Items Similar to Selection of Black and White Lithographs by Kandinsky Chillida Ubac Raynaud
Want more images or videos?
Request additional images or videos from the seller
1 of 10
Selection of Black and White Lithographs by Kandinsky Chillida Ubac Raynaud
$575per item
£435.73per item
€502.13per item
CA$813.21per item
A$874.54per item
CHF 467.62per item
MX$10,546.68per item
NOK 5,913.34per item
SEK 5,387.81per item
DKK 3,752per item
Quantity
About the Item
Selection of Mid-Century Modern Abstract Lithographs, recently professionally framed in vintage gilt wood frames under UV resistant glass. They are priced at $575 each or $2000 for all four works.
From left to right, as seen in the first photo, they are:
1) Abstract lithograph by Raoul Ubac, from the limited edition portfolio Le Derriere Miroir, France, circa 1960s. It measures 14"H x 12.75"W x 1"D.
2) Abstract lithograph by Wassily Kandinsky, from the limited edition portfolio Le Derriere Miroir, France, circa 1960s. It measures 17"H x 13.75"W x .75"D.
3) Abstract lithograph by Patrick Raynaud, from the limited edition portfolio Revue Noise, France, circa 1980s. It measures 15.5"H x 11.5"W x .5"D.
4) Abstract lithograph by Eduardo Chillida, from the limited edition portfolio Le Derriere Miroir, France, circa 1960s. It measures 9.25"H x 8.5"W x .5"D.
- Creator:
- Dimensions:Height: 9.25 in (23.5 cm)Width: 8.5 in (21.59 cm)Depth: 0.5 in (1.27 cm)
- Style:Mid-Century Modern (Of the Period)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:1960s
- Condition:Wear consistent with age and use. Very good condition. Various surface scratches, rubs, and wear, mainly to the outside edges of the gilt frames.
- Seller Location:Atlanta, GA
- Reference Number:1stDibs: LU871831996522
Eduardo Chillida
Eduardo Chillida studied in Madrid and then went to Paris, where he was influenced by Pablo Palazuelo in his first figurative work, done in plaster and clay. Other influences were Frank Lloyd Wright, Albert Giacometti and Joan Miro. In 1950, he began doing printmaking lithography, woodcuts, etchings, drypoints and silkscreens. His graphics are not related to his sculpture but are creative expressions unto themselves. During the 60s, his graphics tended to be massive black lines on white, giving the appearance of realistic shapes.
Raoul Ubac
Born in 1910, Raoul Ubac is an artist from the New Ecole in Paris. Raoul Ubac spent his early childhood in Germany (Prussia) between Cologne and Frankfurt.He returned to Paris in 1930 and enrolled in the Sorbonne.Then he met André Breton and frequented the surrealists and artists of Montparnasse.He undertook numerous trips across Europe and photographed the island of Hvar (now Croatia) of found stone assemblies. Then, on the advice of Otto Freundlich, German painter and sculptor, he enrolled in the School of Applied Arts where he worked in drawing and photography.First of all, he is most interested in photography and is experimenting with processes of burning, solarization and petrification. He participated in the activities of the surrealists and exhibited under the pseudonym of Raoul Michelet at the Exposition Internationale du Surreéalisme in 1935, the first surrealist exhibition taking place in Belgium. From 1936 he learned engraving in the studio of artist Stanley William Hayter and began to make photomontages.In 1970 he founded the magazine «L'invention collective» with René Magritte and then collaborated in the magazine «Messages» where he met Raymond Queneau and Paul Eluard. After the war, he gradually moved away from surrealism and abandoned photography. Raoul Ubac then embarks on drawing with a pen to create to launch himself in drawing with a feather and then engraving on slate to make gouaches, and ends up approaching the painting with an egg.He paints on panels covered with amalgamated resins which constitute a synthesis of his work and his research, dealing with the themes of bodies and furrows, subjects of predilection until his death. In 1968 a retrospective of his work was presented in Brussels and at the Musée d'art moderne in Paris. Raoul Ubac received the Grand Prix national des arts in 1973. He was responsible for several sets of stained glass windows as well as reliefs, high reliefs, wall decorations and models of tapestries for public and private buildings. He has also illustrated with his drawings, engravings and lithographs some thirty books and is the author of the cover of the journal «Argile» published by Maeght from 1973 to 1981. Ubac’s works are part of many collections of museums in France and Europe. In 1980, the French Post Office issued a stamp reproducing one of its creations. Raoul Ubac died on March 24, 1985.
