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St. Anthony of Padua, c.1905 German Devotional Chromolithograph with Christ
$588.44
£435.83
€490
CA$804.96
A$876.04
CHF 464.39
MX$10,539.42
NOK 5,889.93
SEK 5,388.87
DKK 3,733.88
About the Item
St. Anthony of Padua with Infant Christ, c.1905 German Chromolithograph (Seiberl)
This beautiful early 20th-century chromolithograph of St. Anthony of Padua holding the Infant Christ is an authentic German devotional print produced around 1905–1925. Rendered after an artwork by Seiberl, a known religious painter active in Southern Germany, the print captures the characteristic softness, luminous colour transitions, and gentle emotional tone that made his compositions widely used in Catholic devotional imagery. The scene depicts St. Anthony embracing the Christ Child, both haloed, surrounded by lilies, roses, and soft landscape tones. This tender, intimate moment – with the Child Jesus touching the saint’s face – is one of the most iconic depictions of St. Anthony in Catholic art.
The multilingual caption along the lower margin identifies the print for international Catholic distribution: “Hl. Antonius von Padua. St. Anthony of Padua. St. Antoine de Padoue. S. Antonio di Padova. S. Antonio de Padua. Święty Antoni. Paduai Szt. Antal.” This reflects the global reach of German devotional publishers, who supplied churches, monasteries, and Catholic households throughout Europe and the Americas. The imprimatur line reads: “Imprimi permittitur. Ordinariatus episcopalis Limburgensis.” This confirms official ecclesiastical approval from the Episcopal Ordinariate of Limburg, a detail found only on genuine early 20th-century Catholic prints. The note “Printed in Germany” indicates production by a major German chromolithographic press, likely based in Munich, Cologne, or Stuttgart.
This work is unquestionably an original chromolithograph, not a modern reproduction. The image displays the telltale characteristics of true stone-layered chromolithography: velvety colour fields, soft gradients without digital dots, and a matte surface typical of early 20th-century lithographic stock. The fine stippled texture of the pigments, the crisp multilingual caption, the Seiberl signature, and the period imprimatur all confirm its authenticity. These devotional prints were highly valued in Catholic homes and parish buildings and were often hung near family altars; surviving examples in such vivid colour and clean condition are increasingly rare.
Condition Report: Very good condition. Colours strong and unfaded. Slight age toning to extreme margins and a few minor handling marks consistent with age. No tears, losses, creases, or repairs observed. Bottom captions and imprint remain sharp and fully legible.
Ideal for framing in a warm gilded or walnut frame to complement the luminous haloes and the warm brown tones of the habit. A cream or ivory mat enhances the devotional atmosphere and highlights the soft greens and floral details. A slim black frame with a wide mat gives a more contemporary presentation while preserving the spiritual character of the image.
Technique: Chromolithograph
Maker: German Devotional Press, after Seiberl, printed in Germany, c.1905
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- Dimensions:Height: 20.87 in (53 cm)Width: 15.6 in (39.6 cm)Depth: 0.01 in (0.2 mm)
- Materials and Techniques:
- Place of Origin:
- Period:
- Date of Manufacture:ca.1905
- Condition:Very good condition. Colours strong and unfaded. Slight age toning to extreme margins and a few minor handling marks consistent with age. No tears, losses, creases, or repairs observed. Bottom captions and imprint remain sharp and fully legible.
- Seller Location:Langweer, NL
- Reference Number:Seller: BG-14165-11stDibs: LU3054347801862
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St. Aloysius Gonzaga, c.1900 German Devotional Chromolithograph (Printed in Germany)
This early 20th-century German chromolithograph presents a serene and contemplative portrait of St. Aloysius Gonzaga, one of the most revered saints of the Catholic Church and patron saint of youth and purity. Produced around 1900 by a major German devotional press, the print displays the refined craftsmanship and rich colouring typical of the period’s finest chromolithographic work. The composition shows the young saint in quiet adoration of the crucifix, his head tilted in prayerful devotion, surrounded by classic symbols of sanctity and purity: lilies, rosary beads, devotional books, and the deep red cloth of an altar.
