18th Century and Earlier Prints

Paul to Timothy Engraving – St. Paul Foretells Death & Martyrdom c.1735 Description: This powerful antique engraving titled “The II Epistle of St. Paul to Timothy” depicts the Apost...

Rare, original antique print of leopards. Source unknown, to be determined. Published circa 1760.

Antique map titled 't Zuider Deel van Turks Europe genaamt Griekenland (..)'. Uncommon original antique map of Greece. This map originates from 'Nieuwe Natuur- Geschied- en Handelkun...

A view of the floating Chinese House at Ranelagh Gardens with a masquerade, the Rotunda in the background, after Antonio Canaletto (1697 - 1768). Engraved by by Thomas Bowles, 1754....

Pair of engraved illustrations from the American edition of “The whole genuine and complete works of Flavius Josephus”, by Flavius Josephus and translated from the original Greek by ...

Very nice engraving "dressing for the masquerade" by Francesco Bartolozzi after the painting by George Morland. It represents 3 characters in a ru...

Johann Seligmann Bird Print, Le Pivert Mouchese des Indes, Tab LXXVII, Circa 1770 The Johann Seligmann engravings of Le Pivert Mouchese des IndesTax LXXXVII is mounted in a decoupa...

Antique print titled 'Ceremonie nuptiale du Canada / Maniere dont les peuples du canada font le divorce'. Two prints on one page depicting wedding and divorce customs in Canada. This...

Antique print titled 'Emir Chef des descendans de Mahomet'. This print originates from 'Naaukeurige beschryving der godtsdienst-plichten, kerk-zeden en gewoontens van alle volkeren d...

A Dance at Ulietea – Society Islands Scene from Cook’s Voyages, c.1784 This finely hand-colored copper engraving titled A Dance at Ulietea, one of the Society Islands in the South S...

Each with crisp vivid colors of the most desirable tulip series.

"Ichthyological Masterpieces": Pair of Marcus Bloch Hand-Colored Fish Engravings Circa 1780 A fine pair of 18th-century hand-colored copperplate engravings by the renowned German ic...

Early Giovanni Battista Piranesi Castel Sant'Angelo Veduti Di Roma Wall Decor . Large 18th Century Etching / Engraving Of The Ruins Of Rome An Early Print Of Castle Saint Angelo By G...

Sea shell pair of engravings, from Index Testarum Conchyliorum by Niccolo Gualtieri, Engraved by Antonio Pazzi & Giuseppe Menabuoni, 1742. Pair of framed hand colored sea shell...

"Globe Aerostatique" a gilt framed hand-colored Engraving, French circa 1787, after Claude Louis Desrais, (1746-1816.) A pastoral scene featuring a tricolored balloon at the center. ...

Lofty pair of 18th Century French hand colored engravings of parrots in natural settings as discovered by noted naturalist George Louis Leclerc Comte de Buffon. Presented under glass...

The framed engraving of "Aurore and Cephalus" depicts the kidnapping of Prince Cephalus by Aurore, who has fallen madly in love with him. This work was created by Annibale Carracci ...

Set of six biblical prints from master French engraver, Jacques Callot, from his works of the Saints and Apostles. The works are float mounted with a deep beveled archival mat and fr...

Edward Edwards R.A. (English, 1738-1806) landscape engraving, published 1790 Paper: 6 by 4 ½ inches frame: 9 ½ by 9 ¼ inches

Title: Holy Week and Candlemas Rites – Rare 1734 Engraving of Catholic Liturgical Scenes Description: This rare and finely engraved 18th-century print presents six distinct Roman Ca...

Pair of Antique Engravings of Exotic Tropical Plants from Diderot’s Encyclopédie, ca. 1770 A fine pair of copperplate engravings from Denis Diderot and Jean le Rond d’Alembert’s mon...

Set of six engravings of Italian regional dress. Set of six framed antique engravings from a series of Italian regional dress after Alessandro d'...

Original 18th century color engraving print by renowned artist Pe. F.H. Bruegel. A fine crisp impression of great rarity; it is particularly unusual to find color engravings of th...