About the Seller
4.7
Vetted Professional Seller
Every seller passes strict standards for authenticity and reliability
Established in 1996
1stDibs seller since 2009
2,472 sales on 1stDibs
Typical response time: 2 hours
- ShippingRetrieving quote...Shipping from: Atlanta, GA
- Return Policy
More From This Seller
View AllSelection of Black and White Abstract Prints
By Aaron Siskind
Located in Atlanta, GA
Selection of black and white abstract prints. From left to right, they are:
1) Abstract lithograph by Terry Haan, circa 1960s. Pencil s...
Category
Antique 1820s Austrian Empire Prints
Materials
Alabaster, Bronze
$750 / item
Abstract Lithographs by Josef Albers from Formulation and Articulation
By Josef Albers
Located in Atlanta, GA
Josef Albers abstract lithographs from Formulation and Articulation, published by Harry N. Abrams Inc., New York, and Ives Sillman Inc., New Haven, circa 1972. These works are from P...
Category
Vintage 1970s American Mid-Century Modern Prints
Materials
Glass, Wood, Paper
Palazuelo Lithographs 16.5"H x 12.5"W Mid Century Modern Abstract Art
Located in Atlanta, GA
Selection of Palazuelo lithographs, France, circa 1960s. They are priced at $450. They measure 16.5"H x 12.5"W framed. We purchased a group of these lithographs from the estate of a ...
Category
Vintage 1960s French Mid-Century Modern Prints
Materials
Glass, Wood, Paper
Lithographs by Josef Albers from Formulation and Articulation
By Josef Albers
Located in Atlanta, GA
Josef Albers abstract lithographs from formulation and articulation, published by Harry N. Abrams Inc., New York, and Ives Sillman Inc., New Haven, circa 1972. These works are from P...
Category
Vintage 1970s American Mid-Century Modern Prints
Materials
Glass, Wood, Paper
Black and White Lithographs by Josef Albers from Formulation and Articulation
By Josef Albers
Located in Atlanta, GA
Josef Albers abstract lithographs from formulation and articulation, published by Harry N. Abrams Inc., New York, and Ives Sillman Inc., New Haven, circa 1972. These works are from p...
Category
Vintage 1960s American Mid-Century Modern Prints
Materials
Glass, Wood, Paper
Abstract Lithographs by Josef Albers from Formulation and Articulation
By Josef Albers
Located in Atlanta, GA
Josef Albers abstract lithographs from Formulation and Articulation, published by Harry N. Abrams Inc., New York, and Ives Sillman Inc., New Haven, circa 1972. These works are from P...