Unlike the more dramatic depictions from the same era, this version places Aloysius within a softly rendered church interior, with a framed image of the Virgin and Child visible behind him. His vestments are delicately modelled, with lace edging and soft shading achieved through multiple lithographic stones, each layer adding depth and texture to the fabric. The gentle gradation of colour in the background and the luminous golden halo around the saint reveal the technical mastery of German chromolithographers working circa 1900–1915.
The lower margin includes multilingual captions—“Hl. Aloysius von Gonzaga. St. Luigi di Gonzaga. St. Louis de Gonzague. St. Luis Gonzaga. St. Aloysius of Gonzaga.”—reflecting the widespread international distribution of German devotional prints. The imprimatur line, “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirms official Church approval for its publication. The imprint “Printed in Germany” situates the work in one of the major German centres of religious chromolithography, likely Munich or Cologne, where high-quality devotional images were produced for Catholic communities across Europe and the Americas.
This print is unquestionably an original chromolithograph. The velvety colour fields, stippled pigment textures, soft transitions, crisp typesetting, and characteristic matte paper all confirm authentic stone-based printing rather than modern offset or digital reproduction. Prints of St. Aloysius from this period were commonly displayed in Catholic schools, parishes, and youth chapels, making high-quality surviving examples increasingly desirable for both devotional use and collectors of sacred art.
Conditon Report: Very good condition. The colours remain bright and true, with light and even toning at the outer margins and minor handling marks typical of age. No tears, losses, creases, or repairs. The plate text and imprimatur remain sharp and fully legible.
Tips for Framing: Ideal for framing in a dark walnut or gilded frame to complement the warm reds and golds of the composition. A cream or ivory mat helps emphasize the saint’s pale vestments and the purity symbolized by the lilies. For a more modern presentation, a slim black frame with a wide mat creates elegant contrast while preserving the devotional atmosphere.
Technique: Chromolithograph
Maker: German Devotional Press, printed in Germany, c.1900
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Category
Early 20th Century German Prints
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St Joseph and Child Jesus with Lily, Antique German Chromolithograph c.1900
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St Joseph and Child Jesus with Lily, Antique German Chromolithograph c.1900
This beautifully composed late 19th–early 20th century German chromolithograph presents a tender devotional scene of Saint Joseph with the Child Jesus, one of the most beloved themes in Catholic sacred imagery. Saint Joseph is seated in a humble workshop interior, gently resting his hand on his chest while the Christ Child offers him a white lily, the universal symbol of purity, obedience, and divine election. Both figures are encircled by radiant halos, reinforcing the sacred intimacy of this quiet, fatherly moment.
The composition is rich in symbolic detail: the carpenter’s tools behind Joseph reference his earthly labor and humility, while the soft pastoral landscape visible through the opening suggests God’s providence beyond the domestic sphere. The infant Christ, rendered with luminous skin tones and expressive gaze, embodies both innocence and divine authority. The lily rises vertically between them as a visual axis of spiritual virtue, creating a powerful yet gentle devotional message.
This print was produced using true chromolithography in Germany around 1900, a technique requiring multiple lithographic stones—one for each color layer. The softness of the tonal transitions, the saturated yet harmonious palette, and the velvety matte surface all confirm authentic period production. The lower margin bears the multilingual title “Hl. Joseph / St. Joseph / S. Giuseppe / S. José / Swięty Józef,” as well as the ecclesiastical approval line “Imprimi permittitur. Ordinariatus episcopalis Limburgensis,” confirming official Church authorization for devotional distribution. The imprint “Printed in Germany” further supports its origin within the great German religious printing houses of the era.
