits from a wide mat to emphasize its scientific elegance. Recommended combinations include a black or dark walnut frame with an ivory or parchment mat for a classic look, or a slim natural oak frame with an off-white mat for a lighter, contemporary presentation. Avoid overly dark mats, which can overpower the delicate hand coloring. Technique: Copper engraving with original hand coloring Maker: Friedrich Gottlob Hayne, Berlin, early 19th century Keywords: antique botanical print, sugarcane print, sugar cane botanical, saccharum officinarum, antique plant illustration, hand colored botanical, 19th century botanical print, natural history wall art, framed botanical print, antique agricultural print, economic botany illustration, tropical plant artwork, colonial trade decor, kitchen botanical wall art...

This beautiful original hand-colored antique print, made by Ulrik Thersner in 1824, is a fine example of his work. Thersner, known for his detailed and atmospheric landscapes, would have drawn this view of Djursholm Castle with great care, capturing not only the architectural features of the castle but also the surrounding natural landscape and pastoral life, as seen in the foreground with figures and livestock. The aquatint technique allowed Thersner to produce gradations of tone that give the print a remarkable depth and a lifelike quality, a characteristic that was particularly prized in the early 19th century for the way it mimicked the subtleties of watercolor paintings. The composition of the print, with the castle situated amidst the verdant trees and the inclusion of human and animal figures, creates a harmonious balance between the built environment and the natural world, reflecting the romantic sensibilities of the time. The view "from the S.E. angle" provides a unique perspective of the castle, emphasizing its prominence and setting within the landscape. As a historical document, the print serves as a valuable visual record of Djursholm Castle and its environs in the early 1800s. As an artwork, it stands as a testament to Thersner's skill as an artist and his contribution to the tradition of Swedish topographical art. More about the maker: Ulrik Thersner was a multifaceted individual, having an impactful military career alongside his work as a draftsman and topographer. Born on April 2, 1779, in Kyrkslätt parish in Finland, Thersner began his military service early, becoming a ship's boy in the Swedish navy at the tender age of seven. His naval service during Gustav III's Russian War...

Antique print titled 'Les Patineurs'. Old lithograph of an ice skating scene made after a painting by Xavier Leprince. Artists and Engravers: L...

Antique print titled 'Het Kasteel Kroonenburg, gezien uit het Kattegat'. View of Kronborg Castle, Seeland, Denmark. This print originates from 'Denemarken in tafereelen' by Andre...

Reading the Will – Boilly Satirical Inheritance Scene, c.1823 Description: In Reading the Will, Boilly captures a moment of collective anticipation as relatives lean in to hear the ...

Flamingo & Swan – Antique hand-coloured lithograph, c.1828 Description: A graceful early 19th-century ornithological plate depicting two elegant waterbirds: the Flamingo (Le Flamand...

Pair of Hand-Colored Botanical Engravings of Garden Flowers, London 1828 Description: This beautifully preserved pair of early 19th-century botanical engravings exemplifies the arti...

Antique Fruit Prints by Poiteau and Turpin, Hand-Colored Botanical Engravings Description: This exquisite compilation features three antique bot...

Atlantic Puffin & Tufted Puffin – Antique hand-coloured lithograph, c.1828 A finely hand-coloured lithograph from the early 19th century showing two striking seabirds: the Atlantic ...

Title: Pair of Hand-Colored Botanical Engravings of Wild and Garden Flowers, London 1828 Description: This charming pair of early 19th-century botanical engravings reflects the refi...

Pair of Hand-Colored Botanical Engravings of Roses and Spring Flowers, London 1828 This charming pair of early 19th-century botanical engravings exemplifies the grace and precision ...

Pair of Hand-Colored Botanical Engravings of Garden Flowers, London 1828 This exquisite pair of early 19th-century botanical engravings exemplifies the precision and grace of Englis...

Spanish Woman from Madrid – Hand-Colored Engraving, Costume de divers Pays No.66, c.1820 This elegant hand-colored engraving, titled Costume de Madrid, is plate No. 66 from the seri...

Wonderful pair of cactus prints. Lithographs Original hand color Published by S.Curtis. Dated 1826 Unframed.

Grimaces Pl. 6 – Tobacco, Boilly Satire on Smoking, c.1823 Description: This plate humorously depicts reactions to tobacco, capturing indulgence, disgust, and habit with theatrical ...

Grimaces Pl. 5 – Male Emotions, Boilly Expressive Heads, c.1823 Description: Another striking study of male expression, this plate emphasises tension, suspicion, and exaggerated rea...

Grimaces Pl. 4 – Male & Female Expressions, Boilly, c.1823 Description: This mixed-gender composition brings together a variety of expressions, allowing direct comparison between ma...

Grimaces Pl. 2 – Female Emotions, Boilly Satirical Heads, c.1823 Description: This plate presents a lively study of female facial expressions, rendered with humour, sensitivity, and...