Afther a gouache by J Vingboons 1660s Beautiful Lithograph from 1910/20 Nieuw Amsterdam ofte nue nieuw Lorx opt Teyland Man . Very nice fresh colors . Comes with a old label on the...

Portique Corinthien du Château d’Écouen – Architectural Engraving by Louis-Pierre Baltard A finely detailed architectural engraving by Louis-Pierre Baltard (1764–1846) depicting the...

set 18 Century Hand colored Strawberry Engraving by Elisabeth Haussard 1700- 1804 Author: Henri-Louis Duhamel du Monceau (1700–1782) "Traite des Arbres et Arbustes"" Very famous ...

Set of eight 18th Century tropical palm tree and plant prints. From a selection of Georg Dionysius Ehret hand-coloured engravings depicting local flora of Barbados. Each is dedicat...

Original 18th century color engraving print by renowned artist Pe. F.H. Bruegel. A fine crisp impression of great rarity; it is particularly unusual to find color engravings of this...

"Mark Catesby (1683 – 1749) was an English self-taught artist and explorer who created one of the first folios examining the flora and fauna of North America. Catesby traveled to the...

Pair of framed neoclassical engravings, after works painted by Jean Jacques François Le Barbier (1738 - 1826) and engraved by Jean-Jacques Avril (1744-1831), dated 1789 for the paint...

Page 8 from Issac Ware's book "A Complete Body Of Architecture, Adorned With Plans and Elevations, From Original Designs, By Isaac Ware, Esq. Of His Majesty's B...

Knight of the Golden Fleece: 1791 Hand-Colored Engraving in Ceremonial Robes This regal hand-colored engraving, titled "Orden des goldenen Vlieses" (Order of the Golden Fleece), d...

Colored Etching "Bacchus" by artist Jean-Baptiste-Claude-Richard de Saint-Non , complete with frame. Archaeologist, draftsman, engraver (Paris 1727 - there 1791); abbot, was exiled t...

City of Albany, New York, Hudson River View – Antique Engraving, 1827 This finely detailed early 19th-century engraving titled City of Albany, in the State of New York presents a pa...

Title: Fortified Island in the Aegean Archipelago with Ships at Sea, circa 1680 Description: This copperplate engraving depicts a dramatic scene of a fortified island rising f...

Engraving by Louis de Surgis de Surugue after a painting by Jacques Dumont dit Le Romain. It is part of a series of 16 engravings illustrating "Le Rom...

This antique print, titled "Salvia Lutea Variegata," originates from Abraham Munting's renowned botanical work published in 1696. The print features the Salvia plant against an imagi...

Title: "1703 Copperplate Engraving of a Dutch Seaman’s Wife in Traditional Costume" Description: This rare copperplate engraving, created by Caspar Luyken and published by C. Wei...

