Saul Steinberg, The Paris Review

Saul Steinberg Catalog "Derrière Le Miroir" No. 157 - March 1966 - Complete with all pages, including fourteen Saul Steinberg lithographs "Derrière Le Miroir" is a portfolio of lith...

Saul Steinberg was a Romanian-born American artist, best known for his work for The New Yorker, most notably View of the World from 9th Avenue. He described himself as "a writer who ...

Original vintage advertising poster for an art exhibition by Steinberg at Galerie Adrien Maeght featuring an illustration of a Native American silhouette in the shape of the Statue of Liberty holding a torch wearing a red, white and blue feathered headdress, looking towards the iconic Art Deco Chrysler Building depicted in colourful lines and shapes with the Eye of Providence at the top of a pyramid and the motto of the Great Seal of the United States...

Original vintage art exhibition poster for the Recent Drawings by Steinberg held at Galerie Maeght Paris in April and May 1953 - Dessins recents...

350 drawings made during the artist's travels, in his usual satirical and witty style.Presentation copy from the artist, inscribed on the half-title page: ''Pour Ga' Jean & Pegeen , ...

Antique print titled ‘Histoire Sainte, Ancien Testament, David montrant à Saül le Morceau de son Manteau.’ This plate shows a scene from the Old Testament; David showing Saul the tip...

Åke Holm (1900–1980). Woodcut on paper. Composition with two figures (David and Saul). Artist: Åke Holm (1900–1980) Title/Motif: Composition with two figures (David and Saul) Techni...

Christo / The Pont Neuf Wrapped / Project for Paris, 1984 / Collage En Deux Partes Offset lithograph in colors on woven paper, published by Nouvelles Ima...

You can see her work in the permanent collections of The Whitney, The Tate and MoMA. And now, you can hang this powerful photographs on the walls of your own home. Valerie in the t...

Beautiful lithograph on wove paper with a watermark, BFK Rives, signed, titled, and published by the Société Française des Amis des Arts around 1900. Title "Les bulles de savon" (The Soap Bubble Game) lithographed by Jules-Gabriel Dubois-Menant (1855-1921), after the painting by Joseph Bail (1862-1921) The lithograph is in very good condition with a small amount of sunning on the right edge of the sheet that will not be visible when the print is framed. Dimensions: "Les bulles de savon" print: Sheet: 320 x 456 mm - Engraving: 210 x 305 mm + signature Engraved signature: Duboismenant below the lithograph on the right & Embossed stamp/Signature of the Société Française des Amis des Arts below the print in the lower right corner. Jules Gabriel Dubois-Menant (1855-1921) was a French painter, lithographer, and photographer specializing in portraiture. In addition to portraits painted in oils and pastels, he produced original and reproduction lithographs. He was a member of the Society of French Lithographers, for which he wrote a booklet. He participated in the series of Painters-Lithographers albums from 1892 onward, and later joined the Society of Painters-Lithographers. One of his notable lithographs is The Old Goat Sheepfold, as well as a portrait of Jules Verne (Salon of 1897). Joseph Bail (1862-1921) was a French naturalist painter. Younger brother of the painter Franck Bail (1858-1924), Joseph Bail received his first training from his father, Antoine Jean Bail (1830-1919), a practitioner of the realist tradition of genre subjects, before passing through the studios of Jean-Léon Gérôme and Carolus-Duran[2]. As a teenager, he produced his first still lifes in 1878 (Sea Fish and Oysters). A year later, he presented works at the Salon des Artistes Français. A few years later, he became one of the youngest recipients of the medal of honor for his painting Trinkets from the Cluny Museum at the Salon of 1886, then for his famous The Kitchen Boy (1887). Passionate about the world of gastronomy, he painted food as much as those who helped to prepare it. He portrays the kitchen boys in different ways in La Cigarette ou Le Repos (1892), as well as in La Besogne faite (1893), where the young assistant, slumped on a chair, casually smokes a cigarette. He continued in the same vein with Les Cuisiniers (1894), Reflections of the Sun (1895), and Battle of Dogs (1896). He received the gold medal at the 1900 World's Fair for three major works: Le Goûter (Tea Time), Bulles de savon (Soap Bubbles), and La Servante (The Maid).[4] The Société Française des Amis des Arts was founded in 1885 at the Palais de l'Industrie for the development of the arts, supported by numerous eminent subscribers: Messrs. Gaston Doumergue (President of the French Republic), Baron Edmond de Rothschild, Count Greffulhe, the brothers Alfred, Jules and Léon Bernheim, Louis Boucheron, Edgar Brandt, Emile Buland, Paul Chabas, Viscount Guy de Dampierre, Colonel Francis E. Drake, André Fallières, Louis Lévy, Paul Louchet, Maurice Moisset, Louis Montagné...