Grimaces Pl. 2 – Female Emotions, Boilly Satirical Heads, c.1823 Description: This plate presents a lively study of female facial expressions, rendered with humour, sensitivity, and...

Grimaces Pl. 1 – Male Emotions, Boilly Physiognomy, c.1823 Description: This plate from Boilly’s famed Grimaces series focuses on exaggerated male facial expressions, arranged in a ...

The Antiquaries – Boilly Satire on Collectors, Hand-Colored, c.1823 Description: The Antiquaries is one of Boilly’s most enduringly popular compositions, portraying a group of elder...

Consultation of Physicians – Boilly Satirical Medical Scene, c.1823 Description: One of the most iconic plates from Boilly’s Humorous Designs, Consultation of Physicians presents a ...

Title Page – Boilly, Humorous Designs, Satirical Lithograph, c.1823 Description: This lithograph is the original English title page for Humorous Designs, the celebrated satirical se...

Title: Traditional Woman from Majorca – Hand-Colored Engraving, c.1820 Description: This elegant hand-colored engraving, titled *Costume de Majorque* (Costume of Majorca), is plate No. 74 from the renowned series *Costumes de divers Pays*, published in Paris around 1820. Drawn by Gaté and engraved by Gatine, this piece captures a woman from the island of Majorca in her traditional attire, reflecting the refined charm and cultural richness of early 19th-century Mediterranean dress...

Woman of Aran, Spanish Pyrenees – Hand-Colored Engraving, c.1820 This striking hand-colored engraving, titled Femme d’Aran, Pyrénées espagnoles (Woman of Aran, Spanish Pyrenees), is...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original French Gran Tour D'APRES JACQUES-MARIE LE PERE Elevations of Two Sides of the Obelisk...

Traditional Headdresses from Italy and France: Florence, Ostia, Castà – 1823 This hand-colored lithograph, marked “No. 5,” is the fifth plate in a captivating 1823 series published in London by Baldwin, Cradock & Joy, illustrating traditional headdresses from across Europe. With a focus on Italian regional fashion, but also including a figure from Languedoc (France), the print showcases the diversity and creativity of 19th-century women's headwear in both ceremonial and everyday contexts. At upper left, a woman from Montefiascone wears a simple yet elegant white veil draped loosely over her hair and shoulders. Her scarlet sleeve ribbons and golden earring add a dash of vibrancy to an otherwise modest ensemble. In contrast, the central figure from Lariana dons one of the most dramatic headpieces on the sheet: a large, bright yellow hat embellished with blue ribbon and multiple ornamental loops. Her necklace with a red cross pendant suggests a religious or festival connection. To the upper right, the figure from Languedoc is rendered in profile wearing a striking purple bonnet with vertical ridges, trimmed with white lace, and set against a yellow collar. This French addition provides an interesting cross-cultural comparison within a primarily Italian series. The bottom row continues with a woman from Florence, shown from behind with her dark hair intricately braided and adorned with a long pink and white ribbon that drapes down her back—an emblem of grace and femininity. The central bottom figure from Ostia wears a wide-brimmed felt hat...

Royal House Antiques Royal House Antiques is delighted to offer for sale this stunning original Egyptian Gran Tour Thebes Karnak gold framed copper plate print 2nd ed. (Paris, 1829,...

1823 Hand-Coloured Engraving - Gauchos Lassoing Cattle in Buenos Aires, Argentina Description: This 1823 hand-coloured copperplate engraving from Friedrich Johann Bertuch's "Bilderb...

Portrait of Friedrich Wilhelm II, King of Prussia, circa 1810–1825 This finely executed antique print presents a distinguished profile portrait of Friedrich Wilhelm II (1744–1797), ...

Wonderful pair of botanical prints Lithographs after drawings by W.Herbert Original hand color Published by S.Curtis. Dated 1826 Unframed. Free shipping

Wonderful pair of botanical prints Lithographs after drawings by Curtis Original hand color Published by S.Curtis. Dated 1826 Unframed. Free shipping

1823 Hand-Coloured Engraving - Gaucho Hunting Ostrich with Bolas in the Pampas Description: This 1823 hand-coloured copperplate engraving by Theodore Goetz is from Friedrich Johann...

This illustration, titled "Péruvienne" and stemming from around 1820, likely portrays a European interpretation of a Peruvian woman, possibly an actress dressed for a theatrical role...

Title: Botanical Print: Mirabelle, St. Catherine, White Plum & Apricot, 1821 Description: This beautiful botanical print features four varieties of European stone fruits: the Mirabe...

Title: Roman Carnival Horse Race & Festive Corso - 1820 Etching Description: This dynamic 1820 etching, titled "Horse Race at Rome, in Carnival," vividly captures the exhilarating a...