The engraving depicts the assault and capture of the Danish fortress Friderichsodde (now known as Fredericia) located on the island of Fyn. The scene, captured on October 24, 1657, vividly illustrates the Swedish main army's takeover under the command of General Carl Gustaf Wrangel. This historical event is meticulously documented in the artwork, which showcases not only the military action but also the strategic landscape and fortifications characteristic of the time. Erik Jönsson Graf von Dahlberg, the artist behind this work, was a prominent Swedish field marshal, architect, and fortress builder. Born in 1625 and passing in 1703, Dahlberg's contributions to military and architectural fields were significant. He was renowned for his detailed and artistically valuable drawings which served as the basis for large-scale copperplate engravings. These engravings are of substantial topographical and architectural historical importance as they provide a detailed visual account of Swedish territories during the era. In 1661, Dahlberg began work on his magnum opus—a comprehensive geographical and historical depiction of Swedish territories, which received royal privileges. His journey in 1667-1668 to Paris for the engraving of the initial plates reflects the international scope and ambition of his project. However, the work was intermittently paused when Dahlberg was tasked in 1674 with overseeing all Swedish fortress constructions, a role that significantly impacted his career and works. The project resumed and was published in 1684, highlighting a significant period of Swedish history and military achievements under his visual documentation. MORE ABOUT THE BATTLE: The image is an intricate engraving depicting a battle scene. Based on the details and the text in the cartouche, the scene illustrates a significant historical battle involving Prussian forces. The presence of multiple ships and extensive fortifications suggests a combined land and naval engagement. Key Features in the Engraving: 1. Land Battle: The forefront of the image shows numerous troops, artillery pieces, and cavalry in action, depicting the intensity and scale of the land combat. 2. Naval Elements: Ships in the background indicate that this battle had a naval component, which would have been crucial for controlling trade routes or strategic waterways. 3. Fortifications: Extensive fortifications, including bastions and protective walls, suggest a well-defended location, possibly a city or a significant stronghold. Historical Context: From the text, it appears the battle involves "Prinz Heinrich," referring to Prince Henry of Prussia, who was an influential military leader during the reign of his brother, Frederick the Great. Under Frederick’s rule, Prussia engaged in several key conflicts, including the Seven Years' War (1756-1763), which saw major battles across Europe and involved complex alliances. Given the level of detail and the era suggested by the style of ships and fortifications, the battle was of the significant engagements during the Seven Years' War, where Prince Henry played a critical role. His campaigns often involved maneuvering to protect Prussia from multiple fronts, including naval engagements in the Baltic. Interpretation: This engraving serves not only as a historical document but also as a piece of propaganda, likely glorifying the prowess and strategic capabilities of the Prussian military...

Niccolo Gualtieri, Florentine Conchologist/ Artist- Two Framed 1742 Italian Hand Colored Copper Bookplate Engravings- Seashells, From Gualtieri's book "Index Testarum Conchyliorum......

"Phytanthoza Iconographia": Set of Four 18th-Century Weinmann Engravings of Grapes Circa 1740 A superb suite of four original antique botanical e...

John Nieuhoff Exotic Fish Prints Set of Five Hand-Colored Engravings c1704 This rare and attractive group of five hand-colored engravings depicts a diverse selection of exotic marin...

Please read the entire description carefully, as we strive to provide complete technical and historical details to ensure the authenticity of our objects. These two “faux bamboo” frames enclose color prints on paper, depicting compositions of marine corals in strange and rare shapes. The print on the left depicts a seaweed-shaped coral, with intricate details reminiscent of some species of the genus Acropora; the composition on the right depicts a coral belonging to the Gorgonian family, with the peculiarity of being depicted coiled on itself. These colored prints, made in Italy, date from a time when naturalists and illustrators created detailed plates to document and study marine flora and fauna, and can be dated between 1750 and 1770. Their uniqueness lies in the fact that they were used as a medium for writing a text (a letter)at the same time or shortly thereafter. Antique color prints with handwritten text on the entire surface represent an example of an ancient practice called manuscript on image or illustrated manuscript. This technique was widespread in various eras and contexts, both artistic and practical. In medieval manuscripts, it was common to embellish texts with elaborate miniatures, illustrations, and initial letters, often in color. Although not entirely identical, this practice reflects the historical interest in the integration of text and image. During the Victorian period and into the early 1900s, it was common to write letters and messages on picture postcards, often embellished with colorful images and decorations, with lettering covering part or all of the illustration. Japanese ukiyo-e prints often combined images with poems or handwritten descriptions, and this practice spread between the 17th and 19th centuries. Modern and contemporary artists have taken up and reinterpreted this tradition: for example, German artist Anselm Kiefer has created works that combine images with handwritten text across the entire surface. In short, handwriting on color prints was not as common as simple illustrations, but there are numerous historical and modern examples of how text and image can be combined in unique and creative ways. Another notable detail of our prints is that the one on the right has the price “5 soldi” imprinted at the top. The "soldo" is a historical Italian currency with a long and rich history. The soldo originated in the Middle Ages, with the first documented issuance dating back to the Carolingian Empire, around 800 AD. The term “soldo” derives from the Latin word “solidus,” which was a Roman gold coin...