This type of high-quality devotional chromolithograph was originally intended for Catholic homes, chapels, schools, and religious institutions. Surviving examples in strong condition are now increasingly sought after by collectors of sacred art, Christian iconography, and historical devotional imagery.
Condition report
Very good condition. Strong, unfaded colors with excellent contrast. Light natural toning to the margins. Minor handling marks consistent with age. No tears, creases, restorations, or losses observed. The printed text and imprimatur remain crisp and fully legible.
Framing tips
This print presents beautifully in a warm gilt or dark walnut frame with a soft ivory mat to enhance the golden halos and the warm burgundy and olive tones of Joseph’s garments. For a more contemporary devotional presentation, a matte black frame with wide museum-style matting works equally well.
Technique: Chromolithograph
Maker: German devotional press, printed in Germany, circa 1900
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St. Aloysius Gonzaga, Chromolithograph with Crown, Skull and Crucifix, 1899
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This beautiful early 20th-century German chromolithograph depicts the Adoration of the Magi, one of the most cherished subjects in Christian art. Printed around 1900–1920 by a major German devotional press, the work displays the hallmarks of high-quality chromolithographic craftsmanship: deep, luminous color; soft tonal transitions; richly layered stone-based pigments; and a gentle atmosphere that recalls late 19th-century academic religious painting.
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Condition Report: Very good condition. Colors vivid and unfaded. Minor age toning to outer margins and small handling marks consistent with age. No tears, losses, or repairs observed. The bottom title and imprint text are sharp and fully legible.
Tips for Framing: Ideal for framing in a gilded or walnut frame to complement the warm palette and ceremonial richness of the scene. A cream or ivory mat enhances the devotional character and highlights the luminous tones of the garments. A darker frame with a wide mat can also create a refined, museum-style presentation.
Technique: Chromolithograph
Maker: German Devotional Press, printed in Germany, c.1900
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This beautiful late 19th-century German chromolithograph depicts one of the most tender and beloved scenes in Christian iconography: Jesus blessing the children. Christ stands centrally in a serene pastoral landscape, gently extending his hands in a gesture of protection and compassion, while two children approach Him with trust and reverence. The soft light of the halo frames His head, reinforcing the sacred presence, while the surrounding greenery and distant buildings create a peaceful biblical setting.
This image reflects the powerful theme from the Gospel of Matthew, “Let the little children come to me,” and was widely used in Catholic devotional culture for home altars, schools, and parish settings during the late Victorian period. The gentle facial expressions, flowing robes, and rich harmonious colors are all characteristic of high-quality German chromolithography from the late 19th century.
Chromolithography allowed for exceptional depth of color and painterly effects, closely imitating oil painting. This example shows especially fine tonal transitions in the robes, sky, and landscape, as well as excellent detail in the figures and foliage. The overall visual impression is warm, calm, and deeply devotional, making this print particularly appealing to Catholic art collectors and religious interiors.
Pieces of this type were often displayed in framed settings above prayer corners, in churches, or in Catholic family homes and have become increasingly collectible as surviving examples in good condition grow scarcer. Its subject matter gives it lasting spiritual and decorative appeal and makes it a timeless devotional artwork.
CONDITION REPORT
Good antique condition overall. Light even age toning to the paper, consistent with late 19th-century chromolithographs. Minor softening at the edges and faint handling traces visible upon close inspection. No major stains, no tears, and no restoration observed. The colors remain vibrant and well preserved.
FRAMING TIPS
This print would be beautifully enhanced with a classic gold-leaf or champagne-gilt wooden frame combined with a wide ivory or warm cream mat. For a more contemporary sacred interior, a soft walnut or dark oak frame with museum glass would provide excellent contrast and visual depth while keeping the devotional character intact.
TECHNIQUE
Chromolithography
MAKER
German devotional publisher, Germany, circa 1890
KEYWORD BLOCK
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Category
Antique Late 19th Century German Prints
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