Seated Spanish Nobleman: The Visage of Authority, 1847

Title: "Venetian Dignity: The Doge in Contemplation" Description: This handcolored historical print captures a Doge of Venice in a moment of solemn reflection. The Doge, as the chie...

The image depicts a man identified as a "Gentilhomme de la cour de Sigismond, empereur d'Allemagne," which translates to "Gentleman of the court of Sigismund, Emperor of Germany." This individual is portrayed in a profile stance, dressed in attire that is indicative of the high-status courtiers during the time of Emperor Sigismund, who reigned in the early 15th century. He is wearing a turban-like headgear, which reflects the influence of Eastern fashion on European court attire, possibly due to the Ottoman influence or the general exchange of culture during the Crusades and subsequent interactions. His doublet is richly patterned and he has puffed sleeves in red, which were fashionable among the nobility during the period. The garment is accented with a decorative belt that holds what appears to be a purse or a pouch. He also sports tight blue hose and pointed shoes, which complete the ensemble typical of a nobleman or a high-ranking court official in the Holy Roman Empire. Egg whites can be applied as a varnish over pigments to enhance their brightness and to protect the colors. This application could make the colors appear more vivid and also add a slight glossy sheen to the surface of the image. Egg yolk, on the other hand, was commonly used as a binding agent in paint. It forms the basis of tempera paint, a medium that was widely used before the advent of oil painting. Egg yolk helps to create a durable and long-lasting color that adheres well to various surfaces. In the context of the print from 1847, it's less likely that egg whites or yolks were used directly on the print, as by that time, commercial printing processes would have been more advanced and less reliant on such manual methods. However, if this print is a representation of an earlier style or is meant to mimic the appearance of hand-painted manuscripts...

Title: "Henry II of Castile: A Monarch's Contemplation" Description: This print from "Costume du Moyen Age" likely dating from 1847, presents Henry II of Castile, standing in a pens...

Title: "Medieval Bourgeois: A Portrait of Urban Sophistication" Description: This print appears to depict a man of the bourgeoisie, the urban middle class, during the medieval perio...

Uses and Customs - Charles Calvo sitting on the throne is a lithograph on paper realized in 1862. The artwork belongs to the Suite Uses and customs of all the peoples of the univers...

French Louis XIV style framed lithograph of a lord in Baroque attire towards the end of Louis XIV\'s reign in a wooden black and silver frame (Similar group of prints NWL6152A-J) Go...

French 19th-century framed lithograph of a Parisian noble family and their architect in Byzantine attire discussing architectural ground plans in a wooden black and silver frame (Sim...

French 19th-Century framed lithograph of King Henry III of France with his companions in leisure in Renaissance attire in a wooden black and silver frame (Similar group of prints NWL...