Friedrich Justin Bertuch (Germany 1747-1822) Original handcolored engraving of "The Wheat Weevil” from the volume Harmful Insects of Bilderbuch für Kinder (Picture Book for Chil...

A rare period hand colored etching of the Robert Adam designed bridge at the Chataeu de Sion. Unframed. Paper size: 19.5" x 25.75. Image size: 18" x 23.5". From 'The Works in Archite...

Bending Male Nude Study after de Lairesse German Drawing Manual c1745 Description: This compelling academic study of the male nude originates from the German edition of Gérard de La...

Military Procession with Spoils of War After Gerard de Lairesse Rossetti c1700 A large early 18th-century etching and engraving by Domenico Rossetti, after a composition by the cele...

The first road maps of England. London to Holyhead and London to Carlisle. Nicely framed and matted. These are plates removed from a book. These are fir...

Hand-colored copperplate engraving depicting an interesting old view of Copenhagen seen from Frederiksberg Castle Gardens, approximate. 1790-1800. Framed in a mahogany frame from sam...

This illustration is from Eleazar Albin's work, as indicated by the signature "E. Albin del.", meaning "drawn by Eleazar Albin". It is a plate from his series on natural history, spe...

August Johann Rosel von Rosenhof (British, 1810-1893) A set of two framed hand-colored engraving on hand laid paper from Historiae Polyporum., by Augustus Johannes Roesen von Rosenh...

A set of three custom framed lithographs by Italian print maker Marco Carloni ( 1742-1796 ). These classical Italian drawings, engraved in the 18th century, have each been presented ...

Set ancient Roman frescos from the series "Antiquities of Herculaneum", an original etching on paper by Nicola Fiorillo in the 18th Century. Three hand colored copper engravings of classical roman. Each print is matted in a custom made silk mat that matches the clothing. Engraving with two figures measures 21.25" x 18.25". The other two prints measure 20.5" x 16.5". Size includes mat. # greek Pompeii Grand tour

Antique print titled 'Emir Chef des descendans de Mahomet'. Old print of an Islamic Emir on a horse. This print originates from 'Ceremonies et coutumes Religieuses (..)'. Art...

Title: "Golf de Fréjus" Description: This antique map, titled "Golf de Fréjus," is an original depiction of the region of Fréjus, France. It is part of the work "Le Petit Atlas Mari...

English Galleons & Dutch Vessels, Naval Ship Engravings, Coronelli 1690 This copper-engraved plate presents two detailed ship studies, published in 1690 in Vincenzo Coronelli’s Atla...

18th century George III set of six mezzotints depicting Lucretia, circa 1780, ‘Domestic Happiness’, ‘The Elopement’, ‘The Virtuous Parent’, ‘Dressing for Masquerade’, ‘The Tavern Door’, ‘The Fair Penitent’. Engraved by John Raphael Smith, (1751 – 1812) and painted by George Morland, (1763 – 1804). Engraved by John Raphael Smith, (1751 – 1812) was a British painter and mezzotinter, son of Thomas Smith of Derby, the landscape painter, and father of John Rubens Smith, a painter who emigrated to the United States. Smith became a London publisher from 1781, including among his clients the radical writer and artist William Blake. A prolific mentor of apprentices, he shared plates with at least thirty other London printers. In this group was J. M. W. Turner, Charles H. Hodges, William Ward, Thomas Girtin...

Charming pair of engravings representing gallant scenes engraved by Jacques Firmin Beauvarlet after the works of Carle Van Loo. These two works are entit...

"Metamorphosis of Surinamese Insects by Merian" This exquisite original engraving is Plate 32 from Maria Sibylla Merian's seminal work, "Metamorphosis Insectorum Surinamensium...

Title: Camp of Israel and the Ceremony of the Red Heifer – Hand-Colored Optical Print, ca. 1770 This vivid hand-colored copperplate engraving titled “Vue du Camp d’Israel et de la C...