Portrait of Fernando Alvarez de Toledo y Pimentel, Grand duke of Alba, c.1690

Antique portrait titled 'Ferdinandus Alvares van Toledo (..)'. Old portrait of Fernando Alvarez de Toledo y Pimentel or Ferdinandus Toletanus Dux Alb...

Antique Portrait Alexander Farnese – Spanish Netherlands Governor, c. 1750 This finely executed 18th-century etching portrays Alexander Farnese (1545–1592), Duke of Parma and Piacen...

Antique portrait titled 'Carolus III Hispania'. Original antique print of Charles III of Spain. The print shows the king illustrated with the symbols of royal power and war, as well as with several archaeological pieces...

Antique print titled 'Don Fernando Alvares'. Fernando Álvarez de Toledo y Pimentel, 3rd Duke of Alba, GE, KOGF, GR (29 October 1507 – 11 December 1582), known as the Grand Duke of Alba in Spain and the Iron Duke in the Netherlands, was a Spanish noble...

Important large-scale official portrait depicting Eduardo de Sada y López-Lisperguer, 6th Marquis of Campo Real, dressed in the uniform of a knight of the Royal Maestranza of Caballe...

(after Anthonie Van Dyck) Engraving on cream laid paper, 9 1/4 x 6 3/8 inches (234 x 161 mm), full margins. Water stain throughout bottom, diagonal creases in the area of the bottom right corner, paper tape along top edge on recto. A very well inked impression. __________Flemish painter and engraver Paulus Pontius was born in Antwerp in 1603, and it was in this city that his full life would unfold. At the young age of 13, he was apprenticed to the still life painter Osias Beert, and subsequently to Lucas Vosterman, who was heavily associated with the workshop of Peter Paul Rubens. Vosterman trained Pontius in the skill of engraving, which he took to immediately, finding he had great skill at recreating paintings. Pontius was able to capture the minutiae of light and shadow found on the canvas, and mastered the ability to accurately render the subtleties of brushwork in this alternate media. His success as an engraver cemented his role in the workshop of Rubens, and in 1624, when Vosterman found himself at odds with Rubens, and left Antwerp for England, Pontius assumed his role as foremost engraver in the workshop. It was in this year that Pontius took up lodgings in Rubens's home, and continued to live there until 1631, when courtship and marriage (the first of three) brought him away. After the death of Rubens in 1640, Pontius embarked on a very successful career engraving reproductions of master works by artists including Rubens, Anthony van Dyck, Jacob Jordaens, Pieter van Avont, Abraham van Diepenbeeck...

Charles III, King of Spain is an etching on paper realized by Filippo Morghen after Camillo Paderni in the 1760s. Signed on the plate. Good conditions ...

Charles III, King of Spain is an etching on paper realized by Filippo Morghen after Camillo Paderni in the 1760s. Signed on the plate. Good conditions ...