Category
Vintage 1970s American Mid-Century Modern Prints
Materials
Glass, Wood, Paper
You May Also Like
Eduardo Chillida, Original Vintage Lithograph on cardboard, Framed
By Eduardo Chillida
Located in Warszawa, Mazowieckie
Eduardo Chillida
Lithograph on cardboard
Number T 169/1000
The work is signed by the artist and individually numbered (pencil)
Work dimensions 47/34
The work is framed
Eduardo Chillida(1924 - 2002). He was a Spanish artist. He began his career in 1943, studying architecture at the University of Madrid, but in 1947 he took up drawing and sculpture. In 1948 he moved to Paris, then the world capital of art. Although he dropped out of college, his work betrays his architectural training, revealing an underlying sense of structural organization as well as material discipline, planning spatial relationships, and scaling elements. For years, the artist used materials that were the basis for his research on conceptual and metaphysical issues. Chillida's early efforts in stone and plaster oscillated between humans and the natural world. His return to the Spanish Basque country in 1951 initiated a change of vision, focusing more on the metamorphosis of space and the definition of spatial volume through form. Chillida soon abandoned the plaster he had used in his Paris works in favor of iron, then wood and steel. These materials represent Basque traditions in industry, architecture and agriculture, and recall the landscape and black light of the region. Chillida began using alabaster for its illuminated but veiled appearance, he used it in the sculpture How Deep is the Air (1996). Despite his use of a variety of media, Chillida's intentions for simplicity and balance never allowed the material to take on a form alien to its nature. He was consistently guided by the quality of space, density and rhythm. Major retrospectives of Chillida's graphic and sculptural works have been exhibited by the Museum of Fine Arts, Houston (1966), the Carnegie Institute, Pittsburgh (1979), the National Gallery of Art, Washington, D.C. (1979), the Guggenheim Museum (1980), the Palacio de Miramar, San Sebastián (1992), and Museo nacional centro de arte Reina Sofía, Madrid (1999). Chillida's monumental sculptures designed for urban and more remote spaces are permanently installed internationally and constitute a central aspect of his artistic production. Chillida has received numerous awards, including the Grand International Sculpture Prize at the Venice Biennale (1958), the Kandinsky Prize (1960), the Carnegie Prize for Sculpture (1964), the Andrew Mellon...
Category
1990s Spanish Mid-Century Modern Decorative Art
Materials
Paper
$1,901 Sale Price
20% Off
Free Shipping
Eduardo Chillida Lithograph, 1975 — Artist’s Proof (P.A.), Framed
By Eduardo Chillida
Located in Barcelona, ES
Rare small lithograph by Eduardo Chillida, created in 1975 and originally produced as an invitation for one of the artist’s exhibitions. This piece comes from a scarce Épreuve d’Arti...
Category
1970s Abstract Abstract Prints
Materials
Paper
Mármol y Plomo Prints by Eduardo Chillida, Framed, Post-Modern, 1990s
By Eduardo Chillida
Located in Valencia, VC
Two Prints of Eduardo Chillida’s "Mármol y Plomo"
We are offering two prints of Eduardo Chillida’s art works "Mármol y Plomo," created during the 1980s as part of a special edition ...
Category
1990s Spanish Post-Modern Prints
Materials
Paper
Black and White Suprematist Lithograph by Vastian – Signed
Framed
Located in Barcelona, ES
A bold and striking black-and-white lithograph by contemporary artist Vastian, executed in the Suprematist style. This piece embodies the movement’s radical approach to abstraction, ...
Category
2010s Spanish Mid-Century Modern Prints
Materials
Paper
Eduardo Chillida Spanish Artist 1980 Original Poster lithograph Unsigned
By Eduardo Chillida
Located in Miami, FL
"Eduardo Chillida (Spain, 1924-2002)
'Museum of Art Carneige Institute Pittsburg', 1980
Original poster from 1980
lithograph on paper
12.6 x 25.6 in. (32 x 65 cm.)
Unsigned
Unframed
...
Category
1980s Abstract Figurative Prints
Materials
Lithograph
"Homenaje a Picasso" - 20th Century Print by Eduardo Chillida, Abstraction
By Eduardo Chillida
Located in Köln, DE
This is one of the most important motifs in the graphic oeuvre of Chillida. The Spanish artist is very well known for his large-scale sculptures which can be found in public as well ...
Category
1970s Abstract Abstract Prints
Materials
Aquatint
More Ways To Browse
Victorian Brush
Vintage Airplane Sculpture
Vintage Bennington Pottery
Vintage Ceramic Pheasants
Vintage Dryer
Vintage Escutcheon Plate
Vintage Film Reel
Vintage French Trumpet
Vintage Horse Blankets
Vintage Hunting Signs
William And Mary English Baroque
William Cross
Wood Chinese Temple
17th Century Keys
18th Century Bracket Clock
1950s Televisions
1950s Tv
19th Century Italian Marble Clocks















